Aesthetic Illusion : : Theoretical and Historical Approaches / / hrsg. von Frederick Burwick, Walter Pape.
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Superior document: | Title is part of eBook package: De Gruyter DGBA Literary and Cultural Studies - 1990 - 1999 |
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HerausgeberIn: | |
Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2012] ©1990 |
Year of Publication: | 2012 |
Edition: | Reprint 2012 |
Language: | German |
Online Access: | |
Physical Description: | 1 online resource (478 p.) |
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Table of Contents:
- i-iv
- Foreword
- Contents
- Aesthetic Illusion
- Illusion and the Cognitive Sciences
- The Illusion of ‘Illusion’
- Synaesthesia: Perception and Metaphor
- The Aesthetics of Communication and the Reproduction of Cultural Forms: The Case of Tourist Art
- Aesthetics and the Referentiality of Symbols and Signs
- Looking at Animals Looking: Art, Illusion, and Power
- Aesthetic and Illusion of Daily Life
- Fiction: On the Fate of a Concept Between Philosophy and Literary Theory
- Aesthetic Illusion in the Eighteenth Century
- The Grotesque: Illusion vs. Delusion
- Illusion and Imagination: Derrida’s Parergon and Coleridge’s Aid to Reflection. Revisionary readings of Kantian formalist aesthetics
- “Fantastic” Images: From Unenlightening to Enlightening “Appearances” Meant to Be Seen in the Dark
- Illusion and Literary Genre
- Representation in Words and in Drama: The Illusion of the Natural Sign
- Making and Breaking Dramatic Illusion
- Comic Illusion and Illusion in Comedy: The Discourse of Emotional Freedom
- Appearance in Poetry: Lyric Illusion?
- Epistolary Fiction and Its Impact on Readers: Reality and Illusion
- Illusion and Narrative Technique: The Nineteenth-Century Historical Novel Between Truth and Fiction
- Illusion and Breaking Illusion in Twentieth-Century Fiction
- Historical Changes in the Literary Uses of Illusions
- “And Mock Our Eyes with Air”: Air and Stage Illusion in Shakespearean Drama
- Double Plotting in Shakespeare’s Comedies: The Case of Twelfth Night
- Illusion and Spiritual Perception in Donne’s Poetry
- Imagination and Illusion in English Romanticism
- “The Picture of the Mind”: Eidetic Images and Pictorial Projection in Wordsworth
- ‘Verfremdung’ and Illusion in Brecht’s Drama
- Sam Shepard, Anti-Illusion, and Metadrama: Plays on Writing, Acting, and Character
- Bibliography
- Notes on Contributors
- List of Illustrations
- Index
- 479-482