Operatic Pasticcios in 18th-Century Europe : : Contexts, Materials and Aesthetics / / ed. by Gesa zur Nieden, Berthold Over.
In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation o...
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Operatic Pasticcios in 18th-Century Europe : Contexts, Materials and Aesthetics / ed. by Gesa zur Nieden, Berthold Over. Bielefeld : transcript Verlag, [2021] ©2021 1 online resource (798 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Mainzer Historische Kulturwissenschaften ; 45 Frontmatter -- Editorial -- Content -- Introduction -- The World of Pasticcio Reflections on Pre-Existing T ext and Music -- Italian Pasticcio Opera, 1700-1750 Practices and Repertoires -- 1. Pasticcio Principles in Different Arts -- Antoine Watteau’s pasticci -- Pasticcio Practice in 18th-Century German Theater -- Adaptations of Stage Directions and Stage Designs in Pietro Metastasio’ s drammi per musica -- Between Dwarfs and Giants. Aesthetics of the Pasticcio between London and Hamburg -- 2. Pasticcio vs. Pastiche -- The Musical pasticcio: A Plea for a Readymade Ontology for the Musical Work -- Pasticcio en littérature? -- On the New Significance of the Pastiche in Copyright Law -- 3. Traveling Musicians – Traveling Music? -- A Voice of Two Cities: Francesco Borosini between the Habsburg Court and the Royal Academy -- Debts and Destiny New Findings on Antonio Maria Peruzzi and the Origin of His Opera Touring Business -- Italian operisti, Repertoire and the aria di baule: Insights from the Pirker Correspondence -- Dido Abandoned? Shifts of Focus and Artistic Choices in Didone Pasticcios of the Mingotti Opera T roupe -- Palladio as a Tool for opera buffa Research. Mapping Opera Troupes and opera buffa Outside of Italy (1745-1765) -- 4. Local Conditions of Pasticcio Production and Reception -- Collaboration, Arrangement, ‘Dressing’: The Different Recipes for the pasticcio alla napoletana in the First Half of the 18th Century -- Production of Opera Pasticcios in Venice in the Early 18th Century. The Impresario’s Role -- Artaserse (Rome, 1721), Nicola Porpora’s First Pasticcio -- Singers of the V iennese Kärntnertortheater in the 1730s in the Light of Aria Substitutions and Pasticcios -- The Book of Pasticcios: Listening to Ormisda’s Material Texts -- Borrowed Voices. Legal Ownership of Insertion Arias in 18th-Century London -- Local Conditions of Pasticcio Production and Reception: Between Prague, W rocław and Moravia -- The Graz 1740 Pasticcio Amor, odio e pentimento: A Special Case or Mingottis’ s Common Practice? -- A Granted Royal Wish, or Carlo Goldoni’ s La buona figliuola with Music by Niccolò Piccinni and Il mercato di Malmantile with Music by Domenico Fischietti, Staged in Warsaw in 1765 -- 5. Pasticcio Practices Beyond Opera -- Bad Habits in Theater – Late Forms of Operatic Pasticcios in Vienna Around 1800 -- Dance in Pasticcios – Pasticcios in Dance -- Ballet Performance as Motivation for Pasticcio Practices – Gluck’ s and Berton’s Cythère assiégée (1775) -- The Use of Extracts of Mozart’ s Operas in Polish Sacred Music -- Pasticcio da chiesa: Transforming Opera Arias into an Oratorio The Case of Contrafacted Oratorios in Wrocław and Żagań from the Mid-18th Century -- 6. Pasticcio Between Philology and Materiality -- Apostolo Zeno’s Venceslao (Venice 1703) and its Pasticcio Version Vincislao re di Polonia (London 1717) A Case Study with Stops in Florence, Milan and Naples -- The Musical and Physical Mobility of Material in Handel Sources -- Pasticcios in Darmstadt? Christoph Graupner and the Use of Non-domestic Librettos in the Early 18th Century -- Gluck’s Contribution to the Pasticcios Arsace and La finta schiava -- Digital Music Editions Beyond [Edited] Musical Text -- The pasticci Tree: Manual and Computing Solutions -- Ways of Replacement – Loss and Enrichment -- Epilogue -- List of Contributors -- Index of Persons -- Index of Places restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Art History. Art. Arts. Cultural History. European Art. Fine Arts. Music Aesthetics. Pastiche. Work