Past for the Eyes : : East European Representations of Communism in Cinema and Museums After 1989 / / ed. by Oksana Sarkisova, Péter Apor.
How do museums and cinema shape the image of the Communist past in today’s Central and Eastern Europe? This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes. After history “ended” in the Eastern Bloc in 1989, museums and...
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Place / Publishing House: | Budapest ;, New York : : Central European University Press, , [2022] ©2008 |
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Past for the Eyes : East European Representations of Communism in Cinema and Museums After 1989 / ed. by Oksana Sarkisova, Péter Apor. Budapest ; New York : Central European University Press, [2022] ©2008 1 online resource (436 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Introduction -- Documents Of Communism: Lost And Found -- Documents Of Communism: Lost And Found -- The Man in the White Raincoat -- Communist Secret Services on the Screen. The Duna-gate Scandal in and beyond the Hungarian Media -- Façades The Private and the Public in Kádár’s Kiss by Péter Forgács -- The Experiences of a Filmmaker. Reconstructing Reality from Documents in Communist Archives -- Subjects of Nostalgia: Selling the Past -- Out of the Past. Memories and Nostalgia in (Post-)Yugoslav Cinema -- Long Farewells. The Anatomy of the Soviet Past in Contemporary Russian Cinema -- The Economics of Nostalgia. Socialist Films and Capitalist Commodities in Contemporary Poland -- “We Have Democracy, Don’t We?” Czech Society as Reflected in Contemporary Czech Cinema -- Objects of Memory: Museums, Monuments, Memorials -- The Redistribution of the Memory of Socialism. Identity Formations of the “Survivors” in Hungary after 1989 -- Raising the Cross. Exorcising Romania’s Communist Past in Museums, Memorials and Monuments -- The “Unmemorable” and the “Unforgettable.” “Museumizing” the Socialist Past in Post-1989 Bulgaria -- Containing Fascism. History in Post-Communist Baltic Occupation and Genocide Museums -- How Is Communism Displayed? Exhibitions and Museums of Communism in Poland -- About the Authors -- Name Index -- Subject Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star How do museums and cinema shape the image of the Communist past in today’s Central and Eastern Europe? This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes. After history “ended” in the Eastern Bloc in 1989, museums and other memorials mushroomed all over the region. These efforts tried both to explain the meaning of this lost history, as well as to shape public opinion on their society’s shared post-war heritage. Museums and films made political use of recollections of the recent past, and employed selected museum, memorial, and media tools and tactics to make its political intent historically credible. Thirteen essays from scholars around the region take a fresh look at the subject as they address the strategies of fashioning popular perceptions of the recent past. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022) HISTORY / Europe / Eastern. bisacsh Cultural studies, Fascism, Film, Media, Memory in art, Memory politics, Museums, Postcommunism. Apor, Péter, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Apor, Péter, editor. edt http://id.loc.gov/vocabulary/relators/edt Cristea, Gabriela, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Daković, Nevena, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Dominková, Petra, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Horváth, Zsolt K., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Main, Izabella, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mark, James, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Pobłocki, Kacper, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Radu-Bucurenci, Simina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rév, István, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sarkisova, Oksana, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sarkisova, Oksana, editor. edt http://id.loc.gov/vocabulary/relators/edt Solomon, Alexandru, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Uitz, Renáta, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Varga, Balázs, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Vukov, Nikolai, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Central European University Press eBook-Package 2013-1998 9783110780550 https://doi.org/10.1515/9786155211430 https://www.degruyter.com/isbn/9786155211430 Cover https://www.degruyter.com/document/cover/isbn/9786155211430/original |
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Apor, Péter, Apor, Péter, Apor, Péter, Apor, Péter, Cristea, Gabriela, Cristea, Gabriela, Daković, Nevena, Daković, Nevena, Dominková, Petra, Dominková, Petra, Horváth, Zsolt K., Horváth, Zsolt K., Main, Izabella, Main, Izabella, Mark, James, Mark, James, Pobłocki, Kacper, Pobłocki, Kacper, Radu-Bucurenci, Simina, Radu-Bucurenci, Simina, Rév, István, Rév, István, Sarkisova, Oksana, Sarkisova, Oksana, Sarkisova, Oksana, Sarkisova, Oksana, Solomon, Alexandru, Solomon, Alexandru, Uitz, Renáta, Uitz, Renáta, Varga, Balázs, Varga, Balázs, Vukov, Nikolai, Vukov, Nikolai, |
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author_sort |
Apor, Péter, |
title |
Past for the Eyes : East European Representations of Communism in Cinema and Museums After 1989 / |
spellingShingle |
