The New Wave of British Women Playwrights : : 2008 – 2021 / / ed. by Elisabeth Angel-Perez, Aloysia Rousseau.
It is a fact that today’s British stages resound with powerfully innovative voices and that, very often, these voices have been those of young women playwrights. This collection of essays gives visibility and pride of place to these fascinating voices by exploring the vitality, inventiveness and par...
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Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2023] ©2023 |
Year of Publication: | 2023 |
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The New Wave of British Women Playwrights : 2008 – 2021 / ed. by Elisabeth Angel-Perez, Aloysia Rousseau. Berlin ; Boston : De Gruyter, [2023] ©2023 1 online resource (VIII, 254 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Contemporary Drama in English Studies , 2194-9069 ; 33 Frontmatter -- Acknowledgements -- Table of Contents -- Introduction: “Are We Not Over That?” -- I Ecodramaturgies and Global Crisis -- Population Concerns, Reproductive Justice, and Gendered Perspectives in Florence Keith-Roach’s Eggs (2015), Vivienne Franzmann’s Bodies (2017) and Maud Dromgoole’s 3 Billion Seconds (2018) -- Sexual and Gender-Based Violence on Female Bodies: Ecofeminism in Lucy Kirkwood’s Maryland (2021) and Ellie Kendrick’s and RashDash’s Hole (2018) -- Lucy Prebble’s Enron (2009): The Financial Crisis as Theatrical Spectacle in the Era of Liquid Modernity -- How To Survive a Crisis: Forming a New Self in Zinnie Harris’s How to Hold Your Breath (2015) -- II The Politics of Intimacy -- Ella Hickson’s ANNA (2019) and Lucy Kirkwood’s Mosquitoes (2017): Staging the Female Body Electric -- debbie tucker green’s ‘troumatic’ dramaturgy -- “Who Gets to Speak and How?”: Staging Autofiction in Debris Stevenson’s Poet in da Corner (2018) and Ella Hickson’s The Writer (2018) -- III Experimenting with Forms -- “I Want the World to Change Shape”: Form and Politics in Ella Hickson’s The Writer (2018) -- Challenging Realism: The Confines of Domesticity in Morna Pearson’s Plays -- Alice Birch – A Poet in the Theatre -- Alecky Blythe and “Headphone Verbatim”: a Study of The Girlfriend Experience (2008) -- IV In Conversation with… -- Feeling a Responsibility to Art: An Interview with Ella Hickson -- The Gordian Knots of Theatre: An Interview with Lucy Kirkwood by Elisabeth Angel-Perez and Aloysia Rousseau -- Notes on Contributors -- Index of playwrights, theatre practitioners and key concepts restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star It is a fact that today’s British stages resound with powerfully innovative voices and that, very often, these voices have been those of young women playwrights. This collection of essays gives visibility and pride of place to these fascinating voices by exploring the vitality, inventiveness and particularly strong relevance of these poetics. These women playwrights sometimes invent radically new forms and sometimes experiment with conventional ones in fresh and unexpected ways, as for example when they re-energize naturalism and provide it with new missions. The plays that are addressed are all concerned with the necessity to grasp the complexity of the contemporary world and to further investigate what it means to be human. Intimate or epic, and sometimes both at once, visionary or closer to everyday life, these plays approach the contemporary world through a multitude of prisms – historical, scientific, political and poetic – and open different and visionary perspectives. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) LITERARY CRITICISM / Drama. bisacsh Contemporary British Drama. Dramaturgy. New voices. Women Playwrights. Angel-Perez, Elisabeth, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Angel-Perez, Elisabeth, editor. edt http://id.loc.gov/vocabulary/relators/edt Angelaki, Vicky, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Boles, William C., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Greenstreet, Hannah, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hélie, Claire, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mark, Lianna, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Prudhon, Déborah, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rodríguez, Verónica, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rousseau, Aloysia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rousseau, Aloysia, editor. edt