Concept. ART / History / General. bisacsh Albrecht-Hohmaier, Martin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bellina, Anna Laura, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bertinetto, Alessandro, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Betzwieser, Thomas, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Blichmann, Diana, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Döhl, Frédéric, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Finkel, Carola, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gölz, Tanja, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hartmann, Tina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Herold, Kristin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Jahn, Bernhard, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Knaus, Kordula, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kokole, Metoda, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kramer, Ursula, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Körner, Hans, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Köster, Maik, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Landgraf, Annette, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lanfossi, Carlo, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Markuszewska, Aneta, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mücke, Panja, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mądry, Alina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Nieden, Gesa zur, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Over, Berthold, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Over, Berthold, editor. edt http://id.loc.gov/vocabulary/relators/edt Pelliccia, Emilia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Philippi, Daniela, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Pietschmann, Klaus, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Romagnoli, Angela, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ryszka-Komarnicka, Anna, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Spurgjasz, Katarzyna, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Spáčilová, Jana, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Stefani, Gianluca, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Strohm, Reinhard, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Veit, Joachim, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Zedler, Andrea, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Zsovár, Judit, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb zur Nieden, Gesa, editor. edt http://id.loc.gov/vocabulary/relators/edt Żórawska-Witkowska, Alina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter DG Plus PP Package 2021 Part 2 9783110743357 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021 9783110753790 ZDB-23-DPK Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2021 English 9783110754032 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 English 9783110754001 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 9783110753776 ZDB-23-DGG Title is part of eBook package: De Gruyter transcript English Frontlist eBook-Package 2021 9783110767315 print 9783837648850 https://doi.org/10.1515/9783839448854?locatt=mode:legacy https://www.degruyter.com/isbn/9783839448854 Cover https://www.degruyter.com/document/cover/isbn/9783839448854/original |
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English |
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Albrecht-Hohmaier, Martin, Bellina, Anna Laura, Bertinetto, Alessandro, Betzwieser, Thomas, Blichmann, Diana, Döhl, Frédéric, Finkel, Carola, Gölz, Tanja, Hartmann, Tina, Herold, Kristin, Jahn, Bernhard, Knaus, Kordula, Kokole, Metoda, Kramer, Ursula, Körner, Hans, Köster, Maik, Landgraf, Annette, Lanfossi, Carlo, Markuszewska, Aneta, Mücke, Panja, Mądry, Alina, Nieden, Gesa zur, Over, Berthold, Pelliccia, Emilia, Philippi, Daniela, Pietschmann, Klaus, Romagnoli, Angela, Ryszka-Komarnicka, Anna, Spurgjasz, Katarzyna, Spáčilová, Jana, Stefani, Gianluca, Strohm, Reinhard, Veit, Joachim, Zedler, Andrea, Zsovár, Judit, zur Nieden, Gesa, Żórawska-Witkowska, Alina, |
