Rubble, Ruins and Romanticism : : Visual Style, Narration and Identity in German Post-War Cinema / / Martina Möller.
Traditional criticism on German post-war cinema tends to define rubble films as simplistic texts of low artistic quality which serve to reaffirm the spectator's image of him or herself as »a good German« during »bad times«. Yet this study asserts that some rubble films are actually informed by...
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Superior document: | Title is part of eBook package: De Gruyter transcript Backlist eBook Package 2000-2013 |
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VerfasserIn: | |
Place / Publishing House: | Bielefeld : : transcript Verlag, , [2014] ©2013 |
Year of Publication: | 2014 |
Edition: | 1. Aufl. |
Language: | English |
Series: | Film
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Online Access: | |
Physical Description: | 1 online resource (320 p.) |
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Table of Contents:
- Frontmatter
- Table of Contents
- Acknowledgements
- Table of Figures
- Introduction
- 1. The Neoformalist Approach: Questions of Form and Style
- 2. German Romanticism: The Stylistic Origin of Rubble Films
- 3. The Romantic Discourse in a Selection of Rubble Films
- Conclusion
- Literature