Moment to Monument : : The Making and Unmaking of Cultural Significance / / ed. by Andrea Ochsner, Ladina Bezzola Lambert.
Why do certain works of art make it into the canon while others just enjoy a brief moment of recognition, if at all? How do moments produce monuments, and why are monuments erased from our cultural memory in only a moment? - Taking into account these cultural processes of creating, storing, remember...
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Superior document: | Title is part of eBook package: De Gruyter transcript Backlist eBook Package 2000-2013 |
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MitwirkendeR: | |
HerausgeberIn: | |
Place / Publishing House: | Bielefeld : : transcript Verlag, , [2015] ©2008 |
Year of Publication: | 2015 |
Edition: | 1. Aufl. |
Language: | English |
Series: | Cultural Studies ;
32 |
Online Access: | |
Physical Description: | 1 online resource (228 p.) |
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Table of Contents:
- Frontmatter
- Table of Contents
- Acknowledgements
- Introduction
- 1. exegi monumentum
- Texts, monuments and the desire for immortality
- “Plunging into nothingness”: The politics of cultural memory
- A monumental inscription: The transcultural heritage of Swift’s epitaph
- Monuments and memorials: Byron and Wordsworth in post-Napoleonic Switzerland
- 2. questioning canon politics
- “Monumental mockery”: Does a three-text edition of Hamlet threaten the play’s canonicity?
- How the West was won: J.M. Coetzee and postcolonial canons
- “We the people”: The U.S. Government’s recent recruitment of literature for nation building
- 3. negotiating the past – imagining the future
- Under the blue bottle : Habsburg nostalgia in post-Soviet L’viv
- Monumentalizing the Twin Towers: Memory and garbage in the global city
- Hurricane Katrina and the arts of remembrance
- Revisiting Martyrs’ Square … again: Absence and presence in cultural memory
- 4. reterritorialization
- The burden of the moment: Photography’s inherent monumentalizing effect
- Coyote in the land of culture industry: Robert Crumb and popular cultural memory
- Canons, orthodoxies, ghosts and dead statues
- Contributors