Postcolonial Repercussions : : On Sound Ontologies and Decolonised Listening / / ed. by Johannes Salim Ismaiel-Wendt, Andi Schoon.

Can sound be perceived independently of its social dimension? Or is it always embedded in a discursive network? »Postcolonial Repercussions« explores these questions in form of a collective conversation. The contributors have collected sound stories and sound knowledge from Brazil to Morocco, listen...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter DG Plus PP Package 2022 Part 2
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HerausgeberIn:
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Place / Publishing House:Bielefeld : : transcript Verlag, , [2022]
©2022
Year of Publication:2022
Language:English
Series:Sound Studies ; 6
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Physical Description:1 online resource (186 p.)
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Table of Contents:
  • Frontmatter
  • Contents
  • Instead of an Editorial
  • Salam Godzilla. Unsounding the 1960 Agadir Earthquake
  • A Conversation on Race, Sound, and the Im/possibility of Decolonised Listening
  • Playing it Back. Critical Reflections on Curating Sound
  • »offensichtlich unbegründet«: a work in progress meditation on sonic biometry, migration and the archive
  • From a Postmodernist Sound to a Decolonized Dancefloor. From Glitch to Deconstructed Club Music
  • Meandering Feuilleton Essay about two concerts that I did not see. Or: About how I read Hall, Mignolo and Walsh instead because I want to write an article for an anthology on Decolonizing Arts and think about whether it is possible to decolonialize Popular Music
  • (Post) Colonial Streaming: The Social Reproduction of Listening and Deafness in the Anthropocene
  • Buried in the Colonial Graveyard? Indigenous Sound Ontologies, Repatriation and the Ethics of Curating Ethnographic Sounds
  • Tangier 1999. In search of authenticity. Paul Bowles longs for something and insists on its existence
  • Passageways of Knowing. Music, Movement, Reconnection
  • Authors
  • List of Illustrations