Passing and Posing between Black and White : : Calibrating the Color Line in U.S. Cinema / / Lisa Gotto.
Since its inception, U.S. American cinema has grappled with the articulation of racial boundaries. This applies, in the first instance, to featuring mixed-race characters crossing the color line. In a broader sense, however, this also concerns viewing conditions and knowledge configurations. The fac...
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Superior document: | Title is part of eBook package: De Gruyter DG Plus PP Package 2021 Part 2 |
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Place / Publishing House: | Bielefeld : : transcript Verlag, , [2021] ©2021 |
Year of Publication: | 2021 |
Language: | English |
Series: | Film
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Physical Description: | 1 online resource (250 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgements
- Foreword
- Introduction
- I. Conquered – Unconquered
- The Birth of a Nation (David Wark Griffith, USA 1915)
- The Symbol of the Unconquered (Oscar Micheaux, USA 1920)
- II. Reflections – Shadows
- Imitation of Life (Douglas Sirk, USA 1959)
- Shadows (John Cassavetes, USA 1959)
- III. Blackface – Whiteface
- Bamboozled (Spike Lee, USA 2000)
- The Human Stain (Robert Benton, USA 2003)
- Conclusion
- IV. Appendix
- Bibliography
- Filmography
- List of Figures