Transgression and Subversion : : Gender in the Picaresque Novel / / ed. by Gregor Schuhen, Maren Lickhardt, Hans Rudolf Velten.
Is the pícaro, the roguish hero of early modern Spanish adventure fiction, a 'real man'? What position does he hold in the gender hierarchy of his fictional social context? Why is the pícara so 'non-female'? What effect has her gender constitution on her fictional social context?...
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Superior document: | Title is part of eBook package: De Gruyter DG Plus PP Package 2018 Part 2 |
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Place / Publishing House: | Bielefeld : : transcript Verlag, , [2018] ©2018 |
Year of Publication: | 2018 |
Language: | English |
Series: | Gender Studies
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Online Access: | |
Physical Description: | 1 online resource (218 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Transgression and Subversion. Far from Gender? An Introduction
- The Parent Trap: Mothers and Others in the Spanish Picaresque
- Between Subject, Object, and Abject: Masculinities in the Spanish Picaresque
- The Charms of Circe: Narrative Persuasion in Guzmán de Alfarache
- Gender Trouble Without Subversion: Libro de entretenimiento de la Pícara Justina
- Genealogy, Gender, and Genre in Alonso de Castillo Solórzano’s La Garduña de Sevilla (1642)
- Body and Gender in Till Eulenspiegel Inversions of Masculinity in the 16th century
- Subversion and Stabilization of the Sexes by Transgression in Grimmelshausen’s Courasche (1669)
- Role Switching and Gender Marking in the Picaresque Novel
- Picaresque Narrative and Gender Construction in Wilhelm Raabe’s Lorenz Scheibenhart (1858) and Aus dem Lebensbuch des Schulmeisterleins Michel Haas (1860)
- Masks to Mock the Light: The Authentic Pícara in Marivaux’s La Vie de Marianne
- Virile Maturity, Female Linearity, and the Transformation of the Picaresque Novel: Tobias Smollett’s Roderick Random and Daniel Defoe’s Moll Flanders
- Contributors