Feminisms and Contemporary Art in Indonesia : : Defining Experiences / / Wulandani Dirgantoro.
While Indonesian contemporary art is currently on the rise on the international art scene, there hasn't yet been an in-depth study of the works of Indonesian women artists and the feminist strategies they employ within the art world. This book fills that gap, presenting the first comprehensive...
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Superior document: | Title is part of eBook package: De Gruyter AUP eBook Package 2016-2018 |
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VerfasserIn: | |
Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2017] ©2017 |
Year of Publication: | 2017 |
Language: | English |
Series: | Asian Visual Cultures ;
2 |
Online Access: | |
Physical Description: | 1 online resource (240 p.) :; 5 color plates, 15 halftones |
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Other title: | Frontmatter -- Table of Contents -- Acknowledgements -- List of Figures -- Glossary and Abbreviations -- 1. Introduction -- 2. Firing the Canon -- 3. Haunting in the Archipelago -- 4. Female Desire and the Monstrous- Feminine in the Works of IGAK Murniasih -- 5. Searching for the Feminine -- 6. Performing Feminism/s -- 7. Conclusion -- Bibliography -- Index |
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Summary: | While Indonesian contemporary art is currently on the rise on the international art scene, there hasn't yet been an in-depth study of the works of Indonesian women artists and the feminist strategies they employ within the art world. This book fills that gap, presenting the first comprehensive study of feminisms and contemporary art in Indonesia; using feminist readings to analyse the works of Indonesian women artists historically and today; illuminating the sociocultural contexts in which they have worked; and offering a nuanced understanding of local feminisms in the nation. |
Format: | Mode of access: Internet via World Wide Web. |
ISBN: | 9789048526994 9783110667318 9783110606447 9783110662849 9783110649826 |
DOI: | 10.1515/9789048526994?locatt=mode:legacy |
Access: | restricted access |
Hierarchical level: | Monograph |
Statement of Responsibility: | Wulandani Dirgantoro. |