Radio as Art : : Concepts, Spaces, Practices / / ed. by Anne Thurmann-Jajes, Sarah Schönewald, Franziska Rauh, Maria Peters, Jee-Hae Kim, Ursula Frohne.
Acoustic signals, voice, sound, articulation, music and spatial networking are dispositifs of radiophonic transmission which have brought forth a great number of artistic practices. Up to and into the digital present radio has been and is employed and explored as an apparatus-based structure as well...
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Place / Publishing House: | Bielefeld : : transcript Verlag, , [2019] ©2019 |
Year of Publication: | 2019 |
Language: | English |
Series: | Schriftenreihe für Künstlerpublikationen ;
8 |
Online Access: | |
Physical Description: | 1 online resource (312 p.) |
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Other title: | Frontmatter -- Contents -- Introduction -- The Editors -- “I am an artist. I am not anything else.”1: —Robert Adrian Smith, 1935–2015 -- The Reception of Electricity: Art as Radio in Literature, Painting, and Performance -- On Radioart -- I. RADIO SPACE -- The Museum as an Agent of Radio Art -- Considering the Sonic Aspects of the Media Environment as an Exhibition Space for Creative Sound-Based Works -- The Avant-Garde and a Popular Medium: The Berlin Novembergruppe and Radio in the Weimar Republic -- II. RADIO ART: ARTISTIC PRODUCTION AND/OR POLITICAL PRACTICE -- The Radio and/as Digital Productivism -- Everyone a Listener, Everyone a Producer! A Collective Journey toward Another Sound of Radio -- Radio Art in the “… Everyday Hand-to-Hand Struggle with Apparatuses?” -- Radio as a “Minor” Art Practice -- III. INSTITUTIONAL FRAMING AND AGENCY -- Radio as a Research Medium for Artistic and Oral-History-Based Research Projects -- Community Radio as Post-Capitalist Art -- Radio Art as a Field of Study: The Experimentelles Radio Professorship at the Bauhaus- Universität Weimar -- Radio as Art? Heart or Gall Bladder? -- IV. RADIO ART AS ACTION -- In Simulcast: Archigram and Radio Piracy in 1960s Britain -- The Radio Voice That Is Telling Me to Go for the Throat of the Other: Two Lessons on Media Politics from LIGNA’s Oedipus, Tyrant -- Doing Radio Art: Direct Media Association’s Pacific Rim / Slow Scan -- Radio Prolife: Eavesdropping on Life -- V. WORDS-SOUND-MUSIC -- John Cage’s Cinema for the Ear -- Peter Roehr’s Sound Montages -- Hörspiel-Pop, Radio Opera, Media Art: On the Reinvention of the Hörspiel by Andreas Ammer and FM Einheit -- Listen and Participate: The Work of the Hörspielmacher Paul Plamper -- Dead Spot in Art History -- Author Biographies |
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Summary: | Acoustic signals, voice, sound, articulation, music and spatial networking are dispositifs of radiophonic transmission which have brought forth a great number of artistic practices. Up to and into the digital present radio has been and is employed and explored as an apparatus-based structure as well as an expanded model for performance and perception. This volume investigates a broad range of aesthetic experiments with the broadcasting technology of radio, and the use of radio as a means of disseminating artistic concepts. With exemplary case studies, its contributions link conceptual, recipient-response-related, and sociocultural issues to matters of relevance to radio art's mediation. |
Format: | Mode of access: Internet via World Wide Web. |
ISBN: | 9783839436172 |
DOI: | 10.1515/9783839436172?locatt=mode:legacy |
Access: | restricted access |
Hierarchical level: | Monograph |
Statement of Responsibility: | ed. by Anne Thurmann-Jajes, Sarah Schönewald, Franziska Rauh, Maria Peters, Jee-Hae Kim, Ursula Frohne. |