Author Fictions : : Narrative Representations of Literary Authorship since 1800 / / Ingo Berensmeyer.

Fictional novelists and other author characters have been a staple of novels and stories from the early nineteenth century onwards. What is it that attracts authors to representing their own kind in fiction? Author Fictions addresses this question from a theoretical and historical perspective. Narra...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter DG Plus DeG Package 2023 Part 1
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Place / Publishing House:Berlin ;, Boston : : De Gruyter, , [2023]
©2023
Year of Publication:2023
Language:English
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Physical Description:1 online resource (IX, 504 p.)
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Table of Contents:
  • Frontmatter
  • Contents
  • Introduction: How Literature Makes Authors
  • Part I Literary Authorship in History and Theory
  • 1 Towards a Literary History of Literary Authorship
  • 2 Authors, Works, Audiences: Conceptual Foundations
  • Part II Author-Making and Social Form in the Nineteenth Century
  • 3 Lost Illusions: Balzac’s Brutal Materialism
  • 4 Compromise Formation in the English Literary Bildungsroman
  • 5 The Novel of Allopoetic Deformation: Herman Melville’s Pierre (1852)
  • 6 “Sign it like a queen”: Writing Female Authors in the Victorian Novel
  • 7 Starving in the Reading Room: Precarious Economies of Authorship in Late Victorian Fiction
  • 8 Curious Double Lives: Puzzles of Authorship in James, Kipling, and Beerbohm
  • Part III Modernist Author Fictions
  • 9 The Ambivalence of Promise in Arthur Machen, E. M. Forster, and Henry Green
  • 10 “Do you seriously believe in literature?” Comic Turns from Aldous Huxley to Kingsley Amis
  • 11 “Writing’s a mug’s game”: Novels of Resentment and Regeneration in the 1930s and 1940s
  • 12 Working Women: Figurations of Female Authorship in Postwar Britain
  • Part IV From Postmodernist Metafiction to Contemporary Autofiction
  • 13 The Validity of Authorship: Postwar British Metafiction from Muriel Spark to William Golding
  • 14 “The unreckoned consequences of art”: Authorial Realism in Munro, Carver, Roth, and Moore
  • 15 Authorship Horror: Stephen King’s Misery (1987)
  • 16 The Tremor of Genre: Making and Unmaking Writers in Suspense Fiction
  • 17 Economies of Authorship in Contemporary (Auto‐)Fiction: Between Expressivism and Institutionalism
  • Conclusion
  • Appendix 1: An Incomplete List of Authorship Narratives, 1800 –2022
  • Appendix 2: Quantitative Survey, 1800– 2022
  • List of Illustrations and Tables
  • Glossary
  • Acknowledgements
  • References
  • Index