Exposed Memories : : Family Pictures in Private and Collective Memory / / ed. by Zsófia Bán, Hedvig Turai.
Within the larger context of cultural memory, family pictures have become one of the most intriguing multi- and interdisciplinary fields of investigation in the past decade. This field brings together artists working in different media (e.g. documentary photography and film, photo-based painting and...
Saved in:
| Superior document: | Title is part of eBook package: De Gruyter Central European University Press eBook-Package 2013-1998 |
|---|---|
| MitwirkendeR: | |
| HerausgeberIn: | |
| Place / Publishing House: | Budapest ;, New York : : Central European University Press, , [2022] ©2010 |
| Year of Publication: | 2022 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (206 p.) |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- Introduction
- PHOTO AS AUTOBIOGRAPHY
- Incongruous Images: “Before, During, and After” the Holocaust
- Beguiled by Loss: The Burden of Third-Generation Narrative
- The Baghdadi Jew and His Chinese Mistress
- PHOTO AND TEXT
- History, Narration, and the Frozen Moment of Photography in Richard Powers’ Three Farmers on Their Way to a Dance and Theresa Hak Kyung Cha’s Dictée
- Memory and/or Construction: Family Images in W.G. Sebald’s Austerlitz
- PRIVATE AND PUBLIC ARCHIVES
- Virtual Communities of Intimacy: Photography and Immigration
- Buried Images: Photography in the Cult of Memory of the 1956 Revolution
- A Farewell to Private Photography
- EVENTfulness: Family Archives as Events/Folds/Veils
- FAMILY ALBUM
- Visualizing Male Homosexuality in the Family Album
- Please Recycle! On Ágnes Eperjesi’s Family Album
- OBJECT/PHOTO/REALITY
- From Photo to Object: Personal Documents as History-Writing in the Works of Christian Boltanski and Ilya Kabakov
- Home Museum: An Installation by Katarina Šević and Gergely László
- CONTRIBUTORS