Maniera Greca in Europe's Catholic East : : On Identities of Images in Lithuania and Poland (1380s–1720s) / / Giedre Mickunaite.

How and why does vernacular art become foreign? What does ‘Greek manner’ mean in regions far beyond the Mediterranean? What stories do images need? How do narratives shape pictures? The study addresses these questions in Byzantine paintings from the former Grand Duchy of Lithuania, contextualized wi...

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Superior document:Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2022
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Place / Publishing House:Amsterdam : : Amsterdam University Press, , [2023]
©2023
Year of Publication:2023
Language:English
Series:Central European Medieval Studies ; 6
Online Access:
Physical Description:1 online resource (238 p.)
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245 1 0 |a Maniera Greca in Europe's Catholic East :  |b On Identities of Images in Lithuania and Poland (1380s–1720s) /  |c Giedre Mickunaite. 
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490 0 |a Central European Medieval Studies ;  |v 6 
505 0 0 |t Frontmatter --   |t Table of Contents --   |t List of Illustrations --   |t Acknowledgements --   |t Introduction; or an eye in the debris --   |t 1. Silence --   |t 2. Negotiations --   |t 3. Translations --   |t Conclusions: the Greek image within temporal and semantic loops --   |t Index of personal names --   |t Index of geographical names 
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520 |a How and why does vernacular art become foreign? What does ‘Greek manner’ mean in regions far beyond the Mediterranean? What stories do images need? How do narratives shape pictures? The study addresses these questions in Byzantine paintings from the former Grand Duchy of Lithuania, contextualized with evidence from Poland, Serbia, Russia, and Italy. The research follows developments in artistic practices and the reception of these images, as well as distinguishing between the Greek manner – based on visual qualities – and the style favoured by the devout, sustained by cults and altered through stories. Following the reception of Byzantine and pseudo-Byzantine art in Lithuania and Poland from the late fourteenth through the early eighteenth centuries, Maniera Greca in Europe’s Catholic East argues that tradition is repetitive order achieved through reduction and oblivion, and concludes that the sole persistent understanding of the Greek image has been stereotyped as the icon of the Mother of God. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2024) 
650 0 |a Art, Byzantine  |x History  |z Lithuania. 
650 0 |a Art, Byzantine  |x History  |z Poland. 
650 0 |a Art, Byzantine  |x Influence. 
650 0 |a Art, Byzantine  |z Lithuania  |x History. 
650 0 |a Art, Byzantine  |z Poland  |x History. 
650 4 |a Art and Material Culture. 
650 4 |a History, Art History, and Archaeology. 
650 4 |a Religion and Theology. 
650 7 |a ART / History / Medieval.  |2 bisacsh 
653 |a Greek manner, Byzantine art, Morava School, Catholic Church, visual experience, verbal expression, confessionalism, Middle Ages, Early Modern period, Eastern Europe. 
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