Change the Record - Punk Women Music Politics / / M.I. Franklin.

• Superior document: Title is part of eBook package: De Gruyter transcript Complete eBook Package 2024
• VerfasserIn: Franklin, M.I.,
• Place / Publishing House: Bielefeld : : transcript Verlag, , [2024]; ©2024
• Year of Publication: 2024
• Language: English
• Series: Edition Kulturwissenschaft ; 165
• Physical Description: 1 online resource (154 p.)
• Other title: Frontmatter --; Table of Contents --; LIST OF FIGURES --; ACKNOWLEDGEMENTS --; 1. INTRO --; To the Front --; Beyond Fanstalgia --; What Makes Punk Music (Not)? --; Reader Notes --; Which Books and Why --; Chapter Outline --; Setting Out --; 2. MUSICIANS AS MEMOIRISTS --; Punk Performance Sexual Politics --; Punk Public Archives --; The Memoirs: ‘Dear Reader’ --; Outro: Punk as Art --; 3. FINDING VOICE --; Intro --; Into the Voice --; Punking up the Pop Rock Canon --; Rebel Rebel --; 4. GRRRLS WITH GUITARS --; Guitars Guitars Guitars --; Bodies Bodies Bodies: Woman with Guitar --; Punk Musica Practica --; Outro --; 5. VANGUARD OR OLD GUARD? --; Hip Priestess: Coat, Skirt, Hair, Hat --; ’Punk and Poses‘ --; Race-Gender-Class Horizons --; Since – On Getting Younger --; Nina Simone – She Who Did It First --; 6. OUTRO --; Sex, Gender and Public Culture --; How Did We Get Here? --; Listening to Music Writing --; Punk and Current Events --; Fade Up --; APPENDIX: THE MEMOIR-SET --; BIBLIOGRAPHY --; NOTES
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9783839441718; 9783111332376
• DOI: 10.1515/9783839441718?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: M.I. Franklin.

Poets, Guitarists, Songwriters, TV Stars, Provocateurs, Riot Grrrl founders, the authors in this study challenge perceptions of punk music and politics. Viv Albertine, Alice Bag, Pauline Black, Carrie Brownstein, Kim Gordon, Nina Hagen, Chrisse Hynde, Patti Smith, Brix Smith Start, and Cosey Fanni Tutti have been breaking new ground in writing about their lives. They fill gaps in the historical record, back catalogues and perceptions of how music works as politics. They provide fans and music scholars with a corrective to androcentric studies of punk as a DIY politics of resistance to the mainstream. M.I. Franklin shows how they do this, along with ways to hear the personal and world politics inherent in their musical output.