The Last Great American Picture Show : : New Hollywood Cinema in the 1970s / / ed. by Thomas Elsaesser, Noel King, Alexander Horwath.
The French Connection, The Last Picture Show, M.A.S.H., Harold and Maude-these are only a few of the iconic films made in the United States during the 1970s. Originally considered a "lost generation," the 1970s are increasingly recognized as a crucial turning point in American filmmaking,...
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Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2004] ©2004 |
Year of Publication: | 2004 |
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The Last Great American Picture Show : New Hollywood Cinema in the 1970s / ed. by Thomas Elsaesser, Noel King, Alexander Horwath. Amsterdam : Amsterdam University Press, [2004] ©2004 1 online resource (400 p.) : 23 black and white illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Film Culture in Transition Frontmatter -- Table of Contents -- Part One: Introductions -- The Impure Cinema: New Hollywood 1967-1976 -- "The Last Good Time We Ever Had": Remembering the New Hollywood Cinema -- American Auteur Cinema: The Last - or First - Picture Show? -- Part Two: Histories -- The Decade When Movies Mattered -- A Walking Contradiction (Partly Truth and Partly Fiction) -- The Exploitation Generation. Or: How Marginal Movies Came in from the Cold -- New Hollywood and the Sixties Melting Pot -- Part Three: People and Places -- Dinosaurs in the Age of the Cinemobile -- "The Cylinders Were Whispering My Name": The Films of Monte Hellman -- Nashville Contra Jaws, Or "The Imagination of Disaster" Revisited -- For Wanda -- Everybody Knows This Is Nowhere: The Uneasy Ride of Hollywood and Rock -- Auteurism and War-teurism: Terrence Malick's War Movie -- Part Four: Critical Debates -- The Pathos of Failure: American Films in the 1970s: Notes on the Unmotivated Hero [1975] -- Trapped in the Affection Image: Hollywood's Post-traumatic Cycle (1970-1976) -- Grim Fascination: Fingers, James Toback, and 1970s American Cinema -- Allegories of Post-Fordism in 1970s New Hollywood: Countercultural Combat Films, Conspiracy Thrillers as Genre Recycling -- Bibliography -- List of Contributors -- Pictures (with credits) -- Index of Film Titles Open Access https://purl.org/coar/access_right/c_abf2 unrestricted online access star The French Connection, The Last Picture Show, M.A.S.H., Harold and Maude-these are only a few of the iconic films made in the United States during the 1970s. Originally considered a "lost generation," the 1970s are increasingly recognized as a crucial turning point in American filmmaking, and many films from the era have resurfaced from oblivion to become a reference for new directorial talents. The Last Great American Picture Show explores this pivotal era in American film history with a collection of essays by scholars and writers that firmly situates the decade as the time of the emergence of "New Hollywood." Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashy, Robert Altman, and James Tobac: these legendary directors developed innovative techniques, gritty aesthetics, and a modern sensibility in American film. Here, contributors compellingly argue that the cinema of today's major directors-Steven Spielberg, James Cameron, Quentin Tarantino, Ridley Scott, Robert Zemeckis-could not have come into existence without the groundbreaking works produced by the directors of the 1970s. A wholly engaging and long-overdue investigation of this important era in American film, The Last Great American Picture Show reveals how the films of the 1970s transformed the American social consciousness and influenced filmmaking worldwide. Mode of access: Internet via World Wide Web. This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: https://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) Motion pictures History United States. Motion pictures United States History. PERFORMING ARTS / General. bisacsh Elsaesser, Thomas, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Elsaesser, Thomas, editor. edt http://id.loc.gov/vocabulary/relators/edt Hampton, Howard, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hoberman, J., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Horwath, Alexander, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Horwath, Alexander, editor. edt http://id.loc.gov/vocabulary/relators/edt Jameson, Richard T., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Jones, Kent, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Keathley, Christian, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb King, Noel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb King, Noel, editor. edt http://id.loc.gov/vocabulary/relators/edt Martin, Adrian, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb