China with a Cut : : Globalisation, Urban Youth and Popular Music / / Jeroen Kloet.

In the wake of intense globalisation and commercialisation in the 1990s, China saw the emergence of a vibrant popular culture. Drawing on sixteen years of research, Jeroen de Kloet explores the popular music industry in Beijing, Hong Kong and Shanghai, providing a fascinating history of its emergenc...

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Superior document:Title is part of eBook package: De Gruyter AUP eBook Package Backfile 2000-2013
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Place / Publishing House:Amsterdam : : Amsterdam University Press, , [2021]
©2010
Year of Publication:2021
Language:English
Series:IIAS Publications ; 3
Online Access:
Physical Description:1 online resource (256 p.)
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100 1 |a Kloet, Jeroen,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a China with a Cut :  |b Globalisation, Urban Youth and Popular Music /  |c Jeroen Kloet. 
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490 0 |a IIAS Publications ;  |v 3 
505 0 0 |t Frontmatter --   |t Contents --   |t List of Figures and Tables --   |t Acknowledgements --   |t Note on Romanisation and Publication History --   |t Introduction: Global Longings with a Cut --   |t 1 Hard Scenes --   |t 2 Hyphenated Scenes --   |t 3 Subaltern Sounds --   |t 4 Musical Taste and Technologies of the Self --   |t 5 Producing, Localising and Silencing Sounds --   |t Conclusion: Paradoxical Performances --   |t Notes --   |t Chinese Glossary --   |t Appendix I Interviews --   |t Appendix II Factor Analysis of Singers --   |t Appendix III Popularity of Singers and Bands --   |t Bibliography --   |t Index 
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520 |a In the wake of intense globalisation and commercialisation in the 1990s, China saw the emergence of a vibrant popular culture. Drawing on sixteen years of research, Jeroen de Kloet explores the popular music industry in Beijing, Hong Kong and Shanghai, providing a fascinating history of its emergence and extensive audience analysis, while also exploring the effect of censorship on the music scene in China.China with a Cut pays particular attention to the dakou culture: so named after a cut nicked into the edge to render them unsellable, these illegally imported Western CDs still play most of the tracks. They also played a crucial role in the emergence of the new music and youth culture. De Kloet’s impressive study demonstrates how the young Chinese cope with the rapid economic and social changes in a period of intense globalisation, and offers a unique insight into the socio-cultural and political transformations of a rising global power. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) 
650 0 |a Music audiences  |z China  |x History  |y 20th century. 
650 0 |a Music trade  |z China  |x History  |y 20th century. 
650 0 |a Music  |z China  |y 20th century  |x History and criticism. 
650 4 |a Asian Studies. 
650 4 |a CUL. 
650 4 |a Cultural Studies. 
650 7 |a MUSIC / Ethnomusicology.  |2 bisacsh 
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773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Amsterdam University Press Backlist eBook-Package 2000-2015  |z 9783110662788 
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