Dance Spreads Its Wings : : Israeli Concert Dance 1920–2010 / / Ruth Eshel.
Why did dance and dancing became important to the construction of a new, modern, Jewish/Israeli cultural identity in the newly formed nation of Israel? There were questions that covered almost all spheres of daily life, including “What do we dance?” because Hebrew or Eretz-Israeli dance had to be cr...
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Place / Publishing House: | München ;, Wien : : De Gruyter Oldenbourg, , [2021] Self-published, Tel Aviv, , [2022] ©2022 |
Year of Publication: | 2021 2022 |
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Eshel, Ruth, author. aut http://id.loc.gov/vocabulary/relators/aut Dance Spreads Its Wings : Israeli Concert Dance 1920–2010 / Ruth Eshel. München ; Wien : De Gruyter Oldenbourg, [2021] Self-published, Tel Aviv, [2022] ©2022 1 online resource (XIII, 531 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Acknowledgments -- Contents -- Introduction -- Section I: Concert Dance in the Jewish Community in Pre-State Israel (1920–1948) -- Chapter 1 What Do We Dance? -- Chapter 2 The Various Ways of Making Hebrew Dance -- Chapter 3 Creation of Hebrew Holiday Pageants -- Chapter 4 Eretz-Israeli Expressionist Dance -- Section II: Three Aspects of American and Israeli Encounters (1948–1964) -- Chapter 5 Israeli Expressionist Dance Meets American Dance -- Chapter 6 American Dance Meets Dance in Israel -- Chapter 7 The American and Yemenite Encounter -- Section III: Is Ballet Still Legitimate? (1948–1964) -- Chapter 8 Sowing the Seeds of Ballet -- Chapter 9 The Israel Opera Ballet -- Section IV: Looking to Professionalize Dance: Looking to the Outside (1964–1980) -- Chapter 10 Political and Social Changes -- Chapter 11 The Batsheva Dance Company (First Era) -- Chapter 12 The Bat-Dor Dance Company (First Era) -- Chapter 13 The Israel Ballet (First Era) -- Chapter 14 New Standards for Dance Teaching -- Section V: Between the Periphery and the Center (1948–1980) -- Chapter 15 Tel Aviv – Center of Cultural Activity -- Chapter 16 Dance at the Edge of the Metropolis -- Chapter 17 To Dance in Holy Jerusalem and Socialist Haifa -- Chapter 18 Dance in the Kibbutz: The Struggle over the Necessity of Concert Dance -- Chapter 19 The Inter-Kibbutz Dance Company: How to Express Our Uniqueness Onstage? -- Section VI: The Breakthrough of Alternative Dance and Movement-Theater (1977–1990) -- Chapter 20 Alternative Dance -- Chapter 21 Batsheva 2: A Backup Company or New Dance? -- Chapter 22 Individualists and New Ensembles -- Chapter 23 Movement-Theater in Israel -- Chapter 24 How Do You Meet and How Do You Part? -- Section VII: Sowing Seeds – Setting Up Stages (1984–2000) -- Chapter 25 Stages for Creativity -- Chapter 26 The Spanish Stage -- Chapter 27 The Butoh Stage -- Chapter 28 The Arab Stage -- Chapter 29 The Ethiopian Stage -- Chapter 30 Immigrants from the USSR Encounter Israeli Dance -- Chapter 31 Broadening Horizons in Dance Education -- Section VIII: Veteran Companies in a Changing World (1980–2000) -- Chapter 32 The Curtain’s Still Up: Batsheva, the Israel Ballet, and Inbal -- Chapter 33 The Curtain Comes Down: Kol Demama, Tamar Jerusalem, Bat-Dor -- Section IX: About to Bloom (1990–2000) -- Chapter 34 It All Comes Together – Renaissance of Creative Impulse -- Chapter 35 The New Voice of the Kibbutz and Batsheva Dance Companies -- Section X: The Time and Place in Which We Live (1990–2010) -- Chapter 36 To Speak of Me I Knew -- Chapter 37 Eshkol-Wachman Movement Notation: Movement Speaking Its Own Language -- Chapter 38 The Religious and the Secular – The Dynamic Between Them -- Chapter 39 Taking a Political Stance -- Chapter 40 To Regions Only Imagined -- Summary -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Why did dance and dancing became important