author_facet |
Albrecht-Hohmaier, Martin, Bellina, Anna Laura, Bertinetto, Alessandro, Betzwieser, Thomas, Blichmann, Diana, Döhl, Frédéric, Finkel, Carola, Gölz, Tanja, Hartmann, Tina, Herold, Kristin, Jahn, Bernhard, Knaus, Kordula, Kokole, Metoda, Kramer, Ursula, Körner, Hans, Köster, Maik, Landgraf, Annette, Lanfossi, Carlo, Markuszewska, Aneta, Mücke, Panja, Mądry, Alina, Nieden, Gesa zur, Over, Berthold, Pelliccia, Emilia, Philippi, Daniela, Pietschmann, Klaus, Romagnoli, Angela, Ryszka-Komarnicka, Anna, Spurgjasz, Katarzyna, Spáčilová, Jana, Stefani, Gianluca, Strohm, Reinhard, Veit, Joachim, Zedler, Andrea, Zsovár, Judit, zur Nieden, Gesa, Żórawska-Witkowska, Alina, |
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Albrecht-Hohmaier, Martin, |
title |
Operatic Pasticcios in 18th-Century Europe : Contexts, Materials and Aesthetics / |
spellingShingle |
Operatic Pasticcios in 18th-Century Europe : Contexts, Materials and Aesthetics / Mainzer Historische Kulturwissenschaften ; Frontmatter -- Editorial -- Content -- Introduction -- The World of Pasticcio Reflections on Pre-Existing T ext and Music -- Italian Pasticcio Opera, 1700-1750 Practices and Repertoires -- 1. Pasticcio Principles in Different Arts -- Antoine Watteau’s pasticci -- Pasticcio Practice in 18th-Century German Theater -- Adaptations of Stage Directions and Stage Designs in Pietro Metastasio’ s drammi per musica -- Between Dwarfs and Giants. Aesthetics of the Pasticcio between London and Hamburg -- 2. Pasticcio vs. Pastiche -- The Musical pasticcio: A Plea for a Readymade Ontology for the Musical Work -- Pasticcio en littérature? -- On the New Significance of the Pastiche in Copyright Law -- 3. Traveling Musicians – Traveling Music? -- A Voice of Two Cities: Francesco Borosini between the Habsburg Court and the Royal Academy -- Debts and Destiny New Findings on Antonio Maria Peruzzi and the Origin of His Opera Touring Business -- Italian operisti, Repertoire and the aria di baule: Insights from the Pirker Correspondence -- Dido Abandoned? Shifts of Focus and Artistic Choices in Didone Pasticcios of the Mingotti Opera T roupe -- Palladio as a Tool for opera buffa Research. Mapping Opera Troupes and opera buffa Outside of Italy (1745-1765) -- 4. Local Conditions of Pasticcio Production and Reception -- Collaboration, Arrangement, ‘Dressing’: The Different Recipes for the pasticcio alla napoletana in the First Half of the 18th Century -- Production of Opera Pasticcios in Venice in the Early 18th Century. The Impresario’s Role -- Artaserse (Rome, 1721), Nicola Porpora’s First Pasticcio -- Singers of the V iennese Kärntnertortheater in the 1730s in the Light of Aria Substitutions and Pasticcios -- The Book of Pasticcios: Listening to Ormisda’s Material Texts -- Borrowed Voices. Legal Ownership of Insertion Arias in 18th-Century London -- Local Conditions of Pasticcio Production and Reception: Between Prague, W rocław and Moravia -- The Graz 1740 Pasticcio Amor, odio e pentimento: A Special Case or Mingottis’ s Common Practice? -- A Granted Royal Wish, or Carlo Goldoni’ s La buona figliuola with Music by Niccolò Piccinni and Il mercato di Malmantile with Music by Domenico Fischietti, Staged in Warsaw in 1765 -- 5. Pasticcio Practices Beyond Opera -- Bad Habits in Theater – Late Forms of Operatic Pasticcios in Vienna Around 1800 -- Dance in Pasticcios – Pasticcios in Dance -- Ballet Performance as Motivation for Pasticcio Practices – Gluck’ s and Berton’s Cythère assiégée (1775) -- The Use of Extracts of Mozart’ s Operas in Polish Sacred Music -- Pasticcio da chiesa: Transforming Opera Arias into an Oratorio The Case of Contrafacted Oratorios in Wrocław and Żagań from the Mid-18th Century -- 6. Pasticcio Between Philology and Materiality -- Apostolo Zeno’s Venceslao (Venice 1703) and its Pasticcio Version Vincislao re di Polonia (London 1717) A Case Study with Stops in Florence, Milan and Naples -- The Musical and Physical Mobility of Material in Handel Sources -- Pasticcios in Darmstadt? Christoph Graupner and the Use of Non-domestic Librettos in the Early 18th Century -- Gluck’s Contribution to the Pasticcios Arsace and La finta schiava -- Digital Music Editions Beyond [Edited] Musical Text -- The pasticci Tree: Manual and Computing Solutions -- Ways of Replacement – Loss and Enrichment -- Epilogue -- List of Contributors -- Index of Persons -- Index of Places |