http://id.loc.gov/vocabulary/relators/edt Schaaf, Jeanne, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Stewart, Eleanor, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Watson, Alex, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter DG Plus DeG Package 2023 Part 1 9783111175782 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 English 9783111319292 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 9783111318912 ZDB-23-DGG Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary Studies 2023 English 9783111319186 Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary Studies 2023 9783111318264 EPUB 9783110796377 print 9783110796223 https://doi.org/10.1515/9783110796322 https://www.degruyter.com/isbn/9783110796322 Cover https://www.degruyter.com/document/cover/isbn/9783110796322/original |
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Angel-Perez, Elisabeth, Angel-Perez, Elisabeth, Angel-Perez, Elisabeth, Angel-Perez, Elisabeth, Angelaki, Vicky, Angelaki, Vicky, Boles, William C., Boles, William C., Greenstreet, Hannah, Greenstreet, Hannah, Hélie, Claire, Hélie, Claire, Mark, Lianna, Mark, Lianna, Prudhon, Déborah, Prudhon, Déborah, Rodríguez, Verónica, Rodríguez, Verónica, Rousseau, Aloysia, Rousseau, Aloysia, Rousseau, Aloysia, Rousseau, Aloysia, Schaaf, Jeanne, Schaaf, Jeanne, Stewart, Eleanor, Stewart, Eleanor, Watson, Alex, Watson, Alex, |
author_facet |
Angel-Perez, Elisabeth, Angel-Perez, Elisabeth, Angel-Perez, Elisabeth, Angel-Perez, Elisabeth, Angelaki, Vicky, Angelaki, Vicky, Boles, William C., Boles, William C., Greenstreet, Hannah, Greenstreet, Hannah, Hélie, Claire, Hélie, Claire, Mark, Lianna, Mark, Lianna, Prudhon, Déborah, Prudhon, Déborah, Rodríguez, Verónica, Rodríguez, Verónica, Rousseau, Aloysia, Rousseau, Aloysia, Rousseau, Aloysia, Rousseau, Aloysia, Schaaf, Jeanne, Schaaf, Jeanne, Stewart, Eleanor, Stewart, Eleanor, Watson, Alex, Watson, Alex, |
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Angel-Perez, Elisabeth, |
title |
The New Wave of British Women Playwrights : 2008 – 2021 / |
spellingShingle |
The New Wave of British Women Playwrights : 2008 – 2021 / Contemporary Drama in English Studies , Frontmatter -- Acknowledgements -- Table of Contents -- Introduction: “Are We Not Over That?” -- I Ecodramaturgies and Global Crisis -- Population Concerns, Reproductive Justice, and Gendered Perspectives in Florence Keith-Roach’s Eggs (2015), Vivienne Franzmann’s Bodies (2017) and Maud Dromgoole’s 3 Billion Seconds (2018) -- Sexual and Gender-Based Violence on Female Bodies: Ecofeminism in Lucy Kirkwood’s Maryland (2021) and Ellie Kendrick’s and RashDash’s Hole (2018) -- Lucy Prebble’s Enron (2009): The Financial Crisis as Theatrical Spectacle in the Era of Liquid Modernity -- How To Survive a Crisis: Forming a New Self in Zinnie Harris’s How to Hold Your Breath (2015) -- II The Politics of Intimacy -- Ella Hickson’s ANNA (2019) and Lucy Kirkwood’s Mosquitoes (2017): Staging the Female Body Electric -- debbie tucker green’s ‘troumatic’ dramaturgy -- “Who Gets to Speak and How?”: Staging Autofiction in Debris Stevenson’s Poet in da Corner (2018) and Ella Hickson’s The Writer (2018) -- III Experimenting with Forms -- “I Want the World to Change Shape”: Form and Politics in Ella Hickson’s The Writer (2018) -- Challenging Realism: The Confines of Domesticity in Morna Pearson’s Plays -- Alice Birch – A Poet in the Theatre -- Alecky Blythe and “Headphone Verbatim”: a Study of The Girlfriend Experience (2008) -- IV In Conversation with… -- Feeling a Responsibility to Art: An Interview with Ella Hickson -- The Gordian Knots of Theatre: An Interview with Lucy Kirkwood by Elisabeth Angel-Perez and Aloysia Rousseau -- Notes on Contributors -- Index of playwrights, theatre practitioners and key concepts |
title_sub |
2008 – 2021 / |
title_full |
The New Wave of British Women Playwrights : 2008 – 2021 / ed. by Elisabeth Angel-Perez, Aloysia Rousseau. |
title_fullStr |
The New Wave of British Women Playwrights : 2008 – 2021 / ed. by Elisabeth Angel-Perez, Aloysia Rousseau. |
title_full_unstemmed |
The New Wave of British Women Playwrights : 2008 – 2021 / ed. by Elisabeth Angel-Perez, Aloysia Rousseau. |
title_auth |
The New Wave of British Women Playwrights : 2008 – 2021 / |
title_alt |