McDonagh, Maitland, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Polan, Dana, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Reynaud, Bérénice, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Robnik, Drehli, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rosenbaum, Jonathan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Thomson, David, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter AUP eBook Package Backfile 2000-2013 9783110700671 Title is part of eBook package: De Gruyter AUP eBook Package Backlist 2000-2014 9783110606515 Title is part of eBook package: De Gruyter Amsterdam University Press Backlist eBook-Package 2000-2013 9783111023786 Title is part of eBook package: De Gruyter Amsterdam University Press Backlist eBook-Package 2000-2015 9783110662788 print 9789053566312 https://doi.org/10.1515/9789048503681?locatt=mode:legacy Open Access 0 https://www.degruyter.com/isbn/9789048503681 Open Access 0 Cover https://www.degruyter.com/document/cover/isbn/9789048503681/original |
language |
English |
format |
eBook |
author2 |
Elsaesser, Thomas, Elsaesser, Thomas, Elsaesser, Thomas, Elsaesser, Thomas, Hampton, Howard, Hampton, Howard, Hoberman, J., Hoberman, J., Horwath, Alexander, Horwath, Alexander, Horwath, Alexander, Horwath, Alexander, Jameson, Richard T., Jameson, Richard T., Jones, Kent, Jones, Kent, Keathley, Christian, Keathley, Christian, King, Noel, King, Noel, King, Noel, King, Noel, Martin, Adrian, Martin, Adrian, McDonagh, Maitland, McDonagh, Maitland, Polan, Dana, Polan, Dana, Reynaud, Bérénice, Reynaud, Bérénice, Robnik, Drehli, Robnik, Drehli, Rosenbaum, Jonathan, Rosenbaum, Jonathan, Thomson, David, Thomson, David, |
author_facet |
Elsaesser, Thomas, Elsaesser, Thomas, Elsaesser, Thomas, Elsaesser, Thomas, Hampton, Howard, Hampton, Howard, Hoberman, J., Hoberman, J., Horwath, Alexander, Horwath, Alexander, Horwath, Alexander, Horwath, Alexander, Jameson, Richard T., Jameson, Richard T., Jones, Kent, Jones, Kent, Keathley, Christian, Keathley, Christian, King, Noel, King, Noel, King, Noel, King, Noel, Martin, Adrian, Martin, Adrian, McDonagh, Maitland, McDonagh, Maitland, Polan, Dana, Polan, Dana, Reynaud, Bérénice, Reynaud, Bérénice, Robnik, Drehli, Robnik, Drehli, Rosenbaum, Jonathan, Rosenbaum, Jonathan, Thomson, David, Thomson, David, |
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author_sort |
Elsaesser, Thomas, |
title |
The Last Great American Picture Show : New Hollywood Cinema in the 1970s / |
spellingShingle |
The Last Great American Picture Show : New Hollywood Cinema in the 1970s / Film Culture in Transition Frontmatter -- Table of Contents -- Part One: Introductions -- The Impure Cinema: New Hollywood 1967-1976 -- "The Last Good Time We Ever Had": Remembering the New Hollywood Cinema -- American Auteur Cinema: The Last - or First - Picture Show? -- Part Two: Histories -- The Decade When Movies Mattered -- A Walking Contradiction (Partly Truth and Partly Fiction) -- The Exploitation Generation. Or: How Marginal Movies Came in from the Cold -- New Hollywood and the Sixties Melting Pot -- Part Three: People and Places -- Dinosaurs in the Age of the Cinemobile -- "The Cylinders Were Whispering My Name": The Films of Monte Hellman -- Nashville Contra Jaws, Or "The Imagination of Disaster" Revisited -- For Wanda -- Everybody Knows This Is Nowhere: The Uneasy Ride of Hollywood and Rock -- Auteurism and War-teurism: Terrence Malick's War Movie -- Part Four: Critical Debates -- The Pathos of Failure: American Films in the 1970s: Notes on the Unmotivated Hero [1975] -- Trapped in the Affection Image: Hollywood's Post-traumatic Cycle (1970-1976) -- Grim Fascination: Fingers, James Toback, and 1970s American Cinema -- Allegories of Post-Fordism in 1970s New Hollywood: Countercultural Combat Films, Conspiracy Thrillers as Genre Recycling -- Bibliography -- List of Contributors -- Pictures (with credits) -- Index of Film Titles |
title_sub |
New Hollywood Cinema in the 1970s / |
title_full |
The Last Great American Picture Show : New Hollywood Cinema in the 1970s / ed. by Thomas Elsaesser, Noel King, Alexander Horwath. |
title_fullStr |
The Last Great American Picture Show : New Hollywood Cinema in the 1970s / ed. by Thomas Elsaesser, Noel King, Alexander Horwath. |
title_full_unstemmed |
The Last Great American Picture Show : New Hollywood Cinema in the 1970s / ed. by Thomas Elsaesser, Noel King, Alexander Horwath. |
title_auth |
The Last Great American Picture Show : New Hollywood Cinema in the 1970s / |
title_alt |
