Film Festivals : : From European Geopolitics to Global Cinephilia / / Marijke de Valck.
The film festival has come a long way from its relatively humble origins in Venice in 1932—when nine nations presented twenty-five feature films screened in an open-air cinema where men had to adhere to standards of formal evening attire. Hugely popular events that attract diverse lovers of cinema w...
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| Superior document: | Title is part of eBook package: De Gruyter AUP eBook Package Backfile 2000-2013 |
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| VerfasserIn: | |
| Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2007] ©2008 |
| Year of Publication: | 2007 |
| Language: | English |
| Series: | Film Culture in Transition
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| Online Access: | |
| Physical Description: | 1 online resource (280 p.) |
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Table of Contents:
- Frontmatter
- Table of Contents
- Acknowledgements
- Introduction – Film Festivals as Sites of Passage
- 1. Berlin and the Spatial Reconfiguration of Festivals. From European Showcases to International Film Festival Circuit
- 2. Cannes and the “Alternative” Cinema Network. Bridging the Gap between Cultural Criteria and Business Demands
- 3. Venice and the Value-Adding Process. The Role of Mediation, Segregation and Agenda Setting
- 4. Rotterdam and the Rise of Thematic Festivals. From Cinephile Initiatives to Popular Events
- Conclusion – Successful or Safe? The Strengths and Weaknesses of the Film Festival Network
- Notes
- Bibliography
- Index of Names
- Index of Film Titles
- Index of Subjects