The Creativity Complex : : A Companion to Contemporary Culture / / ed. by Jörg Metelmann, Timon Beyes.

• Superior document: Title is part of eBook package: De Gruyter DG Plus PP Package 2018 Part 2
• MitwirkendeR: Alloa, Emmanuel,; Beregow, Elena,; Beyes, Timon,; Calcagno, Monica,; Drügh, Heinz,; Goldoni, Daniele,; Hohnsträter, Dirk,; Hutter, Michael,; Jacke, Christoph,; Kaufmann, Vincent,; Krempl, Sophie-Thérèse,; Leeker, Martina,; Mareis, Claudia,; Metelmann, Jörg,; Michels, Christoph,; Müller, Björn,; Pias, Claus,; Raffnsøe, Sverre,; Reckwitz, Andreas,; Schellmann, Maximilian,; Schulz, Florian,; Steyaert, Chris,; Titton, Monica,; Trevisan, Paola,; Ullrich, Wolfgang,
• HerausgeberIn: Beyes, Timon,; Metelmann, Jörg,
• TeilnehmendeR: Born, Erik and others.
• Place / Publishing House: Bielefeld : : transcript Verlag, , [2018]; ©2018
• Year of Publication: 2018
• Language: English
• Series: Kulturen der Gesellschaft ; 36
• Physical Description: 1 online resource (258 p.)
• Other title: Frontmatter --; Content --; Introduction The Creativity Complex --; Aesthetic Capitalism --; Aestheticization --; Affect Culture --; Artist --; Atmosphere --; Capital --; Coaching --; Co-Creation --; Color --; Computer --; Consumption --; Creative Cities --; Creative Crowd --; Creativity Techniques --; Critique --; Curating --; Deaestheticization --; Design --; Dispositif --; Fashion --; Genealogy --; Guilt --; Imagineering --; Improvisation --; Innovation --; Museum --; Naturalization --; Organization --; Performativity --; Plasticity --; Play --; Pop --; Product --; Queer --; Self-Generation --; Stage --; Valorization --; Work --; Postscript --; Authors
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9783839445099; 9783110766677; 9783110719550; 9783110604252; 9783110603255; 9783110604016; 9783110603231; 9783110661545
• DOI: 10.1515/9783839445099?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Jörg Metelmann, Timon Beyes.

Wherever we turn, we find creative practices and creative spaces, creative organizations and creative subjects. At work or in public places, in media representations and in advertisements, on social platforms, in schools and universities: There is a demand to be new and special, conspicuous and singular. How did this creativity complex and its imperative to be creative come about? Which terms and concepts enable us to understand its multiple and partly contradictory forms and processes? Where are its limits? Gathering and interweaving 40 short and incisive essays, this companion maps, investigates and illuminates the contemporary creativity complex.