to the construction of a new, modern, Jewish/Israeli cultural identity in the newly formed nation of Israel? There were questions that covered almost all spheres of daily life, including “What do we dance?” because Hebrew or Eretz-Israeli dance had to be created out of none. How and why did dance develop in such a way? Dance Spreads Its Wings is the first and only book that looks at the whole picture of concert dance in Israel studying the growth of Israeli concert dance for 90 years—starting from 1920, when there was no concert dance to speak of during the Yishuv (pre-Israel Jewish settlements) period, until 2010, when concert dance in Israel had grown to become one of the country’s most prominent, original, artistic fields and globally recognized. What drives the book is the impulse to create and the need to dance in the midst of constant political change. It is the story of artists trying to be true to their art while also responding to the political, social, religious, and ethnic complexities of a Jewish state in the Middle East. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mai 2023) Dance Israel History. Israel. Jüdische Geschichte. Jüdischer Tanz. Kulturgeschichte. ART / General. bisacsh Israeli dance. Jewish culture. Jewish history. Jewish identity. Title is part of eBook package: De Gruyter DG Plus DeG Package 2022 Part 1 9783110766820 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 English 9783110754001 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 9783110753776 ZDB-23-DGG Title is part of eBook package: De Gruyter EBOOK PACKAGE History 2021 English 9783110754087 Title is part of eBook package: De Gruyter EBOOK PACKAGE History 2021 9783110753851 ZDB-23-DEG EPUB 9783110749946 print 9783110749618 https://doi.org/10.1515/9783110749878 https://www.degruyter.com/isbn/9783110749878 Cover https://www.degruyter.com/document/cover/isbn/9783110749878/original |
language |
English |
format |
eBook |
author |
Eshel, Ruth, Eshel, Ruth, |
spellingShingle |
Eshel, Ruth, Eshel, Ruth, Dance Spreads Its Wings : Israeli Concert Dance 1920–2010 / Frontmatter -- Acknowledgments -- Contents -- Introduction -- Section I: Concert Dance in the Jewish Community in Pre-State Israel (1920–1948) -- Chapter 1 What Do We Dance? -- Chapter 2 The Various Ways of Making Hebrew Dance -- Chapter 3 Creation of Hebrew Holiday Pageants -- Chapter 4 Eretz-Israeli Expressionist Dance -- Section II: Three Aspects of American and Israeli Encounters (1948–1964) -- Chapter 5 Israeli Expressionist Dance Meets American Dance -- Chapter 6 American Dance Meets Dance in Israel -- Chapter 7 The American and Yemenite Encounter -- Section III: Is Ballet Still Legitimate? (1948–1964) -- Chapter 8 Sowing the Seeds of Ballet -- Chapter 9 The Israel Opera Ballet -- Section IV: Looking to Professionalize Dance: Looking to the Outside (1964–1980) -- Chapter 10 Political and Social Changes -- Chapter 11 The Batsheva Dance Company (First Era) -- Chapter 12 The Bat-Dor Dance Company (First Era) -- Chapter 13 The Israel Ballet (First Era) -- Chapter 14 New Standards for Dance Teaching -- Section V: Between the Periphery and the Center (1948–1980) -- Chapter 15 Tel Aviv – Center of Cultural Activity -- Chapter 16 Dance at the Edge of the Metropolis -- Chapter 17 To Dance in Holy Jerusalem and Socialist Haifa -- Chapter 18 Dance in the Kibbutz: The Struggle over the Necessity of Concert Dance -- Chapter 19 The Inter-Kibbutz Dance Company: How to Express Our Uniqueness Onstage? -- Section VI: The Breakthrough of Alternative Dance and Movement-Theater (1977–1990) -- Chapter 20 Alternative Dance -- Chapter 21 Batsheva 2: A Backup Company or New Dance? -- Chapter 22 Individualists and New Ensembles -- Chapter 23 Movement-Theater in Israel -- Chapter 24 How Do You Meet and How Do You Part? -- Section VII: