Fabricating the Absolute Fake : : 'America' in Contemporary Pop Culture / / Jaap Kooijman.
From the pageantry of Oprah Winfrey’s daytime talk show to the Atlanta-based Coca-Cola empire, American “pop” culture—and the contemporary films, television programs, and cultural objects that determine it—dominates the rest of the world through its hegemonic presence. Does that make everyone a hybr...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter AUP eBook Package Backfile 2000-2013 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2008] ©2008 |
Year of Publication: | 2008 |
Language: | English |
Series: | American Studies
|
Online Access: | |
Physical Description: | 1 online resource (184 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Table of Contents
- Acknowledgments
- Introduction: Fabricating the Absolute Fake
- Chapter One: We Are the World: America’s Dominance in Global Pop Culture
- Chapter Two: The Oprahifi cation of 9/ 11: America as Imagined Community
- Chapter Three: The Desert of the Real: America as Hyperreality
- Chapter Four: Americans We Never Were: Dutch Pop Culture as Karaoke Americanism
- Chapter Five: The Dutch Dream: Americanization, Pop Culture, and National Identity
- Conclusion: Let’s Make Things Better
- Notes
- Bibliography
- Index