Productive Fandom : : Intermediality and Affective Reception in Fan Cultures / / Nicolle Lamerichs.

To dismantle negative stereotypes of fans, this book offers a media ethnography of the digital culture, conventions, and urban spaces associated with fandoms, arguing that fandom is an area of productive, creative, and subversive value. By examining the fandoms of Sherlock, Glee, Firefly, and other...

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Superior document:Title is part of eBook package: De Gruyter AUP eBook Package 2016-2018
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Place / Publishing House:Amsterdam : : Amsterdam University Press, , [2018]
©2018
Year of Publication:2018
Language:English
Series:Transmedia
Online Access:
Physical Description:1 online resource (260 p.) :; 6 halftones
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245 1 0 |a Productive Fandom :  |b Intermediality and Affective Reception in Fan Cultures /  |c Nicolle Lamerichs. 
264 1 |a Amsterdam :   |b Amsterdam University Press,   |c [2018] 
264 4 |c ©2018 
300 |a 1 online resource (260 p.) :  |b 6 halftones 
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505 0 0 |t Frontmatter --   |t Table of Contents --   |t Acknowledgements --   |t 1. Shared Narratives: Intermediality in Fandom --   |t 2. Fan Membership: Traditional and Digital Fieldwork --   |t 3. Naturalizing Sherlock: Dutch Fans Interpret the Famous Detective --   |t 4. Queer Teen Drama: Rewriting and Narrative Closure in Glee Fan Fiction --   |t 5. Transmedia Play: Approaching the Possible Worlds of Firefly --   |t 6. Embodied Characters: The Affective Process of Cosplay --   |t 7. Conclusion: Prospects for Fan Studies --   |t Bibliography of Fan Works --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a To dismantle negative stereotypes of fans, this book offers a media ethnography of the digital culture, conventions, and urban spaces associated with fandoms, arguing that fandom is an area of productive, creative, and subversive value. By examining the fandoms of Sherlock, Glee, Firefly, and other popular television-based franchises, the author appeals to fans and scholars alike in her empirically grounded methodology and insightful analysis of production hierarchies, gender, sexuality, play, and affect. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) 
650 0 |a Fans (Persons)  |x Social aspects. 
650 0 |a Television programs  |x Social aspects. 
650 0 |a Television viewers  |x Social aspects. 
650 4 |a AUP Wetenschappelijk. 
650 4 |a Amsterdam University Press. 
650 4 |a Fan and Audience Studies. 
650 4 |a Film, Media, and Communication. 
650 7 |a SOCIAL SCIENCE / Media Studies.  |2 bisacsh 
653 |a Fandom, inter/transmediality, media ethnography, affect, subcultures. 
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