Anonymity Performance in Electronic Pop Music : : A Performance Ethnography of Critical Practices / / Stefanie Kiwi Menrath.
Anonymity practices in electronic music culture have long been the object of journalistic and academic discourse. Yet anonymity itself is ephemeral and ontologically precarious. How can scholars research anonymous entities without impairing their anonymity, and what can they learn from their precari...
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| Superior document: | Title is part of eBook package: De Gruyter DG Plus PP Package 2019 Part 2 |
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| VerfasserIn: | |
| Place / Publishing House: | Bielefeld : : transcript Verlag, , [2019] ©2019 |
| Year of Publication: | 2019 |
| Language: | English |
| Series: | Studien zur Popularmusik
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| Online Access: | |
| Physical Description: | 1 online resource (232 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- 1. Laboratory Case I: Moodymann and the study of pop music persona construction
- 2. Performance in music (studies)
- 3. Laboratory Case II: Ursula Bogner and performance research
- Conclusion: Towards a reconceptualisation of ethnographic practice as collaborative imagination
- Appendix