World Construction via Networking : : The Storytelling Mechanics of the Marvel Cinematic Universe / / Christopher Joseph Hansen.

With the mainstream's growing acceptance of worlds and storytelling spread among several different texts - e.g., films, television series, novels, and comics - this pioneering study employs a multidisciplinary approach combining transmediality, network theory, and narratology to analyze the nar...

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Superior document:Title is part of eBook package: De Gruyter transcript Complete eBook Package 2024
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Place / Publishing House:Bielefeld : : transcript Verlag, , [2024]
©2024
Year of Publication:2024
Language:English
Series:Lettre
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Physical Description:1 online resource (364 p.)
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100 1 |a Hansen, Christopher Joseph,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a World Construction via Networking :  |b The Storytelling Mechanics of the Marvel Cinematic Universe /  |c Christopher Joseph Hansen. 
264 1 |a Bielefeld :   |b transcript Verlag,   |c [2024] 
264 4 |c ©2024 
300 |a 1 online resource (364 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
490 0 |a Lettre 
505 0 0 |t Frontmatter --   |t Contents --   |t Introduction --   |t 1 The Foundation --   |t 1.1 Foundational Terms --   |t 1.2 Foundational Theories – The Good, The Bad, and The Ugly --   |t 1.3 Foundation for a New Terminology --   |t 2 The Universe Model --   |t Introduction --   |t 2.1 Definition of Narrative Entity and Manifestation --   |t 2.2 Elements of Governance --   |t 2.3 Classification of Relationships --   |t 3 The Mechanics --   |t Introduction --   |t 3.1 The MCU Network --   |t Introduction --   |t 3.1.1 The MCU Films --   |t 3.1.2 The Marvel Netflix Universe (MNU) --   |t 3.1.3 The ABC Series --   |t 3.1.4 The Marvel Relationships --   |t 3.1.5 Lack of Connection --   |t 3.2 Understanding the Mechanics of The Marvel Cinematic Universe --   |t 3.2.1 From Personal to Global to Cosmic and Beyond: Managing Expansion and Escalation --   |t 3.2.2 It’s All Too Much: The Need for Clustering --   |t 3.2.3 Escalating the Network: Audience Creation and Maintenance --   |t 3.2.4 Endings and Beginnings Forever --   |t 4 Reflections --   |t 4.1 Reflection on Practice: A short look at other Universes --   |t 4.2 Reflection on Theory: Researching Universes --   |t Afterword --   |t References --   |t Primary Sources --   |t Film --   |t Series --   |t Comics --   |t Books --   |t Internet --   |t Secondary Sources --   |t Internet 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a With the mainstream's growing acceptance of worlds and storytelling spread among several different texts - e.g., films, television series, novels, and comics - this pioneering study employs a multidisciplinary approach combining transmediality, network theory, and narratology to analyze the narrative network of the Marvel Cinematic Universe. In this analysis, Christopher Hansen thoroughly examines storytelling techniques while providing a fresh theoretical framework to develop a structural model for interconnected narratives. He redefines our understanding of narrative dynamics in one of the most successful cinematic franchises of all time. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Mrz 2024) 
650 4 |a American Studies. 
650 4 |a Comic. 
650 4 |a Literary Studies. 
650 4 |a Literature. 
650 4 |a Narrative. 
650 4 |a Narratology. 
650 4 |a Popular Culture. 
650 4 |a Shared Universe. 
650 4 |a Worldbuilding. 
650 7 |a LITERARY CRITICISM / American / General.  |2 bisacsh 
653 |a American Studies. 
653 |a Comic. 
653 |a Literary Studies. 
653 |a Literature. 
653 |a Narrative. 
653 |a Narratology. 
653 |a Popular Culture. 
653 |a Shared Universe. 
653 |a Worldbuilding. 
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856 4 0 |u https://doi.org/10.1515/9783839470985 
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