Past for the Eyes : East European Representations of Communism in Cinema and Museums After 1989 / Frontmatter -- Contents -- Introduction -- Documents Of Communism: Lost And Found -- The Man in the White Raincoat -- Communist Secret Services on the Screen. The Duna-gate Scandal in and beyond the Hungarian Media -- Façades The Private and the Public in Kádár’s Kiss by Péter Forgács -- The Experiences of a Filmmaker. Reconstructing Reality from Documents in Communist Archives -- Subjects of Nostalgia: Selling the Past -- Out of the Past. Memories and Nostalgia in (Post-)Yugoslav Cinema -- Long Farewells. The Anatomy of the Soviet Past in Contemporary Russian Cinema -- The Economics of Nostalgia. Socialist Films and Capitalist Commodities in Contemporary Poland -- “We Have Democracy, Don’t We?” Czech Society as Reflected in Contemporary Czech Cinema -- Objects of Memory: Museums, Monuments, Memorials -- The Redistribution of the Memory of Socialism. Identity Formations of the “Survivors” in Hungary after 1989 -- Raising the Cross. Exorcising Romania’s Communist Past in Museums, Memorials and Monuments -- The “Unmemorable” and the “Unforgettable.” “Museumizing” the Socialist Past in Post-1989 Bulgaria -- Containing Fascism. History in Post-Communist Baltic Occupation and Genocide Museums -- How Is Communism Displayed? Exhibitions and Museums of Communism in Poland -- About the Authors -- Name Index -- Subject Index |
title_sub |
East European Representations of Communism in Cinema and Museums After 1989 / |
title_full |
Past for the Eyes : East European Representations of Communism in Cinema and Museums After 1989 / ed. by Oksana Sarkisova, Péter Apor. |
title_fullStr |
Past for the Eyes : East European Representations of Communism in Cinema and Museums After 1989 / ed. by Oksana Sarkisova, Péter Apor. |
title_full_unstemmed |
Past for the Eyes : East European Representations of Communism in Cinema and Museums After 1989 / ed. by Oksana Sarkisova, Péter Apor. |
title_auth |
Past for the Eyes : East European Representations of Communism in Cinema and Museums After 1989 / |
title_alt |
Frontmatter -- Contents -- Introduction -- Documents Of Communism: Lost And Found -- The Man in the White Raincoat -- Communist Secret Services on the Screen. The Duna-gate Scandal in and beyond the Hungarian Media -- Façades The Private and the Public in Kádár’s Kiss by Péter Forgács -- The Experiences of a Filmmaker. Reconstructing Reality from Documents in Communist Archives -- Subjects of Nostalgia: Selling the Past -- Out of the Past. Memories and Nostalgia in (Post-)Yugoslav Cinema -- Long Farewells. The Anatomy of the Soviet Past in Contemporary Russian Cinema -- The Economics of Nostalgia. Socialist Films and Capitalist Commodities in Contemporary Poland -- “We Have Democracy, Don’t We?” Czech Society as Reflected in Contemporary Czech Cinema -- Objects of Memory: Museums, Monuments, Memorials -- The Redistribution of the Memory of Socialism. Identity Formations of the “Survivors” in Hungary after 1989 -- Raising the Cross. Exorcising Romania’s Communist Past in Museums, Memorials and Monuments -- The “Unmemorable” and the “Unforgettable.” “Museumizing” the Socialist Past in Post-1989 Bulgaria -- Containing Fascism. History in Post-Communist Baltic Occupation and Genocide Museums -- How Is Communism Displayed? Exhibitions and Museums of Communism in Poland -- About the Authors -- Name Index -- Subject Index |
title_new |
Past for the Eyes : |
title_sort |
past for the eyes : east european representations of communism in cinema and museums after 1989 / |
publisher |
Central European University Press, |
publishDate |
2022 |
physical |
1 online resource (436 p.) |
contents |
Frontmatter -- Contents -- Introduction -- Documents Of Communism: Lost And Found -- The Man in the White Raincoat -- Communist Secret Services on the Screen. The Duna-gate Scandal in and beyond the Hungarian Media -- Façades The Private and the Public in Kádár’s Kiss by Péter Forgács -- The Experiences of a Filmmaker. Reconstructing Reality from Documents in Communist Archives -- Subjects of Nostalgia: Selling the Past -- Out of the Past. Memories and Nostalgia in (Post-)Yugoslav Cinema -- Long Farewells. The Anatomy of the Soviet Past in Contemporary Russian Cinema -- The Economics of Nostalgia. Socialist Films and Capitalist Commodities in Contemporary Poland -- “We Have Democracy, Don’t We?” Czech Society as Reflected in Contemporary Czech Cinema -- Objects of Memory: Museums, Monuments, Memorials -- The Redistribution of the Memory of Socialism. Identity Formations of the “Survivors” in Hungary after 1989 -- Raising the Cross. Exorcising Romania’s Communist Past in Museums, Memorials and Monuments -- The “Unmemorable” and the “Unforgettable.” “Museumizing” the Socialist Past in Post-1989 Bulgaria -- Containing Fascism. History in Post-Communist Baltic Occupation and Genocide Museums -- How Is Communism Displayed? Exhibitions and Museums of Communism in Poland -- About the Authors -- Name Index -- Subject Index |
isbn |
9786155211430 9783110780550 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1993 |
callnumber-sort |
PN 41993.5 E82 P37 42008 |
url |
https://doi.org/10.1515/9786155211430 https://www.degruyter.com/isbn/9786155211430 https://www.degruyter.com/document/cover/isbn/9786155211430/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.430947 |
dewey-sort |
3791.430947 |
dewey-raw |
791.430947 |
dewey-search |
791.430947 |
doi_str_mv |
10.1515/9786155211430 |
work_keys_str_mv |
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Title is part of eBook package: De Gruyter Central European University Press eBook-Package 2013-1998 |
is_hierarchy_title |
Past for the Eyes : East European Representations of Communism in Cinema and Museums After 1989 / |
container_title |
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