Special Effects on the Screen : : Faking the View from Méliès to Motion Capture / / ed. by Martin Lefebvre, Marc Furstenau.
Since the very first days of cinema, audiences have marveled at the special effects imagery presented on movie screens. While long relegated to the margins of film studies, special effects have recently become the object of a burgeoning field of scholarship. With the emergence of a digital cinema, a...
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Special Effects on the Screen : Faking the View from Méliès to Motion Capture / ed. by Martin Lefebvre, Marc Furstenau. Amsterdam : Amsterdam University Press, [2022] ©2022 1 online resource (518 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Cinema and Technology Frontmatter -- Table of Contents -- Introduction -- Concepts -- 1. Mind(ing) the Gap -- 2. Images as Visual Effects -- 3. The Pragmatics of Trucage: Between Feigning and Fiction -- 4. Realism, Illusion, and Special Effects in the Cinema -- Techniques -- 5. .Trick-o-logics 1810/1910: The Magic of Tricks and Special Effects Between: the Stage and the Screen -- 6. Those Ordinary “Special Effects” -- 7. Black Magic: The “Space Between the Frames” in Cinematic Special Effects -- 8. Photography and the Composite Image , or A Portrait of Méliès as Bergsonian Filmmaker -- 9. From Trick to Special Effect : Standardization and the Rise of Imperceptible Cinematic Illusions -- 10. Special Effects and Spaces of Communication: A Semio-Pragmatic Approach -- 11. Image Capture, or The Control of Special Effects -- Films -- 12. Murnau’s Sunrise: In-Camera Effects and Effects Specialists -- 13. King Kong, An Open Perspective -- 14. Uncanny Visual Effects, Postwar Modernity, and House of Wax 3D -- 15. Oblivion: Of Time and Special Effects -- Envoi -- 16. The Effect of Miracles and the Miracle of Effects : Bazin’s Faith in Evolution -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Since the very first days of cinema, audiences have marveled at the special effects imagery presented on movie screens. While long relegated to the margins of film studies, special effects have recently become the object of a burgeoning field of scholarship. With the emergence of a digital cinema, and the development of computerized visual effects, film theorists and historians have been reconsidering the traditional accounts of cinematic representation, recognising the important role of special effects. Understood as a constituent part of the cinema, special effects are a major technical but also aesthetic component of filmmaking and an important part of the experience for the audience. In this volume, new directions are charted for the exploration of this indispensable aspect of the cinematic experience. Each of the essays in this collection offers new insight into the theoretical and historical study of special effects. The contributors address the many aspects of special effects, from a variety of perspectives, considering them as a conceptual problem, recounting the history of specific special effects techniques, and analysing notable effects films. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) Cinematography Special effects History. Film Studies. Film, Media, and Communication. Media Studies. ART / Digital. bisacsh Special effects, film theory, film history, film-philosophy. Albera, François, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Andrew, Dudley, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Belton, John, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bergstrom, Janet, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Crafton, Donald, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Cubitt, Sean, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Furstenau, Marc, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Furstenau, Marc, editor. edt http://id.loc.gov/vocabulary/relators/edt Jost, François, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kessler, Frank, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lefebvre, Martin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lefebvre, Martin, editor. edt