Situating Global Art : : Topologies - Temporalities - Trajectories / / ed. by Sarah Dornhof, Nanne Buurman, Barbara Lutz, Birgit Hopfener.
In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications...
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Superior document: | Title is part of eBook package: De Gruyter DG Plus PP Package 2018 Part 2 |
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Place / Publishing House: | Bielefeld : : transcript Verlag, , [2018] ©2018 |
Year of Publication: | 2018 |
Language: | English |
Series: | Image ;
89 |
Online Access: | |
Physical Description: | 1 online resource (336 p.) |
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Table of Contents:
- Frontmatter
- Acknowledgements
- Contents
- Introduction
- Situating Global Art. An Introduction
- Epistemological Frameworks
- Spectres of 1989: On some Misconceptions of the ‘Globality’ in and of Contemporary Art
- The Scrim, The Pistol, and the Lectern: Dis-Situating the Global Contemporary
- The Aesthetics of Irony as a Form of Resistance: Zhang Peili in “Harmonious Society, 天下無事”
- “A Collage of Globalization” in Documenta11’s Exhibition Catalogue
- Institutional Politics
- Lacing Places: Situationist Practices and Socio-Political Strategies in Korean Urban Art Projects
- Gulf Labor: The Boycott as Political Activism and Institutional Critique
- You Can’t Always Curate Your Way Out! Reflections on the Ghetto Biennale
- Generation 00: The Artist as Citizen
- Museological Narratives
- How Far How Near: A Global Assemblage in the Modern Art Museum
- Of Maps, Nodes and Trajectories: Changing Topologies in Transcultural Curating
- Curating as Transcultural Practice. documenta 12 and the “Migration of Form”
- Exhibiting Contemporary Moroccan Art: Situated Curatorial Narratives and Institutional Frames of Globalization
- Practices of Self-Cultivation
- The Art of Globalization / The Globalization of Art: Creating Trans-national, Interethnic, Cross- Gender and Interspecies Identities in the 3D Work of Miao Xiaochun
- Transculturally Entangled – Qiu Zhijie’s Concept of Total Art
- Globalization as an Artistic Strategy: The Case of Takashi Murakami
- The Blind Spot of Global Art? Hans Ulrich Obrist’s Ways of Curating
- Biographies