'Arbeit Macht Frei' : : Representations and Meanings in Art / / Batya Brutin.
Arbeit Macht Frei befasst sich mit den verschiedenen Darstellungen, Bedeutungen und Interpretationen des berüchtigten Satzes in der Kunst. Dessen Ursprung liegt in dem Roman des deutschen Philologen Lorenz Diefenbach (1806-1883) aus dem Jahr 1873 und geht auf die Zeit der Weimarer Republik zurück. ‚...
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Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2024] ©2024 |
Year of Publication: | 2024 |
Language: | English |
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Physical Description: | 1 online resource (128 p.) |
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Brutin, Batya, author. aut http://id.loc.gov/vocabulary/relators/aut 'Arbeit Macht Frei' : Representations and Meanings in Art / Batya Brutin. Berlin ; Boston : De Gruyter, [2024] ©2024 1 online resource (128 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Preface -- List of Illustrations -- Introduction -- About the Book’s Chapters -- Chapter 1: We Were There: Illustrated Testimony -- Chapter 2: Life in the Shadow of the Inscription -- Chapter 3: Paraphrase of the Inscription -- Chapter 4: Moral, Political, and Universal Messages -- Chapter 5: Remembering the Holocaust -- Epilogue -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Arbeit Macht Frei befasst sich mit den verschiedenen Darstellungen, Bedeutungen und Interpretationen des berüchtigten Satzes in der Kunst. Dessen Ursprung liegt in dem Roman des deutschen Philologen Lorenz Diefenbach (1806-1883) aus dem Jahr 1873 und geht auf die Zeit der Weimarer Republik zurück. ‚Arbeit macht frei‘ wird aber vor allem mit den Nationalsozialisten in Verbindung gebracht, die die Phrase an den Eingängen von sechs Konzentrationslagern anbrachten. Mit Verachtung und Ironie sollten die Gefangenen in die Irre geführt und falsche Hoffnungen geweckt, sowie Widerstand und Aufstände verhindert werden. Batya Brutin spricht über Künstler/-innen, die den Holocaust überlebt haben, und Nachkommen, die ebenfalls Künstler/-innen sind, sowie über andere, die die Phrase in ihren (Kunst)Werken verwenden. Sie nehmen in Auseinandersetzung mit und dem Gedenken an den Holocaust einen persönlichen oder allgemeinen Blickwinkel ein, vermitteln politische Botschaften, oder ringen mit universellen Wahrnehmungen. Dies ist das erste Buch, das sich mit diesem schwierigen, aber notwendigen Thema in der Kunst beschäftigt. Arbeit Macht Frei focuses on the various representations, meanings, and interpretations of the infamous phrase in art. The origin of the expression recalls the novel by German philologist Lorenz Diefenbach (1806–1883) from 1873 and the Weimar Republic, but is most associated with the National Socialists, who used it at the entrances to six of their concentration camps. The Nazis employed the slogan to misdirect with contempt and irony, and to instill false hope in the minds of prisoners to help prevent resistance and insurrection. Batya Brutin discusses Holocaust survivor artists and their descendants who are artists as well as others who use the well-known phrase in their artwork. These artists have used the inscription as a motif from a personal or general point of view to convey political messages, present values, or wrestle with universal perceptions. This is the first booklength treatment of this difficult yet necessary topic in art. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024) 20. Jahrhundert. 21. Jahrhundert. Auschwitz. Gedenken. Holocaust. Konzentrationslager. Kunst. Nationalsozialismus. ART / History / Modern (late 19th Century to 1945). bisacsh 20th century. 21st century. National Socialism. art. commemoration. concentration camps. memory. Title is part of eBook package: De Gruyter DG Plus DeG Package 2024 Part 1 9783111332192 print 9783111153117 https://doi.org/10.1515/9783111175829 https://www.degruyter.com/isbn/9783111175829 Cover https://www.degruyter.com/document/cover/isbn/9783111175829/original |
language |
English |
format |
eBook |
author |
Brutin, Batya, Brutin, Batya, |
spellingShingle |
Brutin, Batya, Brutin, Batya, 'Arbeit Macht Frei' : Representations and Meanings in Art / Frontmatter -- Contents -- Preface -- List of Illustrations -- Introduction -- About the Book’s Chapters -- Chapter 1: We Were There: Illustrated Testimony -- Chapter 2: Life in the Shadow of the Inscription -- Chapter 3: Paraphrase of the Inscription -- Chapter 4: Moral, Political, and Universal Messages -- Chapter 5: Remembering the Holocaust -- Epilogue -- Bibliography -- Index |
author_facet |
Brutin, Batya, Brutin, Batya, |
author_variant |
b b bb b b bb |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Brutin, Batya, |
title |
'Arbeit Macht Frei' : Representations and Meanings in Art / |
title_sub |
Representations and Meanings in Art / |
title_full |
'Arbeit Macht Frei' : Representations and Meanings in Art / Batya Brutin. |
title_fullStr |
'Arbeit Macht Frei' : Representations and Meanings in Art / Batya Brutin. |
title_full_unstemmed |
'Arbeit Macht Frei' : Representations and Meanings in Art / Batya Brutin. |
title_auth |
'Arbeit Macht Frei' : Representations and Meanings in Art / |
title_alt |
Frontmatter -- Contents -- Preface -- List of Illustrations -- Introduction -- About the Book’s Chapters -- Chapter 1: We Were There: Illustrated Testimony -- Chapter 2: Life in the Shadow of the Inscription -- Chapter 3: Paraphrase of the Inscription -- Chapter 4: Moral, Political, and Universal Messages -- Chapter 5: Remembering the Holocaust -- Epilogue -- Bibliography -- Index |
title_new |
'Arbeit Macht Frei' : |
title_sort |
'arbeit macht frei' : representations and meanings in art / |
publisher |
De Gruyter, |
publishDate |
2024 |
physical |
1 online resource (128 p.) Issued also in print. |
contents |
Frontmatter -- Contents -- Preface -- List of Illustrations -- Introduction -- About the Book’s Chapters -- Chapter 1: We Were There: Illustrated Testimony -- Chapter 2: Life in the Shadow of the Inscription -- Chapter 3: Paraphrase of the Inscription -- Chapter 4: Moral, Political, and Universal Messages -- Chapter 5: Remembering the Holocaust -- Epilogue -- Bibliography -- Index |
isbn |
9783111175829 9783111332192 9783111153117 |
url |
https://doi.org/10.1515/9783111175829 https://www.degruyter.com/isbn/9783111175829 https://www.degruyter.com/document/cover/isbn/9783111175829/original |
illustrated |
Not Illustrated |
dewey-hundreds |
900 - History & geography |
dewey-tens |
940 - History of Europe |
dewey-ones |
940 - History of Europe |
dewey-full |
940 |
dewey-sort |
3940 |
dewey-raw |
940 |
dewey-search |
940 |
doi_str_mv |
10.1515/9783111175829 |
oclc_num |
1432031608 |
work_keys_str_mv |
AT brutinbatya arbeitmachtfreirepresentationsandmeaningsinart |
status_str |
n |
ids_txt_mv |
(DE-B1597)645075 (OCoLC)1432031608 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter DG Plus DeG Package 2024 Part 1 |
is_hierarchy_title |
'Arbeit Macht Frei' : Representations and Meanings in Art / |
container_title |
Title is part of eBook package: De Gruyter DG Plus DeG Package 2024 Part 1 |
_version_ |
1806144937485402112 |
fullrecord |
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