Acting and Performance in Moving Image Culture : : Bodies, Screens, Renderings. With a Foreword by Lesley Stern / / ed. by Dieter Mersch, Deborah Levitt, Jörg Sternagel.
This volume offers transdisciplinary perspectives on the study of acting and performance in moving image forms. It assembles 26 international scholars from dance, theatre, film, media and cultural studies, art history and philosophy to investigate the art of acting and the presence of the human body...
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Place / Publishing House: | Bielefeld : : transcript Verlag, , [2014] ©2012 |
Year of Publication: | 2014 |
Edition: | 1. Aufl. |
Language: | English |
Series: | Metabasis - Transkriptionen zwischen Literaturen, Künsten und Medien ;
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Acting and Performance in Moving Image Culture : Bodies, Screens, Renderings. With a Foreword by Lesley Stern / ed. by Dieter Mersch, Deborah Levitt, Jörg Sternagel. 1. Aufl. Bielefeld : transcript Verlag, [2014] ©2012 1 online resource (488 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Metabasis - Transkriptionen zwischen Literaturen, Künsten und Medien ; 7 Frontmatter -- Editorial -- Contents -- Foreword -- »›Always Too Small or Too Tall‹«: Rescaling Screen Performance -- Introduction -- Etymological Uncoveries, Creative Displays: Acting as Force and Performance as Eloquence in Moving Image Culture -- Presentations and Representations -- Spectacular Acting: On the Exhibitionist Dynamics of Film Star Performance -- Cary Grant: Acting Style and Genre in Classical Hollywood Cinema -- Mimesis and Narration: The Performance of Actors and Cinematic Point of View in The Lady Eve and The Virgin Suicides -- Postfeminist Portrayals of Masculinity and Femininity in Action Films: Mr. & Mrs. Smith -- Quantum of Craig: Daniel Craig and the Body of the New Bond -- Appearances and Encounters -- Actor/Character Dualism: The Case of Luis Buñuel’s Paradoxical Characters -- Frames for Ambivalence: Acting out Realism in Italian Neorealism and the Films of Christian Petzold -- The Actor as an Icon of Presence: The Example of Delphine Seyrig -- Living Pictures: From Tableaux Vivants to Puppets and Para-Selves -- All about Gena, Myrtle and Virginia: The Transitional Nature of Actress, Role and Character -- Affects and Affections -- A Surrealist Turn: Transformative Gestures in The Birds -- Berlin Alexanderplatz: The Becoming-Violence of Performance -- Dangerous Liaisons and Counterfeit Affections: Cinema as Seduction -- An Inscrutable Face: Nicole Kidman in Dogville -- Character-Witness, Actor-Medium -- Actions and Animations -- Between Image and Volatility: Framing Motion in Dance and Film -- The Temporal Dimensions of Screen Performances: Exploring Expressive Movement in Live Action and Animated Film -- Carnicke Emotional Expressivity in Motion Picture Capture Technology -- Going Native with Pandora’s (Tool) Box: Spiritual and Technological Conversions in James Cameron’s Avatar -- Double Negative: The Actor, the Non- Actor, and the Animated Documentary -- Reflections and Perspectives -- Bodies of Light: Towards a Theory about Film Acting from a Communicative Perspective -- Thinking through Acting: Performative Indices and Philosophical Assertions -- An Emphasis on Being: Moving towards a Responsive Phenomenology of Film(’s) Performance -- Being on the Screen: A Phenomenology of Cinematic Flesh, or the Actor’s Four Bodies -- Passion and Exposure: New Paradoxes of the Actor -- Contributors restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star This volume offers transdisciplinary perspectives on the study of acting and performance in moving image forms. It assembles 26 international scholars from dance, theatre, film, media and cultural studies, art history and philosophy to investigate the art of acting and the presence of the human body in analog and digital film, animation and video art. The volume includes classical case studies and essays devoted to acting history and acting and genres, but its particular emphasis is on introducing a wide range of groundbreaking theoretical approaches - from continental and analytic philosophy to new media theory and cognitivist research - all of which interrogate the fundamental conceptions of »act« and »actor« that underwrite both popular and academic notions of performance in moving image culture. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) Motion picture acting. Performance art. Television acting. Aesthetics. Body. Ethics. Film. Media Aesthetics. Media Studies. Moving Image Studies. Performance Studies. Theatre Studies. Theatre. SOCIAL SCIENCE / Media Studies. bisacsh Adamou, Christina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Barker, Jennifer M., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Baron, Cynthia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Beckman, Karen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Distelmeyer, Jan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Foellmer, Susanne, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Glitre, Kathrina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hagener, Malte, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hovland, Ceri, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Laine, Tarja, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Levitt, Deborah, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Levitt, Deborah, editor. edt http://id.loc.gov/vocabulary/relators/edt Marie, Sharon, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb McDonald, Paul, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mersch, Dieter, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mersch, Dieter, editor. edt http://id.loc.gov/vocabulary/relators/edt Nacache, Jacqueline, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Omry, Keren, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Riis, Johannes, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Río, Elena del, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb S, Jörg, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Schaub, Mirjam, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Schoenmakers, Henri, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sobchack, Vivian, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Stern, Lesley, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sternagel, Jörg, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sternagel, Jörg, editor. edt http://id.loc.gov/vocabulary/relators/edt Taylor, Aaron, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Tobias, James, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Åkervall, Lisa, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter transcript Backlist eBook Package 2000-2013 9783111025230 Title is part of eBook package: De Gruyter transcript English Backlist eBook-Package 2000-2015 9783110661552 Title is part of eBook package: De Gruyter transcript Highlight Collection Complete Package 2010-2013 9783110352856 ZDB-23-TSO Title is part of eBook package: De Gruyter transcript Highlight Collection Lit. & Kultur 2010-2013 9783110370744 print 9783837616484 https://doi.org/10.1515/transcript.9783839416488?locatt=mode:legacy https://www.degruyter.com/isbn/9783839416488 Cover https://www.degruyter.com/document/cover/isbn/9783839416488/original |
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Adamou, Christina, Adamou, Christina, Barker, Jennifer M., Barker, Jennifer M., Baron, Cynthia, Baron, Cynthia, Beckman, Karen, Beckman, Karen, Distelmeyer, Jan, Distelmeyer, Jan, Foellmer, Susanne, Foellmer, Susanne, Glitre, Kathrina, Glitre, Kathrina, Hagener, Malte, Hagener, Malte, Hovland, Ceri, Hovland, Ceri, Laine, Tarja, Laine, Tarja, Levitt, Deborah, Levitt, Deborah, Levitt, Deborah, Levitt, Deborah, Marie, Sharon, Marie, Sharon, McDonald, Paul, McDonald, Paul, Mersch, Dieter, Mersch, Dieter, Mersch, Dieter, Mersch, Dieter, Nacache, Jacqueline, Nacache, Jacqueline, Omry, Keren, Omry, Keren, Riis, Johannes, Riis, Johannes, Río, Elena del, Río, Elena del, S, Jörg, S, Jörg, Schaub, Mirjam, Schaub, Mirjam, Schoenmakers, Henri, Schoenmakers, Henri, Sobchack, Vivian, Sobchack, Vivian, Stern, Lesley, Stern, Lesley, Sternagel, Jörg, Sternagel, Jörg, Sternagel, Jörg, Sternagel, Jörg, Taylor, Aaron, Taylor, Aaron, Tobias, James, Tobias, James, Åkervall, Lisa, Åkervall, Lisa, |
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author_sort |
Adamou, Christina, |
title |
Acting and Performance in Moving Image Culture : Bodies, Screens, Renderings. With a Foreword by Lesley Stern / |
spellingShingle |
Acting and Performance in Moving Image Culture : Bodies, Screens, Renderings. With a Foreword by Lesley Stern / Metabasis - Transkriptionen zwischen Literaturen, Künsten und Medien ; Frontmatter -- Editorial -- Contents -- Foreword -- »›Always Too Small or Too Tall‹«: Rescaling Screen Performance -- Introduction -- Etymological Uncoveries, Creative Displays: Acting as Force and Performance as Eloquence in Moving Image Culture -- Presentations and Representations -- Spectacular Acting: On the Exhibitionist Dynamics of Film Star Performance -- Cary Grant: Acting Style and Genre in Classical Hollywood Cinema -- Mimesis and Narration: The Performance of Actors and Cinematic Point of View in The Lady Eve and The Virgin Suicides -- Postfeminist Portrayals of Masculinity and Femininity in Action Films: Mr. & Mrs. Smith -- Quantum of Craig: Daniel Craig and the Body of the New Bond -- Appearances and Encounters -- Actor/Character Dualism: The Case of Luis Buñuel’s Paradoxical Characters -- Frames for Ambivalence: Acting out Realism in Italian Neorealism and the Films of Christian Petzold -- The Actor as an Icon