The Gendered ‘I’ in Ancient Literature : : Modelling Gender in First-Person Discourse /

The Gendered ‘I’ in Ancient Literature : : Modelling Gender in First-Person Discourse / / ed. by Lisa Cordes, Therese Fuhrer.

Considering the ubiquity of rhetorical training in antiquity, the volume starts from the premise that every first-person statement in ancient literature is in some way rhetorically modelled and aesthetically shaped. Focusing on different types of Greek and Latin literature, poetry and prose, from th...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter DG Plus DeG Package 2022 Part 1
MitwirkendeR:
Basso, Luca,
Baumann, Helge,
Bessone, Federica,
Cordes, Lisa,
Fabre-Serris, Jacqueline,
Fuhrer, Therese,
Hafner, Markus,
Hallett, Judith P.,
Harich-Schwarzbauer, Henriette,
Hauser, Emily,
Keith, Alison,
Klein, Florence,
Mayr, Christoph,
Moro, Valentina,
Sharrock, Alison,
Sissa, Giulia,
Stähle, Ann-Kathrin,
HerausgeberIn:
Cordes, Lisa,
Fuhrer, Therese,
Place / Publishing House:Berlin ;, Boston : : De Gruyter, , [2022]
©2022
Year of Publication:2022
Language:English
Series:Philologus. Supplemente / Philologus. Supplementary Volumes : Zeitschrift für antike Literatur und ihre Rezeption , 18
Online Access:
Physical Description:1 online resource (VII, 411 p.)
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Table of Contents:
  • Frontmatter
  • Contents
  • Introduction: Gender-Specific Elements in First-Person Statements in Classical Literature
  • I The Rhetorics of a Gendered ‘I’
  • The Gender and Third-Person Parameter in the Shaping of First-Person Discourse in Roman Literature
  • Construire un « je » genré dans les traductions de Catulle (c. 51 et 66) : Érotique de l’appropriation littéraire et féminisation rétrospective des modèles grecs
  • Virgo, virago, Vestal – Gender and Fiction in Seneca the Elder’s Controversia 1.2
  • II Gendering a Non-Human ‘I’
  • Pythia poetrix? Oracular Polyphony between Poetic Collaboration and Delphic Politics
  • Costruire un ‘io’ divino: Ovidio e le dee
  • In Memory of Reading Matrons and Eloquent Dogs: Female Voices and Role Constructions in Martial’s Epigrams 10.63 and 11.69
  • III The Gendered ‘I’ in Choral Lyric and Tragedy
  • Making Men: Gender and the Poet in Pindar
  • A Theatre of Vulnerability: Lamentation as a Gendered Self-Narration in Sophocles’ Antigone
  • A Female View of the Tragic Action: On the Function of Collective First-Person Statements in the Women’s Choruses in the (ps.-)Senecan Tragedies Troades and Hercules Oetaeus
  • IV The Gender Parameter in Erotic First-Person Discourse
  • Elle sait. Elle dit. Elle rit. L’éloge paradoxal d’éros par Diotime de Mantinée
  • Gender und Rollen in Horaz carm. 1,13
  • Enquête sur l’identité du « je » féminin de l’élégie 3.11 du Corpus Tibullianum : méthodes et conjectures
  • V The Gender Parameter in Ovidʼs First-Person Discourse
  • Living to Tell the Tale: Male and Female First-Person Narrators of Metamorphosis
  • Autofiction al femminile. Arte di raccontare ed effetti di genere in Ovidio
  • Gender and Genre in First-Person Discourse: Three Case Studies in Ovid’s Metamorphoses
  • VI The Gendered ‘I’ in the Poetry of Late Antiquity
  • In den Wind gesprochen – Die Ich-Reden der Ceres in Claudians De raptu Proserpinae
  • Medea virago in Dracontius’ Romulea
  • Notes on Contributors
  • General Index
  • Index locorum

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