Musical Signification : : Essays in the Semiotic Theory and Analysis of Music / / ed. by Eero Tarasti.

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter DGBA Linguistics and Semiotics 1990 - 1999
MitwirkendeR:
HerausgeberIn:
Place / Publishing House:Berlin ;, Boston : : De Gruyter Mouton, , [2011]
©1995
Year of Publication:2011
Edition:Reprint 2011
Language:English
Series:Approaches to Semiotics [AS] , 121
Online Access:
Physical Description:1 online resource (598 p.)
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Description
Other title:Frontmatter --
Preface --
Contents --
Theoretical approaches --
Method and system --
Toward a reinterpretation of compositional theory --
Music and antimetaphor --
The sign and music: A reflection on the theoretical bases of musical semiotics --
How philosophical characterizations of a musical work lose sight of the “music” and how it might be put back --
Interpretation and meaning in music --
Music and semantics --
The application of Hjelmslev’s glossematics to music --
The musical work as sign: Significative constituents, layers, structure --
Asaf’ev and Tynianov: On some analogies between musicology and the study of literature --
Intonation as a specific form of musical semiosis --
Musical intonation – language of intuition and logic: A contribution to the system of the semiotics of intonation in music --
Empirical studies --
“The voice of the heart”: A progressive semiosis on the interval of the sixth --
Pertinence in music --
Meaning and behavior patterns: The creation of meaning in interpreting and listening to music --
On the genesis of the musical sign --
Art evolution in the light of brain asymmetry: A trial of empirical investigation --
A semio-psychological theory of communication in music --
Character and characterization in musical performance: Effects of sensory experience upon meaning --
Tempo deviations and musical signification: A case study --
The pitch of glide-like F0 curves in Votic folksongs --
The concept of hierarchy: A theoretical approach --
Musical pragmatics and computer modelling --
Some relationships between terminology, analytic strategies, and computational methodologies --
Semiotic bases and computer assisted composition: Towards a cognitive model --
Experiments on grammar-based analysis of music --
Analyses of musical styles and texts --
Metaphor in music --
Performative musical acts: The Verdian achievement --
Peirce’s “ground” and 19th-century Lieder --
The couples who remain: With reference to “Ici-bas” by Sully Prudhomme and Fauré --
“Apres un rêve”: A semiotic analysis of the song by Gabriel Fauré --
The problem of narrativity in the symphonic poem En saga by Jean Sibelius --
Orchestration and form in Leos Janáček’s Concertino: An analysis of intratextural interaction --
“Music becomes language”: Narrative strategies in El cimarrón by Hans-Werner Henze --
Narrativity and electroacoustic music --
On the sound dimension of prehistoric painted caves and rocks --
The mythical in non-programmatic music --
The symbol of the tree in musical Jugendstil --
Aspects of the “Dance of Death” as a semiotic system --
Authors --
Index
Format:Mode of access: Internet via World Wide Web.
ISBN:9783110885187
9783110636895
ISSN:0066-5576 ;
DOI:10.1515/9783110885187
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: ed. by Eero Tarasti.