After the Break : : Television Theory Today / / ed. by Marijke de Valck, Jan Teurlings.
Television is evolving rapidly. How, then, might we respond to television today in light of its past? And do the old theoretical concepts still apply, or must we invent a new framework for this mutable medium? To answer these fundamental questions, the contributors to this provocative collection exa...
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Superior document: | Title is part of eBook package: De Gruyter AUP eBook Package Backfile 2000-2013 |
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MitwirkendeR: | |
HerausgeberIn: | |
Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2013] ©2013 |
Year of Publication: | 2013 |
Language: | English |
Series: | Televisual culture
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Online Access: | |
Physical Description: | 1 online resource (198 p.) :; 10 halftones |
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Table of Contents:
- Frontmatter
- Table of Contents
- After the Break. Television Theory Today
- Part I: Questioning the crisis
- ‘Unreading’ contemporary television
- Caught. Critical versus everyday perspectives on television
- The persistence of national TV. Language and cultural proximity in Flemish fiction
- Constructing television. Thirty years that froze an otherwise dynamic medium
- When old media never stopped being new. Television’s history as an ongoing experiment
- Part II: New paradigms
- Unblackboxing production. What media studies can learn from actor-network theory
- Convergence thinking, information theory and labour in ‘end of television’ studies
- Television memory after the end of television history?
- Part III: New concepts
- YouTube beyond technology and cultural form
- Move along folks, just move along, there’s nothing to see. Transience, televisuality and the paradox of anamorphosis
- Barry Chappell’s Fine Art Showcase. Apparitional TV, aesthetic value, and the art market
- About the authors
- Index