Rembrandt's Reading : : The Artist's Bookshelf of Ancient Poetry and History / / Amy Golahny.
Though Rembrandt's study of the Bible has long been recognized, his interest in secular literature has been relatively neglected. In this volume, Amy Golahny uses a 1656 inventory to reconstruct Rembrandt's library, discovering anew how his reading of history contributed to his creative pr...
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| Superior document: | Title is part of eBook package: De Gruyter AUP eBook Package Backfile 2000-2013 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2003] ©2003 |
| Year of Publication: | 2003 |
| Language: | English |
| Series: | Rembrandt
|
| Online Access: | |
| Physical Description: | 1 online resource (296 p.) :; Richly illustrated |
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| 100 | 1 | |a Golahny, Amy, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Rembrandt's Reading : |b The Artist's Bookshelf of Ancient Poetry and History / |c Amy Golahny. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2003] | |
| 264 | 4 | |c ©2003 | |
| 300 | |a 1 online resource (296 p.) : |b Richly illustrated | ||
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| 490 | 0 | |a Rembrandt | |
| 505 | 0 | 0 | |t Frontmatter -- |t TABLE OF CONTENTS -- |t ACKNOWLEDGMENTS -- |t PREFACE -- |t CHAPTER 1. BOOK CULTURE -- |t CHAPTER 2. REMBRANDT'S TRAINING -- |t CHAPTER 3. REMBRANDT'S BOOKSHELF PART I -- |t CHAPTER 4. REMBRANDT'S BOOKSHELF PART II -- |t CHAPTER 5. REMBRANDT'S BOOKSHELF PART III -- |t CHAPTER 6. REMBRANDT'S LATER IMAGERY -- |t CHAPTER 7. ARTIST'S LIBRARIES -- |t NOTES -- |t BIBLIOGRAPHY -- |t ILLUSTRATION ACKNOWLEDGMENTS -- |t INDEX |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Though Rembrandt's study of the Bible has long been recognized, his interest in secular literature has been relatively neglected. In this volume, Amy Golahny uses a 1656 inventory to reconstruct Rembrandt's library, discovering anew how his reading of history contributed to his creative process. In the end, Golahny places Rembrandt in the learned vernacular culture of seventeenth-century Holland, painting a picture of a pragmatic reader whose attention to historical texts strengthened his rivalry with Rubens for visual drama and narrative erudition. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
| 650 | 0 | |a Art and history. | |
| 650 | 0 | |a History in art. | |
| 650 | 4 | |a ART. | |
| 650 | 4 | |a History, Art History, and Archaeology. | |
| 650 | 7 | |a ART / History / General. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t AUP eBook Package Backfile 2000-2013 |z 9783110700671 |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Amsterdam University Press Backlist eBook-Package 2000-2013 |z 9783111023786 |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Amsterdam University Press Backlist eBook-Package 2000-2015 |z 9783110662788 |
| 776 | 0 | |c print |z 9789053566091 | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9789048505210 |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9789048505210 |
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