Sustainability in Art, Fashion and Wine : : Critical Perspectives / / ed. by Annamma Joy.

• Superior document: Title is part of eBook package: De Gruyter DG Plus DeG Package 2024 Part 1
• MitwirkendeR: Almila, Anna-Mari,; Atik, Deniz,; Choopani, Hanieh,; Dholakia, Nikhilesh,; Fernandez, Karen V.,; Firat, Fuat,; Frig, Meri-Maaria,; Gallery, Charlene,; Grohmann, Bianca,; Gruber, Verena,; Henninger, Claudia E.,; Holweg, Christina,; Howson, Cynthia,; Inglis, David,; Iran, Samira,; Joy, Annamma,; Kerrigan, Finola,; Lienbacher, Eva,; Ly, Pierre,; Mirzapoor, Nikoo,; Ozdamar Ertekin, Zeynep,; Peña, Camilo,; Polsa, Pia,; Preece, Chloe,; Roberts, Joanne,; Rojas-Gaviria, Pilar,; Zaitoun, Raneem,; Zenebe Andargie, Binyam,; Zhu, Ying,; Ziliberberg, Cristian,
• HerausgeberIn: Joy, Annamma,
• Place / Publishing House: Berlin ;, Boston : : De Gruyter, , [2024]; ©2024
• Year of Publication: 2024
• Language: English
• Physical Description: 1 online resource (X, 324 p.)
• Other title: Frontmatter --; Acknowledgements --; Contents --; 1 Introduction: Critical Perspectives on Art, Fashion and Wine: A Frame Analysis --; Part 1: Neo-Liberal Framework and Social Justice --; 2 Change and Legitimation Narratives in the Intertwined Market Discourses of Sustainability and Neoliberalism --; 3 Juggling Janus: Managing Retailscapes at the Frontier of Logics of Commerce and Care --; Part 2: The Art World --; 4 Art, Fashion, and the Human Condition --; 5 The Affective Atmospheres of Immersion --; 6 Art, Financialization and Free Ports --; 7 Application of Blockchain Technology, NFTs, and Cryptocurrency in the Art and Luxury Industries --; Part 3: The World of Fashion --; 8 Fashioning Circular Consumption --; 9 Shifting Towards a More Sustainable Fashion Future --; 10 The Illusion of Democracy in Fashion Industry --; 11 Textile Supply Chains and Colonialism – Insights from Ethiopia --; 12 Exploring the Intersection of Minimalism, Luxury, and Sustainability in Fashion Consumption --; 13 From Conscious Capitalism to Philanthro-Capitalism: Framing the Sustainability Paradox Facing Patagonia --; Part 4: The World of Wine --; 14 A Sustainability Comparison and Critique of Conventional, Organic, and Natural Wine Making Approaches --; 15 The Gendered Dynamics of the Artifying of Wine --; 16 The Rise of Chinese Fine Wine Through Institutional Innovation: Foreign Partnerships, Domestic Entrepreneurs, and Sustainability Constraints --; List of Contributors --; About the Editor --; List of Figures --; List of Tables --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9783110783933; 9783111332192
• DOI: 10.1515/9783110783933
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Annamma Joy.

The art, fashion and wine industries are currently at various stages in their efforts to embrace and transition towards sustainability. While sustainability commitments are a necessary condition for progress, they are not sufficient. Instead, there is a need for sweeping transformative change that includes giving serious consideration to indigenous worldviews without recolonizing them. Sustainability in Art, Fashion and Wine includes findings from recent research and contributes to a new understanding of familiar concepts such as sustainability, (de)colonization and corporate responsibility in the art, fashion and wine industries by adopting critical lenses and incorporating them with innovative perspectives on circular business models and digitalization. It endeavors to present remedies for effectively combating climate change and promoting social good. While discussing specific issues such as sub-contracted labor, safe working conditions, living wages, environmental degradation, mismanaged waste, and more, the book argues that recognizing the significant role western colonization has played – and continues to play – in the developing world in our current conception of capitalism is itself unsustainable. To understand the true meaning of sustainability – to fully recognize the looming deadlines we face in combating the climate crisis and instituting sustainability as a new normal – the acceptance of a new conception of capitalism, one antithetical to colonization and exploitation, is required. Contributors to this book address these issues by applying a critical studies approach to their respective chapters, allowing the book to set out what real sustainability could and should look like in the art, fashion and wine industries.