title_sub |
Contexts, Materials and Aesthetics / |
title_full |
Operatic Pasticcios in 18th-Century Europe : Contexts, Materials and Aesthetics / ed. by Gesa zur Nieden, Berthold Over. |
title_fullStr |
Operatic Pasticcios in 18th-Century Europe : Contexts, Materials and Aesthetics / ed. by Gesa zur Nieden, Berthold Over. |
title_full_unstemmed |
Operatic Pasticcios in 18th-Century Europe : Contexts, Materials and Aesthetics / ed. by Gesa zur Nieden, Berthold Over. |
title_auth |
Operatic Pasticcios in 18th-Century Europe : Contexts, Materials and Aesthetics / |
title_alt |
Frontmatter -- Editorial -- Content -- Introduction -- The World of Pasticcio Reflections on Pre-Existing T ext and Music -- Italian Pasticcio Opera, 1700-1750 Practices and Repertoires -- 1. Pasticcio Principles in Different Arts -- Antoine Watteau’s pasticci -- Pasticcio Practice in 18th-Century German Theater -- Adaptations of Stage Directions and Stage Designs in Pietro Metastasio’ s drammi per musica -- Between Dwarfs and Giants. Aesthetics of the Pasticcio between London and Hamburg -- 2. Pasticcio vs. Pastiche -- The Musical pasticcio: A Plea for a Readymade Ontology for the Musical Work -- Pasticcio en littérature? -- On the New Significance of the Pastiche in Copyright Law -- 3. Traveling Musicians – Traveling Music? -- A Voice of Two Cities: Francesco Borosini between the Habsburg Court and the Royal Academy -- Debts and Destiny New Findings on Antonio Maria Peruzzi and the Origin of His Opera Touring Business -- Italian operisti, Repertoire and the aria di baule: Insights from the Pirker Correspondence -- Dido Abandoned? Shifts of Focus and Artistic Choices in Didone Pasticcios of the Mingotti Opera T roupe -- Palladio as a Tool for opera buffa Research. Mapping Opera Troupes and opera buffa Outside of Italy (1745-1765) -- 4. Local Conditions of Pasticcio Production and Reception -- Collaboration, Arrangement, ‘Dressing’: The Different Recipes for the pasticcio alla napoletana in the First Half of the 18th Century -- Production of Opera Pasticcios in Venice in the Early 18th Century. The Impresario’s Role -- Artaserse (Rome, 1721), Nicola Porpora’s First Pasticcio -- Singers of the V iennese Kärntnertortheater in the 1730s in the Light of Aria Substitutions and Pasticcios -- The Book of Pasticcios: Listening to Ormisda’s Material Texts -- Borrowed Voices. Legal Ownership of Insertion Arias in 18th-Century London -- Local Conditions of Pasticcio Production and Reception: Between Prague, W rocław and Moravia -- The Graz 1740 Pasticcio Amor, odio e pentimento: A Special Case or Mingottis’ s Common Practice? -- A Granted Royal Wish, or Carlo Goldoni’ s La buona figliuola with Music by Niccolò Piccinni and Il mercato di Malmantile with Music by Domenico Fischietti, Staged in Warsaw in 1765 -- 5. Pasticcio Practices Beyond Opera -- Bad Habits in Theater – Late Forms of Operatic Pasticcios in Vienna Around 1800 -- Dance in Pasticcios – Pasticcios in Dance -- Ballet Performance as Motivation for Pasticcio Practices – Gluck’ s and Berton’s Cythère assiégée (1775) -- The Use of Extracts of Mozart’ s Operas in Polish Sacred Music -- Pasticcio da chiesa: Transforming Opera Arias into an Oratorio The Case of Contrafacted Oratorios in Wrocław and Żagań from the Mid-18th Century -- 6. Pasticcio Between Philology and Materiality -- Apostolo Zeno’s Venceslao (Venice 1703) and its Pasticcio Version Vincislao re di Polonia (London 1717) A Case Study with Stops in Florence, Milan and Naples -- The Musical and Physical Mobility of Material in Handel Sources -- Pasticcios in Darmstadt? Christoph Graupner and the Use of Non-domestic Librettos in the Early 18th Century -- Gluck’s Contribution to the Pasticcios Arsace and La finta schiava -- Digital Music Editions Beyond [Edited] Musical Text -- The pasticci Tree: Manual and Computing Solutions -- Ways of Replacement – Loss and Enrichment -- Epilogue -- List of Contributors -- Index of Persons -- Index of Places |
