Flow of Forms / Forms of Flow : : Design Histories between Africa and Europe / / ed. by Alexandra Weigand, Kerstin Pinther.

• Superior document: Title is part of eBook package: De Gruyter DG Plus eBook-Package 2018
• MitwirkendeR: Bonsiepe, Gui,; Clarke, Alison J.,; Greef, Erica de,; Hanussek, Christian,; Magaziner, Daniel,; Pinther, Kerstin,; Vogel, Susan Mullin,; Weigand, Alexandra,
• HerausgeberIn: Pinther, Kerstin,; Weigand, Alexandra,
• Place / Publishing House: Bielefeld : : transcript Verlag, , [2018]; ©2018
• Year of Publication: 2018
• Language: English
• Series: Design ; 37
• Physical Description: 1 online resource (208 p.)
• Other title: Frontmatter --; Content --; Flow of Forms / Forms of Flow. Design Histories between Africa and Europe --; Forms of Modernity --; Transform(n)ation --; Forms of Cooperation / Participation --; Material Morphosis --; Speculative Forms --; Ladi Kwali, Michael Cardew and a Tangled Story of African Studio Pottery --; Design, Development and its Legacies: A Perspective on 1970s Design Culture and its Anthropological Intents --; Between Favela Chic and Autonomy. Design in Latin America --; The Politics of Design in Postcolonial Kenya --; On the Flows of Architectural Design: The Context and Making of an Exhibition --; Jules Wokam's Aesthetics of Permeability --; Tracing the Quiet Cultural Activism: Laduma Ngxokolo and Black Coffee --; Cheick Diallo: Design between Politics and Poetics --; Designers' and Artists' Biographies --; Authors' Biographies
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9783839442012; 9783110719550; 9783110602999; 9783110603972; 9783110604252; 9783110603255; 9783110661545
• DOI: 10.1515/9783839442012?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Alexandra Weigand, Kerstin Pinther.

As a teenager, I spent my time wondering why in sci-fi movies, every landscape, every object I could see was Western or Asian based. I've finally understood that somewhere our legacy had been locked in the past, that we couldn't be "futuristic" in the eyes of our fellow Europeans. We have to look behind our shoulders, get back to our traditions, seize the best of them and shape a future with it. This without forgetting we are part of the world, totally, unquestionably. The future is for me not only a matter of dialogue with the past, but and beyond everything a dialogue with the rest of the planet.Kossi AguessyHow is it possible to adequately capture histories of design in Africa, a continent with fifty-four countries? How can one avoid producing just another essentialising master narrative of "African Design"? How can one make sense of the many entangled yet often asymmetric and sometimes ambivalent histories of form-finding processes between Africa and Europe? In keeping with the premises of a global art and design history approach, the book offers a change of perspective: focusing on the mobility of people, objects and ideas - on flows between Africa and Europe as well as on a South-South axis - allows for multiple yet necessarily fragmented design histories to be identified and recognised. The contributors trace multi-faceted design case studies from a historical perspective, with attention to the present as well as towards possible futures.