Neorealist Film Culture, 1945-1954 : : Rome, Open Cinema / / Francesco Pitassio.
Unique, truthful, brutal. Neorealism is often associated with adjectives stressing its peculiarities in representing the real, its lack of antecedents, and its legacy in terms of film style. While this is useful when confronting auteurs such as De Sica, Rossellini or Visconti, it becomes problematic...
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| Superior document: | Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2020 |
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| VerfasserIn: | |
| Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2019] ©2019 |
| Year of Publication: | 2019 |
| Language: | English |
| Series: | Film Culture in Transition
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| Online Access: | |
| Physical Description: | 1 online resource (384 p.) :; 42 |
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Table of Contents:
- Frontmatter
- Table of Contents
- Acknowledgements
- Introduction: An Uncertain Direction. Neorealist Cinema and Transitional Culture
- 1. Locating the Real
- 2. Lies of Memory
- 3. Looking at the Images
- 4. Actors, Non-professional Actors, Starlets, and Stars
- Bibliography
- About the Author
- Name Index
- Film Index