http://id.loc.gov/vocabulary/relators/edt Lenk, Sabine, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Liandrat-Guigues, Suzanne, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Loew, Katharina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Marion, Philippe, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Odin, Roger, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Turquety, Benoît, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Whissel, Kristen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2022 9783110767094 Title is part of eBook package: De Gruyter DG Plus PP Package 2022 Part 2 9783110767001 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 9783110992809 ZDB-23-DPK Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2022 English 9783110992816 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English 9783110993899 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 9783110994810 ZDB-23-DGG https://doi.org/10.1515/9789048530205?locatt=mode:legacy https://www.degruyter.com/isbn/9789048530205 Cover https://www.degruyter.com/document/cover/isbn/9789048530205/original |
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Albera, François, Albera, François, Andrew, Dudley, Andrew, Dudley, Belton, John, Belton, John, Bergstrom, Janet, Bergstrom, Janet, Crafton, Donald, Crafton, Donald, Cubitt, Sean, Cubitt, Sean, Furstenau, Marc, Furstenau, Marc, Furstenau, Marc, Furstenau, Marc, Jost, François, Jost, François, Kessler, Frank, Kessler, Frank, Lefebvre, Martin, Lefebvre, Martin, Lefebvre, Martin, Lefebvre, Martin, Lenk, Sabine, Lenk, Sabine, Liandrat-Guigues, Suzanne, Liandrat-Guigues, Suzanne, Loew, Katharina, Loew, Katharina, Marion, Philippe, Marion, Philippe, Odin, Roger, Odin, Roger, Turquety, Benoît, Turquety, Benoît, Whissel, Kristen, Whissel, Kristen, |
author_facet |
Albera, François, Albera, François, Andrew, Dudley, Andrew, Dudley, Belton, John, Belton, John, Bergstrom, Janet, Bergstrom, Janet, Crafton, Donald, Crafton, Donald, Cubitt, Sean, Cubitt, Sean, Furstenau, Marc, Furstenau, Marc, Furstenau, Marc, Furstenau, Marc, Jost, François, Jost, François, Kessler, Frank, Kessler, Frank, Lefebvre, Martin, Lefebvre, Martin, Lefebvre, Martin, Lefebvre, Martin, Lenk, Sabine, Lenk, Sabine, Liandrat-Guigues, Suzanne, Liandrat-Guigues, Suzanne, Loew, Katharina, Loew, Katharina, Marion, Philippe, Marion, Philippe, Odin, Roger, Odin, Roger, Turquety, Benoît, Turquety, Benoît, Whissel, Kristen, Whissel, Kristen, |
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author_sort |
Albera, François, |
title |
Special Effects on the Screen : Faking the View from Méliès to Motion Capture / |
spellingShingle |
Special Effects on the Screen : Faking the View from Méliès to Motion Capture / Cinema and Technology Frontmatter -- Table of Contents -- Introduction -- Concepts -- 1. Mind(ing) the Gap -- 2. Images as Visual Effects -- 3. The Pragmatics of Trucage: Between Feigning and Fiction -- 4. Realism, Illusion, and Special Effects in the Cinema -- Techniques -- 5. .Trick-o-logics 1810/1910: The Magic of Tricks and Special Effects Between: the Stage and the Screen -- 6. Those Ordinary “Special Effects” -- 7. Black Magic: The “Space Between the Frames” in Cinematic Special Effects -- 8. Photography and the Composite Image , or A Portrait of Méliès as Bergsonian Filmmaker -- 9. From Trick to Special Effect : Standardization and the Rise of Imperceptible Cinematic Illusions -- 10. Special Effects and Spaces of Communication: A Semio-Pragmatic Approach -- 11. Image Capture, or The Control of Special Effects -- Films -- 12. Murnau’s Sunrise: In-Camera Effects and Effects Specialists -- 13. King Kong, An Open Perspective -- 14. Uncanny Visual Effects, Postwar Modernity, and House of Wax 3D -- 15. Oblivion: Of Time and Special Effects -- Envoi -- 16. The Effect of Miracles and the Miracle of Effects : Bazin’s Faith in Evolution -- Bibliography -- Index |
title_sub |
Faking the View from Méliès to Motion Capture / |
title_full |
Special Effects on the Screen : Faking the View from Méliès to Motion Capture / ed. by Martin Lefebvre, Marc Furstenau. |
title_fullStr |
