Art History and Fetishism Abroad : : Global Shiftings in Media and Methods / / ed. by Gabriele Genge, Angela Stercken.
By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial...
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Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts and Architecture 2014 |
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MitwirkendeR: | |
HerausgeberIn: | |
Place / Publishing House: | Bielefeld : : transcript Verlag, , [2014] ©2014 |
Year of Publication: | 2014 |
Edition: | 1. Aufl. |
Language: | English |
Series: | Image ;
54 |
Online Access: | |
Physical Description: | 1 online resource (324 p.) |
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Table of Contents:
- Frontmatter
- Content
- Preface
- Being Abroad – an Introduction
- Phenomenologies
- Survival of Images? Fetish and the Concept of the Image between West Africa and Europe
- Speared Heads. Portraits as Things in 20th–Century Sculpture
- Fetishism from the Space of Bowdich’s Mission from Cape Coast Castle to Ashantee to the Time of Erasmus Osei Owusu’s (film) ObideεAba : Time Will Tell
- Production of Knowledge
- Currency Affairs. Photography and Productivity
- Transcultural Interpretation and the Production of Alterity: Photography, Materiality, and Mediation in the Making of “African Art”
- [Arte]Fact, Object, Image. Jean-Michel Basquiat’s Archives of the Black Atlantic
- On a Pedestal? On the Problem of the Sculptural as a Category of Perception for Islamic Objects
- Under the Influence of Things
- Bocio. From Nothingness to Liminality and Minimality
- Encounters with Masks: Counter-Primitivism in 20th–Century Black Art
- Fetishising Modernity: Bricolage Revisited
- Fixing Shadows: Photography Beyond the Indexical
- Politics of Identity
- Incorporations of the Other – Exotic Objects, Tropicalism, and Anthropophagy
- The Court in Dakar. Political Aesthetics in the Post–Colony
- Monumentality and Transnationality: The Fascination with Gigantic Ding Bronze Vessels in Modern China
- Why Have There Been No Great Forgeries? Collectors, Artefacts, and the Question of Originality
- Biographical Notes