The Turn of the Century/Le tournant du siècle : : Modernism and Modernity in Literature and the Arts/Le modernisme et la modernité dans la littérature et les arts / / ed. by Christian Berg, Frank Durieux, Geert Lernout.
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| Superior document: | Title is part of eBook package: De Gruyter DGBA Literary and Cultural Studies - 1990 - 1999 |
|---|---|
| MitwirkendeR: | |
| HerausgeberIn: | |
| Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2012] ©1995 |
| Year of Publication: | 2012 |
| Edition: | Reprint 2012 |
| Language: | English |
| Series: | European Cultures : Studies in Literature and the Arts ;
3 |
| Online Access: | |
| Physical Description: | 1 online resource (660 p.) |
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Table of Contents:
- Frontmatter
- Preface/Préface
- Contents
- Terminological and Theoretical Issues/Questions terminologiques et théoretiques
- Modernism, Modernity, Avant-Garde: A Bilingual Introduction
- Les Avant-gardes d’ostentation et les avant-gardes de faire cognitif: Vers une description des langages transgressifs
- Modernity, Modernisme, Modernization: Variations on Modern Themes
- Modernisme ou Modernité?
- From Topos to Trope: Feminist Revisions of Modernism
- Anarchy as Modernist Aesthetic
- Créativité multilingue et modernité
- Modernist Literature/Littérature moderniste
- Naturalisme et modernité
- Fictitious History: From Decadence to Modernism
- Décadence et modernisme: “Les Lauriers sont coupés” d’Edouard Dujardin
- Karl Kraus and Modernism: A Reassessment
- Proust entre le modernisme et l’avant-garde
- Ronald A. Firbank: Fragrant Prayers, a Fury of Paint
- Temps et valeurs sur la Scène Viennoise: Hofmannsthal “Der Rosenkavalier” – Schnitzler “Der Grüne Kakadu”
- Between River and Rock: Landmarks in European Modernism
- L’Imaginaire des signes à l’aube du XXe siècle
- Writing and Modernism: Liquidation of the Self
- Le Complexe de Mercure
- Turning Around the Century: Modernism’s Ends
- A Mode(rni)st Beginning? The Women of the “Athenaeum” 1890–1910
- Young Lukács, the Sunday Circle, and Their Critique of Aestheticism
- Towards Techno-Poetics and Beyond: The Emergence of Modernist/Avant-garde Poetics out of Science and Media-technology
- Facing Modernism – German expressionism: Fulfillment or Escape?
- Between Symbolist Decline and the Rise of Newspeak: Mapping the Dynamics of the Russian Literary Avant-garde
- New Objectivity, Realism, and Avant-garde
- Mythe et Modernisme: étude sur Tristan
- The Meaning of ‘Life’ in European Aesthetics at the End of the Nineteenth Century, with Implications for a Useful Definition of Modernism
- The Secret Cities of Modernity: Topographies of Perception in Georges Rodenbach, Robert Walser, and Franz Hessel
- The Aestheticization of the City in Modernism
- Modernité de Hofmannsthal
- Interdisciplinary Approaches/Approches interdisciplinaires
- How Useful is the Term ‘Modernism’ for the Interdisciplinary Study of Twentieth-Century Art?
- Recherches poétiques et modernisme pictural chez Mallarmé pendant les années 1890
- Naming the Modernist: The Ambiguities of Apollinaire
- Image de l’art Anglais ‘Fin de Siècle’ par le jeune Hugo von Hofmannsthal
- Salome and Ophelia: The Portrayal of Women in Art and Literature at the Turn of the Century
- Nouvelles proportions/nouvelles perspectives en esthétique: la transgression de l’horizon occidental au début du XXe siècle
- Figures and Things: The Gaze in d’Annunzio, Hofmannsthal, and Rilke
- Shifting Viewpoints: Auras, Images, and the Communication of Technology in the Literary/Cultural Journal from 1890–1910
- Le Théâtre de Kandinsky face à l’interprétation
- L’Esthétique moderniste dans la musique de Stravinsky et dans la pensée de Jakobson
- Ironies of Modern/Postmodern Art: Duchamp, Magritte, Adami
- Le Brouillage du lisible pendant les années 1910–1920
- Conclusion
- Panorama d’un siècle (1850–1950): Discordia Concors?
- Bibliography
- Notes on Contributors
- Index
- 661-662