Video Theory : : Online Video Aesthetics or the Afterlife of Video / / Andreas Treske.

Video is a part of everyday life, comparable to driving a car or taking a shower. It is nearly omnipresent, available on demand and attached to nearby anything, anywhere. Online Video became something vital and independent. With all the video created by the cameras around us, constantly uploading, s...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter DG Plus eBook-Package 2015
VerfasserIn:
Place / Publishing House:Bielefeld : : transcript Verlag, , [2015]
©2015
Year of Publication:2015
Edition:1. Aufl.
Language:English
Series:Edition Medienwissenschaft ; 22
Online Access:
Physical Description:1 online resource (208 p.)
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Description
Other title:Frontmatter --
Contents --
Acknowledgements --
Static-Ocean Blue --
Video Unchained --
V-Bricks --
Tyrannical Loops --
Ways of Seeing --
Beyonce Vertical --
Interiors & Exteriors --
Space is only Noise --
Illustrations --
Bibliography
Summary:Video is a part of everyday life, comparable to driving a car or taking a shower. It is nearly omnipresent, available on demand and attached to nearby anything, anywhere. Online Video became something vital and independent. With all the video created by the cameras around us, constantly uploading, sharing, linking, and relating, a blue ocean is covering our planet, an ocean of video. What might look as bluish noise and dust from the far outside, might embed beautiful and fascinating living scapes of moving images, objects constantly changing, re-arranging, assembling, evolving, collapsing, but never disappearing, a real cinema.Andreas Treske describes and theorizes these objects formerly named video, their forms, behaviours and properties.
Format:Mode of access: Internet via World Wide Web.
ISBN:9783839430583
9783110700985
9783110439687
9783110438741
9783110489842
9783110661552
DOI:10.1515/9783839430583?locatt=mode:legacy
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Andreas Treske.