Author Fictions : : Narrative Representations of Literary Authorship since 1800 / / Ingo Berensmeyer.
Fictional novelists and other author characters have been a staple of novels and stories from the early nineteenth century onwards. What is it that attracts authors to representing their own kind in fiction? Author Fictions addresses this question from a theoretical and historical perspective. Narra...
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Superior document: | Title is part of eBook package: De Gruyter DG Plus DeG Package 2023 Part 1 |
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Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2023] ©2023 |
Year of Publication: | 2023 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (IX, 504 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Introduction: How Literature Makes Authors
- Part I Literary Authorship in History and Theory
- 1 Towards a Literary History of Literary Authorship
- 2 Authors, Works, Audiences: Conceptual Foundations
- Part II Author-Making and Social Form in the Nineteenth Century
- 3 Lost Illusions: Balzac’s Brutal Materialism
- 4 Compromise Formation in the English Literary Bildungsroman
- 5 The Novel of Allopoetic Deformation: Herman Melville’s Pierre (1852)
- 6 “Sign it like a queen”: Writing Female Authors in the Victorian Novel
- 7 Starving in the Reading Room: Precarious Economies of Authorship in Late Victorian Fiction
- 8 Curious Double Lives: Puzzles of Authorship in James, Kipling, and Beerbohm
- Part III Modernist Author Fictions
- 9 The Ambivalence of Promise in Arthur Machen, E. M. Forster, and Henry Green
- 10 “Do you seriously believe in literature?” Comic Turns from Aldous Huxley to Kingsley Amis
- 11 “Writing’s a mug’s game”: Novels of Resentment and Regeneration in the 1930s and 1940s
- 12 Working Women: Figurations of Female Authorship in Postwar Britain
- Part IV From Postmodernist Metafiction to Contemporary Autofiction
- 13 The Validity of Authorship: Postwar British Metafiction from Muriel Spark to William Golding
- 14 “The unreckoned consequences of art”: Authorial Realism in Munro, Carver, Roth, and Moore
- 15 Authorship Horror: Stephen King’s Misery (1987)
- 16 The Tremor of Genre: Making and Unmaking Writers in Suspense Fiction
- 17 Economies of Authorship in Contemporary (Auto‐)Fiction: Between Expressivism and Institutionalism
- Conclusion
- Appendix 1: An Incomplete List of Authorship Narratives, 1800 –2022
- Appendix 2: Quantitative Survey, 1800– 2022
- List of Illustrations and Tables
- Glossary
- Acknowledgements
- References
- Index