Taking Stakes in the Unknown : : Tracing Post-Black Art / / Nana Adusei-Poku.
In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre 9-11 and pre-Obama world. In Taking Stakes in the Unknown, Nana Adusei-Pok...
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| Superior document: | Title is part of eBook package: De Gruyter DG Plus PP Package 2021 Part 2 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Bielefeld : : transcript Verlag, , [2021] ©2021 |
| Year of Publication: | 2021 |
| Language: | English |
| Series: | Image ;
180 |
| Online Access: | |
| Physical Description: | 1 online resource (218 p.) |
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| LEADER | 05867nam a22010335i 4500 | ||
|---|---|---|---|
| 001 | 9783839452943 | ||
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| 100 | 1 | |a Adusei-Poku, Nana, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Taking Stakes in the Unknown : |b Tracing Post-Black Art / |c Nana Adusei-Poku. |
| 264 | 1 | |a Bielefeld : |b transcript Verlag, |c [2021] | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 1 online resource (218 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 490 | 0 | |a Image ; |v 180 | |
| 505 | 0 | 0 | |t Frontmatter -- |t Bibliographic information published by the Deutsche Nationalbibliothek -- |t Contents -- |t Acknowledgement -- |t I. Introduction -- |t II. Destabilizing Meaning -- |t 1. The Textures of History -- |t 2. What is the script of your time? -- |t 3. Economies of the Double-bind -- |t III. Historical Entanglements of Black Revolutionary Women -- |t 1. De-Interpellating Interpellation—Visual Disobediences -- |t 2. How do I look? (Very good, I must say I am amazed!) -- |t 3. O my Body, will always remain in question!— Reviewing the Fanonian Moment -- |t IV. Heterotemporality as a Way of Understanding the Contemporary -- |t 1. Reclaiming our time -- |t 2. Riffs on Real Time and the present that is fleeting though captured -- |t 3. Rewind Selecta -- |t 4. Hetero-temporality -- |t V. Paradox Synchronicities -- |t 1. Contextualization -- |t 2. IWHISHIWAS or WISHIWASHI ? -- |t 3. From Leitkultur to Leightkultur -- |t VI. Abstract Facts -- |t 1. Enter and Exit the New Negro -- |t 2. Enter and Exit the New Negro—From Invisible Visibilities -- |t 3. Enter the New Negro -- |t 4. Ambiguity as Chance—Abstraction as Means of Identity -- |t VII. Post-Post-black -- |t VIII. Bibliography |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre 9-11 and pre-Obama world. In Taking Stakes in the Unknown, Nana Adusei-Poku contextualizes the term post-black in its socio-historical and cultural context. Whilst exploring its present legacy and past potential, she examines works by artists who were defined as part of the post-black generation: Mark Bradford, Leslie Hewitt, Mickalene Thomas and Hank Willis Thomas - and, by expanding the scope of the definition, the Black German artist Philip Metz. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) | |
| 650 | 4 | |a African American. | |
| 650 | 4 | |a Art. | |
| 650 | 4 | |a Black Diaspora Art. | |
| 650 | 4 | |a Black German. | |
| 650 | 4 | |a Critical Race Art History. | |
| 650 | 4 | |a Cultural Studies. | |
| 650 | 4 | |a Fine Arts. | |
| 650 | 4 | |a Gender Studies. | |
| 650 | 4 | |a Gender. | |
| 650 | 4 | |a Postcolonialism. | |
| 650 | 4 | |a Theory of Art. | |
| 650 | 7 | |a ART / Criticism. |2 bisacsh | |
| 653 | |a African American. | ||
| 653 | |a Art. | ||
| 653 | |a Black Diaspora Art. | ||
| 653 | |a Black German. | ||
| 653 | |a Critical Race Art History. | ||
| 653 | |a Cultural Studies. | ||
| 653 | |a Fine Arts. | ||
| 653 | |a Gender Studies. | ||
| 653 | |a Gender. | ||
| 653 | |a Postcolonialism. | ||
| 653 | |a Theory of Art. | ||
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t DG Plus PP Package 2021 Part 2 |z 9783110743357 |
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| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE Arts, Architecture and Design 2021 English |z 9783110754032 |
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| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2021 |z 9783110753776 |o ZDB-23-DGG |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t transcript Complete eBook Package 2021 |z 9783111025100 |o ZDB-23-TGP |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t transcript English Frontlist eBook-Package 2021 |z 9783110767315 |
| 776 | 0 | |c print |z 9783837652949 | |
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| 912 | |a 978-3-11-076731-5 transcript English Frontlist eBook-Package 2021 |b 2021 | ||
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