Frontmatter -- Table of Contents -- Part One: Introductions -- The Impure Cinema: New Hollywood 1967-1976 -- "The Last Good Time We Ever Had": Remembering the New Hollywood Cinema -- American Auteur Cinema: The Last - or First - Picture Show? -- Part Two: Histories -- The Decade When Movies Mattered -- A Walking Contradiction (Partly Truth and Partly Fiction) -- The Exploitation Generation. Or: How Marginal Movies Came in from the Cold -- New Hollywood and the Sixties Melting Pot -- Part Three: People and Places -- Dinosaurs in the Age of the Cinemobile -- "The Cylinders Were Whispering My Name": The Films of Monte Hellman -- Nashville Contra Jaws, Or "The Imagination of Disaster" Revisited -- For Wanda -- Everybody Knows This Is Nowhere: The Uneasy Ride of Hollywood and Rock -- Auteurism and War-teurism: Terrence Malick's War Movie -- Part Four: Critical Debates -- The Pathos of Failure: American Films in the 1970s: Notes on the Unmotivated Hero [1975] -- Trapped in the Affection Image: Hollywood's Post-traumatic Cycle (1970-1976) -- Grim Fascination: Fingers, James Toback, and 1970s American Cinema -- Allegories of Post-Fordism in 1970s New Hollywood: Countercultural Combat Films, Conspiracy Thrillers as Genre Recycling -- Bibliography -- List of Contributors -- Pictures (with credits) -- Index of Film Titles |
title_new |
The Last Great American Picture Show : |
title_sort |
the last great american picture show : new hollywood cinema in the 1970s / |
series |
Film Culture in Transition |
series2 |
Film Culture in Transition |
publisher |
Amsterdam University Press, |
publishDate |
2004 |
physical |
1 online resource (400 p.) : 23 black and white illustrations |
contents |
Frontmatter -- Table of Contents -- Part One: Introductions -- The Impure Cinema: New Hollywood 1967-1976 -- "The Last Good Time We Ever Had": Remembering the New Hollywood Cinema -- American Auteur Cinema: The Last - or First - Picture Show? -- Part Two: Histories -- The Decade When Movies Mattered -- A Walking Contradiction (Partly Truth and Partly Fiction) -- The Exploitation Generation. Or: How Marginal Movies Came in from the Cold -- New Hollywood and the Sixties Melting Pot -- Part Three: People and Places -- Dinosaurs in the Age of the Cinemobile -- "The Cylinders Were Whispering My Name": The Films of Monte Hellman -- Nashville Contra Jaws, Or "The Imagination of Disaster" Revisited -- For Wanda -- Everybody Knows This Is Nowhere: The Uneasy Ride of Hollywood and Rock -- Auteurism and War-teurism: Terrence Malick's War Movie -- Part Four: Critical Debates -- The Pathos of Failure: American Films in the 1970s: Notes on the Unmotivated Hero [1975] -- Trapped in the Affection Image: Hollywood's Post-traumatic Cycle (1970-1976) -- Grim Fascination: Fingers, James Toback, and 1970s American Cinema -- Allegories of Post-Fordism in 1970s New Hollywood: Countercultural Combat Films, Conspiracy Thrillers as Genre Recycling -- Bibliography -- List of Contributors -- Pictures (with credits) -- Index of Film Titles |
isbn |
9789048503681 9783110700671 9783110606515 9783111023786 9783110662788 9789053566312 |
geographic_facet |
United States |
url |
https://doi.org/10.1515/9789048503681?locatt=mode:legacy https://www.degruyter.com/isbn/9789048503681 https://www.degruyter.com/document/cover/isbn/9789048503681/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43097309047 |
dewey-sort |
3791.43097309047 |
dewey-raw |
791.43097309047 |
dewey-search |
791.43097309047 |
doi_str_mv |
10.1515/9789048503681?locatt=mode:legacy |
oclc_num |
888545476 |
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Title is part of eBook package: De Gruyter AUP eBook Package Backfile 2000-2013 Title is part of eBook package: De Gruyter AUP eBook Package Backlist 2000-2014 Title is part of eBook package: De Gruyter Amsterdam University Press Backlist eBook-Package 2000-2013 Title is part of eBook package: De Gruyter Amsterdam University Press Backlist eBook-Package 2000-2015 |
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The Last Great American Picture Show : New Hollywood Cinema in the 1970s / |
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A wholly engaging and long-overdue investigation of this important era in American film, The Last Great American Picture Show reveals how the films of the 1970s transformed the American social consciousness and influenced filmmaking worldwide.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="540" ind1=" " ind2=" "><subfield code="a">This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: </subfield><subfield code="u">https://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="x">History</subfield><subfield code="x">United States.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="z">United States</subfield><subfield code="x">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Elsaesser, Thomas, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Elsaesser, Thomas, </subfield><subfield code="e">editor.</subfield><subfield code="4">edt</subfield><subfield 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