Before Sound : : Re-Composing Material, Time, and Bodies in Music / / Tiziano Manca.

In Before Sound, composer Tiziano Manca investigates the premises for and consequences of a major change in his compositional practice: this change emphasizes the temporality of sound and, more recently, the relationship between sounding body and musician. It calls into question the traditional conc...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 English
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Place / Publishing House:Bielefeld : : transcript Verlag, , [2023]
©2023
Year of Publication:2023
Language:English
Series:Musik und Klangkultur ; 64
Online Access:
Physical Description:1 online resource (196 p.)
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100 1 |a Manca, Tiziano,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Before Sound :  |b Re-Composing Material, Time, and Bodies in Music /  |c Tiziano Manca. 
264 1 |a Bielefeld :   |b transcript Verlag,   |c [2023] 
264 4 |c ©2023 
300 |a 1 online resource (196 p.) 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a Musik und Klangkultur ;  |v 64 
505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Introduction --   |t 1 Beginnings --   |t Introduction --   |t 1.1 Elements and Matter --   |t 1.2 Aristoxenus’ Elements of Music --   |t 1.3 Transmission and Reception --   |t 1.4 Elements, Letters, Notes --   |t 2 Matter and Material --   |t Introduction --   |t 2.1 Dissonant Material --   |t 2.2 Sound and Composition --   |t 2.3 Given or Constructed? --   |t 2.4 Timbre, Noise, and Language --   |t 3 Time and Rhythm --   |t Introduction --   |t 3.1 Material and Modernity --   |t 3.2 Taking Place --   |t 3.3 Aperiodic Rhythms --   |t 3.4 Quasiperiodic Forms --   |t 4 Sounds and Instruments --   |t Introduction --   |t 4.1 Pitched Bodies --   |t 4.2 Sounds without Bodies --   |t 4.3 Reference --   |t 4.4 Agent and Reproducibility --   |t 4.5 Sonocentrism --   |t 5 Musical Bodies --   |t Introduction --   |t 5.1 Bodies without Sound --   |t 5.2 Composing a Gesture --   |t Conclusions --   |t List of Works --   |t Abbreviations --   |t Reference List 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a In Before Sound, composer Tiziano Manca investigates the premises for and consequences of a major change in his compositional practice: this change emphasizes the temporality of sound and, more recently, the relationship between sounding body and musician. It calls into question the traditional conception of composition and its relation to sound material. Accordingly, Manca examines the theoretical and aesthetic reasons for this shift by interweaving aesthetic reflection on his work with historical research on the notion of musical material and the theory of sound production. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024) 
650 0 |a Arts and society. 
650 0 |a Performing arts. 
650 4 |a Body. 
650 4 |a Music History. 
650 4 |a Music Material. 
650 4 |a Music. 
650 4 |a Musical Instrument. 
650 4 |a Musicology. 
650 4 |a Sound. 
650 4 |a Time. 
650 7 |a MUSIC / History & Criticism.  |2 bisacsh 
653 |a Body. 
653 |a Music History. 
653 |a Music Material. 
653 |a Music. 
653 |a Musical Instrument. 
653 |a Musicology. 
653 |a Sound. 
653 |a Time. 
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