of Presence: The Example of Delphine Seyrig -- Living Pictures: From Tableaux Vivants to Puppets and Para-Selves -- All about Gena, Myrtle and Virginia: The Transitional Nature of Actress, Role and Character -- Affects and Affections -- A Surrealist Turn: Transformative Gestures in The Birds -- Berlin Alexanderplatz: The Becoming-Violence of Performance -- Dangerous Liaisons and Counterfeit Affections: Cinema as Seduction -- An Inscrutable Face: Nicole Kidman in Dogville -- Character-Witness, Actor-Medium -- Actions and Animations -- Between Image and Volatility: Framing Motion in Dance and Film -- The Temporal Dimensions of Screen Performances: Exploring Expressive Movement in Live Action and Animated Film -- Carnicke Emotional Expressivity in Motion Picture Capture Technology -- Going Native with Pandora’s (Tool) Box: Spiritual and Technological Conversions in James Cameron’s Avatar -- Double Negative: The Actor, the Non- Actor, and the Animated Documentary -- Reflections and Perspectives -- Bodies of Light: Towards a Theory about Film Acting from a Communicative Perspective -- Thinking through Acting: Performative Indices and Philosophical Assertions -- An Emphasis on Being: Moving towards a Responsive Phenomenology of Film(’s) Performance -- Being on the Screen: A Phenomenology of Cinematic Flesh, or the Actor’s Four Bodies -- Passion and Exposure: New Paradoxes of the Actor -- Contributors |
title_sub |
Bodies, Screens, Renderings. With a Foreword by Lesley Stern / |
title_full |
Acting and Performance in Moving Image Culture : Bodies, Screens, Renderings. With a Foreword by Lesley Stern / ed. by Dieter Mersch, Deborah Levitt, Jörg Sternagel. |
title_fullStr |
Acting and Performance in Moving Image Culture : Bodies, Screens, Renderings. With a Foreword by Lesley Stern / ed. by Dieter Mersch, Deborah Levitt, Jörg Sternagel. |
title_full_unstemmed |
Acting and Performance in Moving Image Culture : Bodies, Screens, Renderings. With a Foreword by Lesley Stern / ed. by Dieter Mersch, Deborah Levitt, Jörg Sternagel. |
title_auth |
Acting and Performance in Moving Image Culture : Bodies, Screens, Renderings. With a Foreword by Lesley Stern / |
title_alt |
Frontmatter -- Editorial -- Contents -- Foreword -- »›Always Too Small or Too Tall‹«: Rescaling Screen Performance -- Introduction -- Etymological Uncoveries, Creative Displays: Acting as Force and Performance as Eloquence in Moving Image Culture -- Presentations and Representations -- Spectacular Acting: On the Exhibitionist Dynamics of Film Star Performance -- Cary Grant: Acting Style and Genre in Classical Hollywood Cinema -- Mimesis and Narration: The Performance of Actors and Cinematic Point of View in The Lady Eve and The Virgin Suicides -- Postfeminist Portrayals of Masculinity and Femininity in Action Films: Mr. & Mrs. Smith -- Quantum of Craig: Daniel Craig and the Body of the New Bond -- Appearances and Encounters -- Actor/Character Dualism: The Case of Luis Buñuel’s Paradoxical Characters -- Frames for Ambivalence: Acting out Realism in Italian Neorealism and the Films of Christian Petzold -- The Actor as an Icon of Presence: The Example of Delphine Seyrig -- Living Pictures: From Tableaux Vivants to Puppets and Para-Selves -- All about Gena, Myrtle and Virginia: The Transitional Nature of Actress, Role and Character -- Affects and Affections -- A Surrealist Turn: Transformative Gestures in The Birds -- Berlin Alexanderplatz: The Becoming-Violence of Performance -- Dangerous Liaisons and Counterfeit Affections: Cinema as Seduction -- An Inscrutable Face: Nicole Kidman in Dogville -- Character-Witness, Actor-Medium -- Actions and Animations -- Between Image and Volatility: Framing Motion in Dance and Film -- The Temporal Dimensions of Screen Performances: Exploring Expressive Movement in Live Action and Animated Film -- Carnicke Emotional Expressivity in Motion Picture Capture Technology -- Going Native with Pandora’s (Tool) Box: Spiritual and Technological Conversions in James Cameron’s Avatar -- Double Negative: The Actor, the Non- Actor, and the Animated Documentary -- Reflections and Perspectives -- Bodies of Light: Towards a Theory about Film Acting from a Communicative Perspective -- Thinking through Acting: Performative Indices and Philosophical Assertions -- An Emphasis on Being: Moving towards a Responsive Phenomenology of Film(’s) Performance -- Being on the Screen: A Phenomenology of Cinematic Flesh, or the Actor’s Four Bodies -- Passion and Exposure: New Paradoxes of the Actor -- Contributors |
title_new |
Acting and Performance in Moving Image Culture : |
title_sort |
acting and performance in moving image culture : bodies, screens, renderings. with a foreword by lesley stern / |
series |
Metabasis - Transkriptionen zwischen Literaturen, Künsten und Medien ; |
series2 |
Metabasis - Transkriptionen zwischen Literaturen, Künsten und Medien ; |