Special Effects on the Screen : Faking the View from Méliès to Motion Capture / ed. by Martin Lefebvre, Marc Furstenau. |
title_full_unstemmed |
Special Effects on the Screen : Faking the View from Méliès to Motion Capture / ed. by Martin Lefebvre, Marc Furstenau. |
title_auth |
Special Effects on the Screen : Faking the View from Méliès to Motion Capture / |
title_alt |
Frontmatter -- Table of Contents -- Introduction -- Concepts -- 1. Mind(ing) the Gap -- 2. Images as Visual Effects -- 3. The Pragmatics of Trucage: Between Feigning and Fiction -- 4. Realism, Illusion, and Special Effects in the Cinema -- Techniques -- 5. .Trick-o-logics 1810/1910: The Magic of Tricks and Special Effects Between: the Stage and the Screen -- 6. Those Ordinary “Special Effects” -- 7. Black Magic: The “Space Between the Frames” in Cinematic Special Effects -- 8. Photography and the Composite Image , or A Portrait of Méliès as Bergsonian Filmmaker -- 9. From Trick to Special Effect : Standardization and the Rise of Imperceptible Cinematic Illusions -- 10. Special Effects and Spaces of Communication: A Semio-Pragmatic Approach -- 11. Image Capture, or The Control of Special Effects -- Films -- 12. Murnau’s Sunrise: In-Camera Effects and Effects Specialists -- 13. King Kong, An Open Perspective -- 14. Uncanny Visual Effects, Postwar Modernity, and House of Wax 3D -- 15. Oblivion: Of Time and Special Effects -- Envoi -- 16. The Effect of Miracles and the Miracle of Effects : Bazin’s Faith in Evolution -- Bibliography -- Index |
title_new |
Special Effects on the Screen : |
title_sort |
special effects on the screen : faking the view from méliès to motion capture / |
series |
Cinema and Technology |
series2 |
Cinema and Technology |
publisher |
Amsterdam University Press, |
publishDate |
2022 |
physical |
1 online resource (518 p.) |
contents |
Frontmatter -- Table of Contents -- Introduction -- Concepts -- 1. Mind(ing) the Gap -- 2. Images as Visual Effects -- 3. The Pragmatics of Trucage: Between Feigning and Fiction -- 4. Realism, Illusion, and Special Effects in the Cinema -- Techniques -- 5. .Trick-o-logics 1810/1910: The Magic of Tricks and Special Effects Between: the Stage and the Screen -- 6. Those Ordinary “Special Effects” -- 7. Black Magic: The “Space Between the Frames” in Cinematic Special Effects -- 8. Photography and the Composite Image , or A Portrait of Méliès as Bergsonian Filmmaker -- 9. From Trick to Special Effect : Standardization and the Rise of Imperceptible Cinematic Illusions -- 10. Special Effects and Spaces of Communication: A Semio-Pragmatic Approach -- 11. Image Capture, or The Control of Special Effects -- Films -- 12. Murnau’s Sunrise: In-Camera Effects and Effects Specialists -- 13. King Kong, An Open Perspective -- 14. Uncanny Visual Effects, Postwar Modernity, and House of Wax 3D -- 15. Oblivion: Of Time and Special Effects -- Envoi -- 16. The Effect of Miracles and the Miracle of Effects : Bazin’s Faith in Evolution -- Bibliography -- Index |
isbn |
9789048530205 9783110767094 9783110767001 9783110992809 9783110992816 9783110993899 9783110994810 |
callnumber-first |
T - Technology |
callnumber-subject |
TR - Photography |
callnumber-label |
TR858 |
callnumber-sort |
TR 3858 S64 42022 |
url |
https://doi.org/10.1515/9789048530205?locatt=mode:legacy https://www.degruyter.com/isbn/9789048530205 https://www.degruyter.com/document/cover/isbn/9789048530205/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.4302/4 |
dewey-sort |
3791.4302 14 |
dewey-raw |
791.4302/4 |
dewey-search |
791.4302/4 |
doi_str_mv |
10.1515/9789048530205?locatt=mode:legacy |
oclc_num |
1348484297 |
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Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2022 Title is part of eBook package: De Gruyter DG Plus PP Package 2022 Part 2 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2022 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 |
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Special Effects on the Screen : Faking the View from Méliès to Motion Capture / |
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