title_new |
Operatic Pasticcios in 18th-Century Europe : |
title_sort |
operatic pasticcios in 18th century europe contexts materials and aesthetics |
series |
Mainzer Historische Kulturwissenschaften ; |
series2 |
Mainzer Historische Kulturwissenschaften ; |
publisher |
transcript Verlag, |
publishDate |
2021 |
physical |
1 online resource (798 p.) |
contents |
Frontmatter -- Editorial -- Content -- Introduction -- The World of Pasticcio Reflections on Pre-Existing T ext and Music -- Italian Pasticcio Opera, 1700-1750 Practices and Repertoires -- 1. Pasticcio Principles in Different Arts -- Antoine Watteau’s pasticci -- Pasticcio Practice in 18th-Century German Theater -- Adaptations of Stage Directions and Stage Designs in Pietro Metastasio’ s drammi per musica -- Between Dwarfs and Giants. Aesthetics of the Pasticcio between London and Hamburg -- 2. Pasticcio vs. Pastiche -- The Musical pasticcio: A Plea for a Readymade Ontology for the Musical Work -- Pasticcio en littérature? -- On the New Significance of the Pastiche in Copyright Law -- 3. Traveling Musicians – Traveling Music? -- A Voice of Two Cities: Francesco Borosini between the Habsburg Court and the Royal Academy -- Debts and Destiny New Findings on Antonio Maria Peruzzi and the Origin of His Opera Touring Business -- Italian operisti, Repertoire and the aria di baule: Insights from the Pirker Correspondence -- Dido Abandoned? Shifts of Focus and Artistic Choices in Didone Pasticcios of the Mingotti Opera T roupe -- Palladio as a Tool for opera buffa Research. Mapping Opera Troupes and opera buffa Outside of Italy (1745-1765) -- 4. Local Conditions of Pasticcio Production and Reception -- Collaboration, Arrangement, ‘Dressing’: The Different Recipes for the pasticcio alla napoletana in the First Half of the 18th Century -- Production of Opera Pasticcios in Venice in the Early 18th Century. The Impresario’s Role -- Artaserse (Rome, 1721), Nicola Porpora’s First Pasticcio -- Singers of the V iennese Kärntnertortheater in the 1730s in the Light of Aria Substitutions and Pasticcios -- The Book of Pasticcios: Listening to Ormisda’s Material Texts -- Borrowed Voices. Legal Ownership of Insertion Arias in 18th-Century London -- Local Conditions of Pasticcio Production and Reception: Between Prague, W rocław and Moravia -- The Graz 1740 Pasticcio Amor, odio e pentimento: A Special Case or Mingottis’ s Common Practice? -- A Granted Royal Wish, or Carlo Goldoni’ s La buona figliuola with Music by Niccolò Piccinni and Il mercato di Malmantile with Music by Domenico Fischietti, Staged in Warsaw in 1765 -- 5. Pasticcio Practices Beyond Opera -- Bad Habits in Theater – Late Forms of Operatic Pasticcios in Vienna Around 1800 -- Dance in Pasticcios – Pasticcios in Dance -- Ballet Performance as Motivation for Pasticcio Practices – Gluck’ s and Berton’s Cythère assiégée (1775) -- The Use of Extracts of Mozart’ s Operas in Polish Sacred Music -- Pasticcio da chiesa: Transforming Opera Arias into an Oratorio The Case of Contrafacted Oratorios in Wrocław and Żagań from the Mid-18th Century -- 6. Pasticcio Between Philology and Materiality -- Apostolo Zeno’s Venceslao (Venice 1703) and its Pasticcio Version Vincislao re di Polonia (London 1717) A Case Study with Stops in Florence, Milan and Naples -- The Musical and Physical Mobility of Material in Handel Sources -- Pasticcios in Darmstadt? Christoph Graupner and the Use of Non-domestic Librettos in the Early 18th Century -- Gluck’s Contribution to the Pasticcios Arsace and La finta schiava -- Digital Music Editions Beyond [Edited] Musical Text -- The pasticci Tree: Manual and Computing Solutions -- Ways of Replacement – Loss and Enrichment -- Epilogue -- List of Contributors -- Index of Persons -- Index of Places |