publisher |
transcript Verlag, |
publishDate |
2014 |
physical |
1 online resource (488 p.) |
edition |
1. Aufl. |
contents |
Frontmatter -- Editorial -- Contents -- Foreword -- »›Always Too Small or Too Tall‹«: Rescaling Screen Performance -- Introduction -- Etymological Uncoveries, Creative Displays: Acting as Force and Performance as Eloquence in Moving Image Culture -- Presentations and Representations -- Spectacular Acting: On the Exhibitionist Dynamics of Film Star Performance -- Cary Grant: Acting Style and Genre in Classical Hollywood Cinema -- Mimesis and Narration: The Performance of Actors and Cinematic Point of View in The Lady Eve and The Virgin Suicides -- Postfeminist Portrayals of Masculinity and Femininity in Action Films: Mr. & Mrs. Smith -- Quantum of Craig: Daniel Craig and the Body of the New Bond -- Appearances and Encounters -- Actor/Character Dualism: The Case of Luis Buñuel’s Paradoxical Characters -- Frames for Ambivalence: Acting out Realism in Italian Neorealism and the Films of Christian Petzold -- The Actor as an Icon of Presence: The Example of Delphine Seyrig -- Living Pictures: From Tableaux Vivants to Puppets and Para-Selves -- All about Gena, Myrtle and Virginia: The Transitional Nature of Actress, Role and Character -- Affects and Affections -- A Surrealist Turn: Transformative Gestures in The Birds -- Berlin Alexanderplatz: The Becoming-Violence of Performance -- Dangerous Liaisons and Counterfeit Affections: Cinema as Seduction -- An Inscrutable Face: Nicole Kidman in Dogville -- Character-Witness, Actor-Medium -- Actions and Animations -- Between Image and Volatility: Framing Motion in Dance and Film -- The Temporal Dimensions of Screen Performances: Exploring Expressive Movement in Live Action and Animated Film -- Carnicke Emotional Expressivity in Motion Picture Capture Technology -- Going Native with Pandora’s (Tool) Box: Spiritual and Technological Conversions in James Cameron’s Avatar -- Double Negative: The Actor, the Non- Actor, and the Animated Documentary -- Reflections and Perspectives -- Bodies of Light: Towards a Theory about Film Acting from a Communicative Perspective -- Thinking through Acting: Performative Indices and Philosophical Assertions -- An Emphasis on Being: Moving towards a Responsive Phenomenology of Film(’s) Performance -- Being on the Screen: A Phenomenology of Cinematic Flesh, or the Actor’s Four Bodies -- Passion and Exposure: New Paradoxes of the Actor -- Contributors |
isbn |
9783839416488 9783111025230 9783110661552 9783110352856 9783110370744 9783837616484 |
url |
https://doi.org/10.1515/transcript.9783839416488?locatt=mode:legacy https://www.degruyter.com/isbn/9783839416488 https://www.degruyter.com/document/cover/isbn/9783839416488/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43028 |
dewey-sort |
3791.43028 |
dewey-raw |
791.43028 |
dewey-search |
791.43028 |
doi_str_mv |
10.1515/transcript.9783839416488?locatt=mode:legacy |
oclc_num |
979754739 |
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Acting and Performance in Moving Image Culture : Bodies, Screens, Renderings. With a Foreword by Lesley Stern / |
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Aufl.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bielefeld : </subfield><subfield code="b">transcript Verlag, </subfield><subfield code="c">[2014]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2012</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (488 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Metabasis - Transkriptionen zwischen Literaturen, Künsten und Medien ;</subfield><subfield code="v">7</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Editorial -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Foreword -- </subfield><subfield code="t">»›Always Too Small or Too Tall‹«: Rescaling Screen Performance -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">Etymological Uncoveries, Creative Displays: Acting as Force and Performance as Eloquence in Moving Image Culture -- </subfield><subfield code="t">Presentations and Representations -- </subfield><subfield code="t">Spectacular Acting: On the Exhibitionist Dynamics of Film Star Performance -- </subfield><subfield code="t">Cary Grant: Acting Style and Genre in Classical Hollywood Cinema -- </subfield><subfield code="t">Mimesis and Narration: The Performance of Actors and Cinematic Point of View in The Lady Eve and The Virgin Suicides -- </subfield><subfield code="t">Postfeminist Portrayals of Masculinity and Femininity in Action Films: Mr. & Mrs. Smith -- </subfield><subfield code="t">Quantum of Craig: Daniel Craig and the Body of the New Bond -- </subfield><subfield code="t">Appearances and Encounters -- </subfield><subfield code="t">Actor/Character Dualism: The Case of Luis Buñuel’s Paradoxical Characters -- </subfield><subfield code="t">Frames