Peirce's Doctrine of Signs : : Theory, Applications, and Connections / / ed. by Thomas M. Olshewsky, Vincent M. Colapietro.

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter DGBA Philosophy 1990 - 1999
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Place / Publishing House:Berlin ;, Boston : : De Gruyter Mouton, , [2011]
©1996
Year of Publication:2011
Edition:Reprint 2011
Language:English
Series:Approaches to Semiotics [AS] , 123
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Physical Description:1 online resource (463 p.)
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Table of Contents:
  • Frontmatter
  • Preface
  • Contents
  • Citations of Peirce's works
  • Part 1. A general theory of signs: Its possibility and purpose
  • General theories, vague utterances, and fruitful inquiries
  • The philosophic significance of Peirce’s theory of signs
  • Vagueness, generality, and undeciding otherness
  • The Grand Vision
  • Part 2. Peirce’s conception of semiosis: Presuppositions and articulations
  • Peirce’s conception of habit
  • Information and the metaphysical status of the sign
  • Part 3. The components of semiosis
  • The object of semeiotic
  • Object and final cause in Peirce’s semeiotic
  • Antetension, indexicality, and possible worlds
  • The ground of semiosis: An implied theory of perspectival realism?
  • Part 4. The classification of signs
  • Peirce’s second classification of signs
  • Peirce’s doctrine of symbol
  • Symbol, ritual and cognition
  • Index and icon revisited
  • Part 5. The semiosis of metaphor
  • Peirce and the interaction view of metaphor
  • From pure icon to metaphor: Six degrees of iconicity
  • On the neglect of Peirce’s views on metaphor in current theories of iconicity
  • Peirce’s definition of metaphor and its consequences
  • Part 6. Semiotics and aesthetics
  • Aesthetic and artistic semiosis: A Peircean perspective
  • Peirce on fiction: Introduction to an author-orientated semiotics
  • Literary art: Meaning as a sign of possibility
  • Arguments about icons
  • Othello and Iago: Twins or opponents? On identity in literary semiotics
  • Visual semiotics versus pragmaticism: Peirce and photography
  • Music as icon: A critique of twentieth century music semiotic
  • Part 7. Philosophy, linguistics and semiotics
  • Sign structure and sign event in Saussure, Hjelmslev, and Peirce
  • Relating European structuralist semiotics to American Peircean semeiotic
  • Peirce and medieval semiotics
  • Peirce and Derrida: From sign to sign
  • Part 8. Semiotics and hermeneutics
  • Peirce and hermeneutics
  • Hermeneutic aspects in the light of Peirce’s methodology
  • A word is not a sign: Hermeneutic semiotics and Peirce’s “Ethics of terminology”
  • Peirce’s pragmatic maxim and K.-O. Apel’s idea of a contemplementary hermeneutical science
  • Peirce, pragmatism, and interpretation theory
  • The construction of a Peircean hermeneutics
  • Index