isbn |
9783839448854 9783110743357 9783110753790 9783110754032 9783110754001 9783110753776 9783110767315 9783837648850 |
url |
https://doi.org/10.1515/9783839448854?locatt=mode:legacy https://www.degruyter.com/isbn/9783839448854 https://www.degruyter.com/document/cover/isbn/9783839448854/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
780 - Music |
dewey-ones |
782 - Vocal music |
dewey-full |
782.1 |
dewey-sort |
3782.1 |
dewey-raw |
782.1 |
dewey-search |
782.1 |
doi_str_mv |
10.1515/9783839448854?locatt=mode:legacy |
oclc_num |
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Title is part of eBook package: De Gruyter DG Plus PP Package 2021 Part 2 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2021 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 Title is part of eBook package: De Gruyter transcript English Frontlist eBook-Package 2021 |
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Operatic Pasticcios in 18th-Century Europe : Contexts, Materials and Aesthetics / |
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Title is part of eBook package: De Gruyter DG Plus PP Package 2021 Part 2 |
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<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>11628nam a22014175i 4500</leader><controlfield tag="001">9783839448854</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220629043637.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220629t20212021gw fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783839448854</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9783839448854</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)583092</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1248759283</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">gw</subfield><subfield code="c">DE</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART015000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">782.1</subfield><subfield code="q">DE-101</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 54171</subfield><subfield code="2">rvk</subfield><subfield code="0">(DE-625)rvk/109639:</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Operatic Pasticcios in 18th-Century Europe :</subfield><subfield code="b">Contexts, Materials and Aesthetics /</subfield><subfield code="c">ed. by Gesa zur Nieden, Berthold Over.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bielefeld : </subfield><subfield code="b">transcript Verlag, </subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (798 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Mainzer Historische Kulturwissenschaften ;</subfield><subfield code="v">45</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Editorial -- </subfield><subfield code="t">Content -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">The World of Pasticcio Reflections on Pre-Existing T ext and Music -- </subfield><subfield code="t">Italian Pasticcio Opera, 1700-1750 Practices and Repertoires -- </subfield><subfield code="t">1. Pasticcio Principles in Different Arts -- </subfield><subfield code="t">Antoine Watteau’s pasticci -- </subfield><subfield code="t">Pasticcio Practice in 18th-Century German Theater -- </subfield><subfield code="t">Adaptations of Stage Directions and Stage Designs in Pietro Metastasio’ s drammi per musica -- </subfield><subfield code="t">Between Dwarfs and Giants. Aesthetics of the Pasticcio between London and Hamburg -- </subfield><subfield code="t">2. Pasticcio vs. Pastiche -- </subfield><subfield code="t">The Musical pasticcio: A Plea for a Readymade Ontology for the Musical Work -- </subfield><subfield code="t">Pasticcio en littérature? -- </subfield><subfield code="t">On the New Significance of the Pastiche in Copyright Law -- </subfield><subfield code="t">3. Traveling Musicians – Traveling Music? -- </subfield><subfield code="t">A Voice of Two Cities: Francesco Borosini between the Habsburg Court and the Royal Academy -- </subfield><subfield code="t">Debts and Destiny New Findings on Antonio Maria Peruzzi and the Origin of His Opera Touring