Frontmatter -- Acknowledgements -- Table of Contents -- Introduction: “Are We Not Over That?” -- I Ecodramaturgies and Global Crisis -- Population Concerns, Reproductive Justice, and Gendered Perspectives in Florence Keith-Roach’s Eggs (2015), Vivienne Franzmann’s Bodies (2017) and Maud Dromgoole’s 3 Billion Seconds (2018) -- Sexual and Gender-Based Violence on Female Bodies: Ecofeminism in Lucy Kirkwood’s Maryland (2021) and Ellie Kendrick’s and RashDash’s Hole (2018) -- Lucy Prebble’s Enron (2009): The Financial Crisis as Theatrical Spectacle in the Era of Liquid Modernity -- How To Survive a Crisis: Forming a New Self in Zinnie Harris’s How to Hold Your Breath (2015) -- II The Politics of Intimacy -- Ella Hickson’s ANNA (2019) and Lucy Kirkwood’s Mosquitoes (2017): Staging the Female Body Electric -- debbie tucker green’s ‘troumatic’ dramaturgy -- “Who Gets to Speak and How?”: Staging Autofiction in Debris Stevenson’s Poet in da Corner (2018) and Ella Hickson’s The Writer (2018) -- III Experimenting with Forms -- “I Want the World to Change Shape”: Form and Politics in Ella Hickson’s The Writer (2018) -- Challenging Realism: The Confines of Domesticity in Morna Pearson’s Plays -- Alice Birch – A Poet in the Theatre -- Alecky Blythe and “Headphone Verbatim”: a Study of The Girlfriend Experience (2008) -- IV In Conversation with… -- Feeling a Responsibility to Art: An Interview with Ella Hickson -- The Gordian Knots of Theatre: An Interview with Lucy Kirkwood by Elisabeth Angel-Perez and Aloysia Rousseau -- Notes on Contributors -- Index of playwrights, theatre practitioners and key concepts |
title_new |
The New Wave of British Women Playwrights : |
title_sort |
the new wave of british women playwrights : 2008 – 2021 / |
series |
Contemporary Drama in English Studies , |
series2 |
Contemporary Drama in English Studies , |
publisher |
De Gruyter, |
publishDate |
2023 |
physical |
1 online resource (VIII, 254 p.) Issued also in print. |
contents |
Frontmatter -- Acknowledgements -- Table of Contents -- Introduction: “Are We Not Over That?” -- I Ecodramaturgies and Global Crisis -- Population Concerns, Reproductive Justice, and Gendered Perspectives in Florence Keith-Roach’s Eggs (2015), Vivienne Franzmann’s Bodies (2017) and Maud Dromgoole’s 3 Billion Seconds (2018) -- Sexual and Gender-Based Violence on Female Bodies: Ecofeminism in Lucy Kirkwood’s Maryland (2021) and Ellie Kendrick’s and RashDash’s Hole (2018) -- Lucy Prebble’s Enron (2009): The Financial Crisis as Theatrical Spectacle in the Era of Liquid Modernity -- How To Survive a Crisis: Forming a New Self in Zinnie Harris’s How to Hold Your Breath (2015) -- II The Politics of Intimacy -- Ella Hickson’s ANNA (2019) and Lucy Kirkwood’s Mosquitoes (2017): Staging the Female Body Electric -- debbie tucker green’s ‘troumatic’ dramaturgy -- “Who Gets to Speak and How?”: Staging Autofiction in Debris Stevenson’s Poet in da Corner (2018) and Ella Hickson’s The Writer (2018) -- III Experimenting with Forms -- “I Want the World to Change Shape”: Form and Politics in Ella Hickson’s The Writer (2018) -- Challenging Realism: The Confines of Domesticity in Morna Pearson’s Plays -- Alice Birch – A Poet in the Theatre -- Alecky Blythe and “Headphone Verbatim”: a Study of The Girlfriend Experience (2008) -- IV In Conversation with… -- Feeling a Responsibility to Art: An Interview with Ella Hickson -- The Gordian Knots of Theatre: An Interview with Lucy Kirkwood by Elisabeth Angel-Perez and Aloysia Rousseau -- Notes on Contributors -- Index of playwrights, theatre practitioners and key concepts |
isbn |
9783110796322 9783111175782 9783111319292 9783111318912 9783111319186 9783111318264 9783110796377 9783110796223 |
issn |
2194-9069 ; |
url |
https://doi.org/10.1515/9783110796322 https://www.degruyter.com/isbn/9783110796322 https://www.degruyter.com/document/cover/isbn/9783110796322/original |
illustrated |
Not Illustrated |
doi_str_mv |
10.1515/9783110796322 |
oclc_num |
1368053496 |
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Title is part of eBook package: De Gruyter DG Plus DeG Package 2023 Part 1 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary Studies 2023 English Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary Studies 2023 |
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The New Wave of British Women Playwrights : 2008 – 2021 / |
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