for Ambivalence: Acting out Realism in Italian Neorealism and the Films of Christian Petzold -- </subfield><subfield code="t">The Actor as an Icon of Presence: The Example of Delphine Seyrig -- </subfield><subfield code="t">Living Pictures: From Tableaux Vivants to Puppets and Para-Selves -- </subfield><subfield code="t">All about Gena, Myrtle and Virginia: The Transitional Nature of Actress, Role and Character -- </subfield><subfield code="t">Affects and Affections -- </subfield><subfield code="t">A Surrealist Turn: Transformative Gestures in The Birds -- </subfield><subfield code="t">Berlin Alexanderplatz: The Becoming-Violence of Performance -- </subfield><subfield code="t">Dangerous Liaisons and Counterfeit Affections: Cinema as Seduction -- </subfield><subfield code="t">An Inscrutable Face: Nicole Kidman in Dogville -- </subfield><subfield code="t">Character-Witness, Actor-Medium -- </subfield><subfield code="t">Actions and Animations -- </subfield><subfield code="t">Between Image and Volatility: Framing Motion in Dance and Film -- </subfield><subfield code="t">The Temporal Dimensions of Screen Performances: Exploring Expressive Movement in Live Action and Animated Film -- </subfield><subfield code="t">Carnicke Emotional Expressivity in Motion Picture Capture Technology -- </subfield><subfield code="t">Going Native with Pandora’s (Tool) Box: Spiritual and Technological Conversions in James Cameron’s Avatar -- </subfield><subfield code="t">Double Negative: The Actor, the Non- Actor, and the Animated Documentary -- </subfield><subfield code="t">Reflections and Perspectives -- </subfield><subfield code="t">Bodies of Light: Towards a Theory about Film Acting from a Communicative Perspective -- </subfield><subfield code="t">Thinking through Acting: Performative Indices and Philosophical Assertions -- </subfield><subfield code="t">An Emphasis on Being: Moving towards a Responsive Phenomenology of Film(’s) Performance -- </subfield><subfield code="t">Being on the Screen: A Phenomenology of Cinematic Flesh, or the Actor’s Four Bodies -- </subfield><subfield code="t">Passion and Exposure: New Paradoxes of the Actor -- </subfield><subfield code="t">Contributors</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This volume offers transdisciplinary perspectives on the study of acting and performance in moving image forms. It assembles 26 international scholars from dance, theatre, film, media and cultural studies, art history and philosophy to investigate the art of acting and the presence of the human body in analog and digital film, animation and video art. The volume includes classical case studies and essays devoted to acting history and acting and genres, but its particular emphasis is on introducing a wide range of groundbreaking theoretical approaches - from continental and analytic philosophy to new media theory and cognitivist research - all of which interrogate the fundamental conceptions of »act« and »actor« that underwrite both popular and academic notions of performance in moving image culture.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture acting.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Performance art.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Television acting.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aesthetics.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Body.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Ethics.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Media Aesthetics.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Media Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Moving Image Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Performance Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theatre Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theatre.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE / Media Studies.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Aesthetics.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Body.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Ethics.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Film.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Media Aesthetics.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Media Studies.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Moving Image Studies.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Performance Studies.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Theatre Studies.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Theatre.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Adamou, Christina, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Barker, Jennifer M., </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Baron, Cynthia, </subfield><subfield code="e">contributor.</subfield><subfield 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