Business -- </subfield><subfield code="t">Italian operisti, Repertoire and the aria di baule: Insights from the Pirker Correspondence -- </subfield><subfield code="t">Dido Abandoned? Shifts of Focus and Artistic Choices in Didone Pasticcios of the Mingotti Opera T roupe -- </subfield><subfield code="t">Palladio as a Tool for opera buffa Research. Mapping Opera Troupes and opera buffa Outside of Italy (1745-1765) -- </subfield><subfield code="t">4. Local Conditions of Pasticcio Production and Reception -- </subfield><subfield code="t">Collaboration, Arrangement, ‘Dressing’: The Different Recipes for the pasticcio alla napoletana in the First Half of the 18th Century -- </subfield><subfield code="t">Production of Opera Pasticcios in Venice in the Early 18th Century. The Impresario’s Role -- </subfield><subfield code="t">Artaserse (Rome, 1721), Nicola Porpora’s First Pasticcio -- </subfield><subfield code="t">Singers of the V iennese Kärntnertortheater in the 1730s in the Light of Aria Substitutions and Pasticcios -- </subfield><subfield code="t">The Book of Pasticcios: Listening to Ormisda’s Material Texts -- </subfield><subfield code="t">Borrowed Voices. Legal Ownership of Insertion Arias in 18th-Century London -- </subfield><subfield code="t">Local Conditions of Pasticcio Production and Reception: Between Prague, W rocław and Moravia -- </subfield><subfield code="t">The Graz 1740 Pasticcio Amor, odio e pentimento: A Special Case or Mingottis’ s Common Practice? -- </subfield><subfield code="t">A Granted Royal Wish, or Carlo Goldoni’ s La buona figliuola with Music by Niccolò Piccinni and Il mercato di Malmantile with Music by Domenico Fischietti, Staged in Warsaw in 1765 -- </subfield><subfield code="t">5. Pasticcio Practices Beyond Opera -- </subfield><subfield code="t">Bad Habits in Theater – Late Forms of Operatic Pasticcios in Vienna Around 1800 -- </subfield><subfield code="t">Dance in Pasticcios – Pasticcios in Dance -- </subfield><subfield code="t">Ballet Performance as Motivation for Pasticcio Practices – Gluck’ s and Berton’s Cythère assiégée (1775) -- </subfield><subfield code="t">The Use of Extracts of Mozart’ s Operas in Polish Sacred Music -- </subfield><subfield code="t">Pasticcio da chiesa: Transforming Opera Arias into an Oratorio The Case of Contrafacted Oratorios in Wrocław and Żagań from the Mid-18th Century -- </subfield><subfield code="t">6. Pasticcio Between Philology and Materiality -- </subfield><subfield code="t">Apostolo Zeno’s Venceslao (Venice 1703) and its Pasticcio Version Vincislao re di Polonia (London 1717) A Case Study with Stops in Florence, Milan and Naples -- </subfield><subfield code="t">The Musical and Physical Mobility of Material in Handel Sources -- </subfield><subfield code="t">Pasticcios in Darmstadt? Christoph Graupner and the Use of Non-domestic Librettos in the Early 18th Century -- </subfield><subfield code="t">Gluck’s Contribution to the Pasticcios Arsace and La finta schiava -- </subfield><subfield code="t">Digital Music Editions Beyond [Edited] Musical Text -- </subfield><subfield code="t">The pasticci Tree: Manual and Computing Solutions -- </subfield><subfield code="t">Ways of Replacement – Loss and Enrichment -- </subfield><subfield code="t">Epilogue -- </subfield><subfield code="t">List of Contributors -- </subfield><subfield code="t">Index of Persons -- </subfield><subfield code="t">Index of Places</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art History.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Arts.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Cultural History.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">European Art.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Fine Arts.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music Aesthetics.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Pastiche.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Work Concept.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / History / General.</subfield><subfield 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