Peirce's Doctrine of Signs : : Theory, Applications, and Connections / / ed. by Thomas M. Olshewsky, Vincent M. Colapietro.
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Superior document: | Title is part of eBook package: De Gruyter DGBA Philosophy 1990 - 1999 |
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MitwirkendeR: | |
HerausgeberIn: | |
Place / Publishing House: | Berlin ;, Boston : : De Gruyter Mouton, , [2011] ©1996 |
Year of Publication: | 2011 |
Edition: | Reprint 2011 |
Language: | English |
Series: | Approaches to Semiotics [AS] ,
123 |
Online Access: | |
Physical Description: | 1 online resource (463 p.) |
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Table of Contents:
- Frontmatter
- Preface
- Contents
- Citations of Peirce's works
- Part 1. A general theory of signs: Its possibility and purpose
- General theories, vague utterances, and fruitful inquiries
- The philosophic significance of Peirce’s theory of signs
- Vagueness, generality, and undeciding otherness
- The Grand Vision
- Part 2. Peirce’s conception of semiosis: Presuppositions and articulations
- Peirce’s conception of habit
- Information and the metaphysical status of the sign
- Part 3. The components of semiosis
- The object of semeiotic
- Object and final cause in Peirce’s semeiotic
- Antetension, indexicality, and possible worlds
- The ground of semiosis: An implied theory of perspectival realism?
- Part 4. The classification of signs
- Peirce’s second classification of signs
- Peirce’s doctrine of symbol
- Symbol, ritual and cognition
- Index and icon revisited
- Part 5. The semiosis of metaphor
- Peirce and the interaction view of metaphor
- From pure icon to metaphor: Six degrees of iconicity
- On the neglect of Peirce’s views on metaphor in current theories of iconicity
- Peirce’s definition of metaphor and its consequences
- Part 6. Semiotics and aesthetics
- Aesthetic and artistic semiosis: A Peircean perspective
- Peirce on fiction: Introduction to an author-orientated semiotics
- Literary art: Meaning as a sign of possibility
- Arguments about icons
- Othello and Iago: Twins or opponents? On identity in literary semiotics
- Visual semiotics versus pragmaticism: Peirce and photography
- Music as icon: A critique of twentieth century music semiotic
- Part 7. Philosophy, linguistics and semiotics
- Sign structure and sign event in Saussure, Hjelmslev, and Peirce
- Relating European structuralist semiotics to American Peircean semeiotic
- Peirce and medieval semiotics
- Peirce and Derrida: From sign to sign
- Part 8. Semiotics and hermeneutics
- Peirce and hermeneutics
- Hermeneutic aspects in the light of Peirce’s methodology
- A word is not a sign: Hermeneutic semiotics and Peirce’s “Ethics of terminology”
- Peirce’s pragmatic maxim and K.-O. Apel’s idea of a contemplementary hermeneutical science
- Peirce, pragmatism, and interpretation theory
- The construction of a Peircean hermeneutics
- Index