The Grotesque Interface : : Deformity, Debasement, Dissolution / / Alton Kim Robertson.
An analysis of three modern works of prose fiction: Céline's 'Voyage au bout de la nuit', Günther Grass's: 'Die Blechtrommel', and García Márquez's: 'Cien años de soledad'.
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| Superior document: | Title is part of eBook package: De Gruyter Vervuert Archive eBook-Package 1979-1999 |
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| VerfasserIn: | |
| Place / Publishing House: | Frankfurt am Main : : Vervuert Verlagsgesellschaft, , [1996] ©1996 |
| Year of Publication: | 1996 |
| Language: | English |
| Series: | Theory and Criticism of Culture and Literature ;
6 |
| Online Access: | |
| Physical Description: | 1 online resource (131 p.) |
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| Other title: | Frontmatter -- TABLE OF CONTENTS -- PREFACE -- I. Orders and Borders -- II. Céline's Voyage au bout de la nuit: "A Quest without any Meaning" -- III. Grass Roots: Tin Drum Grotesque -- IV. Madness and Incest in Cien años de soledad -- V. The Deformity of the Human Body -- VI. BIBLIOGRAPHY |
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| Summary: | An analysis of three modern works of prose fiction: Céline's 'Voyage au bout de la nuit', Günther Grass's: 'Die Blechtrommel', and García Márquez's: 'Cien años de soledad'. |
| Format: | Mode of access: Internet via World Wide Web. |
| ISBN: | 9783964564146 9783110606546 |
| DOI: | 10.31819/9783964564146 |
| Access: | restricted access |
| Hierarchical level: | Monograph |
| Statement of Responsibility: | Alton Kim Robertson. |