Sowing Seeds – Setting Up Stages (1984–2000) -- Chapter 25 Stages for Creativity -- Chapter 26 The Spanish Stage -- Chapter 27 The Butoh Stage -- Chapter 28 The Arab Stage -- Chapter 29 The Ethiopian Stage -- Chapter 30 Immigrants from the USSR Encounter Israeli Dance -- Chapter 31 Broadening Horizons in Dance Education -- Section VIII: Veteran Companies in a Changing World (1980–2000) -- Chapter 32 The Curtain’s Still Up: Batsheva, the Israel Ballet, and Inbal -- Chapter 33 The Curtain Comes Down: Kol Demama, Tamar Jerusalem, Bat-Dor -- Section IX: About to Bloom (1990–2000) -- Chapter 34 It All Comes Together – Renaissance of Creative Impulse -- Chapter 35 The New Voice of the Kibbutz and Batsheva Dance Companies -- Section X: The Time and Place in Which We Live (1990–2010) -- Chapter 36 To Speak of Me I Knew -- Chapter 37 Eshkol-Wachman Movement Notation: Movement Speaking Its Own Language -- Chapter 38 The Religious and the Secular – The Dynamic Between Them -- Chapter 39 Taking a Political Stance -- Chapter 40 To Regions Only Imagined -- Summary -- Bibliography -- Index |
author_facet |
Eshel, Ruth, Eshel, Ruth, |
author_variant |
r e re r e re |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Eshel, Ruth, |
title |
Dance Spreads Its Wings : Israeli Concert Dance 1920–2010 / |
title_sub |
Israeli Concert Dance 1920–2010 / |
title_full |
Dance Spreads Its Wings : Israeli Concert Dance 1920–2010 / Ruth Eshel. |
title_fullStr |
Dance Spreads Its Wings : Israeli Concert Dance 1920–2010 / Ruth Eshel. |
title_full_unstemmed |
Dance Spreads Its Wings : Israeli Concert Dance 1920–2010 / Ruth Eshel. |
title_auth |
Dance Spreads Its Wings : Israeli Concert Dance 1920–2010 / |
title_alt |
Frontmatter -- Acknowledgments -- Contents -- Introduction -- Section I: Concert Dance in the Jewish Community in Pre-State Israel (1920–1948) -- Chapter 1 What Do We Dance? -- Chapter 2 The Various Ways of Making Hebrew Dance -- Chapter 3 Creation of Hebrew Holiday Pageants -- Chapter 4 Eretz-Israeli Expressionist Dance -- Section II: Three Aspects of American and Israeli Encounters (1948–1964) -- Chapter 5 Israeli Expressionist Dance Meets American Dance -- Chapter 6 American Dance Meets Dance in Israel -- Chapter 7 The American and Yemenite Encounter -- Section III: Is Ballet Still Legitimate? (1948–1964) -- Chapter 8 Sowing the Seeds of Ballet -- Chapter 9 The Israel Opera Ballet -- Section IV: Looking to Professionalize Dance: Looking to the Outside (1964–1980) -- Chapter 10 Political and Social Changes -- Chapter 11 The Batsheva Dance Company (First Era) -- Chapter 12 The Bat-Dor Dance Company (First Era) -- Chapter 13 The Israel Ballet (First Era) -- Chapter 14 New Standards for Dance Teaching -- Section V: Between the Periphery and the Center (1948–1980) -- Chapter 15 Tel Aviv – Center of Cultural Activity -- Chapter 16 Dance at the Edge of the Metropolis -- Chapter 17 To Dance in Holy Jerusalem and Socialist Haifa -- Chapter 18 Dance in the Kibbutz: The Struggle over the Necessity of Concert Dance -- Chapter 19 The Inter-Kibbutz Dance Company: How to Express Our Uniqueness Onstage? -- Section VI: The Breakthrough of Alternative Dance and Movement-Theater (1977–1990) -- Chapter 20 Alternative Dance -- Chapter 21 Batsheva 2: A Backup Company or New Dance? -- Chapter 22 Individualists and New Ensembles -- Chapter 23 Movement-Theater in Israel -- Chapter 24 How Do You Meet and How Do You Part? -- Section VII: Sowing Seeds – Setting Up Stages (1984–2000) -- Chapter 25 Stages for Creativity -- Chapter 26 The Spanish Stage -- Chapter 27 The Butoh Stage -- Chapter 28 The Arab Stage -- Chapter 29 The Ethiopian Stage -- Chapter 30 Immigrants from the USSR Encounter Israeli Dance -- Chapter 31 Broadening Horizons in Dance Education -- Section VIII: Veteran Companies in a Changing World (1980–2000) -- Chapter 32 The Curtain’s Still Up: Batsheva, the Israel Ballet, and Inbal -- Chapter 33 The Curtain Comes Down: Kol Demama, Tamar Jerusalem, Bat-Dor -- Section IX: About to Bloom (1990–2000) -- Chapter 34 It All Comes Together – Renaissance of Creative Impulse -- Chapter 35 The New Voice of the Kibbutz and Batsheva Dance Companies -- Section X: The Time and Place in Which We Live (1990–2010) -- Chapter 36 To Speak of Me I Knew -- Chapter 37 Eshkol-Wachman Movement Notation: Movement Speaking Its Own Language -- Chapter 38 The Religious and the Secular – The Dynamic Between Them -- Chapter 39 Taking a Political Stance -- Chapter 40 To Regions Only Imagined -- Summary -- Bibliography -- Index |
title_new |
Dance Spreads Its Wings : |
title_sort |
dance spreads its wings : israeli concert dance 1920–2010 / |
publisher |
De Gruyter Oldenbourg, Self-published, Tel Aviv, |
publishDate |
2021 2022 |
physical |
1 online resource (XIII, 531 p.) Issued also in print. |
contents |
Frontmatter -- Acknowledgments -- Contents -- Introduction -- Section I: Concert Dance in the Jewish Community in Pre-State Israel (1920–1948) -- Chapter 1 What Do We Dance? -- Chapter 2 The Various Ways of Making Hebrew Dance -- Chapter 3 Creation of Hebrew Holiday Pageants -- Chapter 4 Eretz-Israeli Expressionist Dance -- Section II: Three Aspects of American and Israeli Encounters (1948–1964) -- Chapter 5 Israeli Expressionist Dance Meets American Dance -- Chapter 6 American Dance Meets Dance in Israel -- Chapter 7 The American and Yemenite Encounter -- Section III: Is Ballet Still Legitimate? (1948–1964) -- Chapter 8 Sowing the Seeds of Ballet -- Chapter 9 The Israel Opera Ballet -- Section IV: Looking to Professionalize Dance: Looking to the Outside (1964–1980) -- Chapter 10 Political and Social Changes -- Chapter 11 The Batsheva Dance Company (First Era) -- Chapter 12 The Bat-Dor Dance Company (First Era) -- Chapter 13 The Israel Ballet (First Era) -- Chapter 14 New Standards for Dance Teaching -- Section V: Between the Periphery and the Center (1948–1980) -- Chapter 15 Tel Aviv – Center of Cultural Activity -- Chapter 16 Dance at the Edge of the Metropolis -- Chapter 17 To Dance in Holy Jerusalem and Socialist Haifa -- Chapter 18 Dance in the Kibbutz: The Struggle over the Necessity of Concert Dance -- Chapter 19 The Inter-Kibbutz Dance Company: How to Express Our Uniqueness Onstage? -- Section VI: The Breakthrough of Alternative Dance and Movement-Theater (1977–1990) -- Chapter 20 Alternative Dance -- Chapter 21 Batsheva 2: A Backup Company or New Dance? -- Chapter 22 Individualists and New Ensembles -- Chapter 23 Movement-Theater in Israel -- Chapter 24 How Do You Meet and How Do You Part? -- Section VII: Sowing Seeds – Setting Up Stages (1984–2000) -- Chapter 25 Stages for Creativity -- Chapter 26 The Spanish Stage -- Chapter 27 The Butoh Stage -- Chapter 28 The Arab Stage -- Chapter 29 The Ethiopian Stage -- Chapter 30 Immigrants from the USSR Encounter Israeli Dance -- Chapter 31 Broadening Horizons in Dance Education -- Section VIII: Veteran Companies in a Changing World (1980–2000) -- Chapter 32 The Curtain’s Still Up: Batsheva, the Israel Ballet, and Inbal -- Chapter 33 The Curtain Comes Down: Kol Demama, Tamar Jerusalem, Bat-Dor -- Section IX: About to Bloom (1990–2000) -- Chapter 34 It All Comes Together – Renaissance of Creative Impulse -- Chapter 35 The New Voice of the Kibbutz and Batsheva Dance Companies -- Section X: The Time and Place in Which We Live (1990–2010) -- Chapter 36 To Speak of Me I Knew -- Chapter 37 Eshkol-Wachman Movement Notation: Movement Speaking Its Own Language -- Chapter 38 The Religious and the Secular – The Dynamic Between Them -- Chapter 39 Taking a Political Stance -- Chapter 40 To Regions Only Imagined -- Summary -- Bibliography -- Index |
isbn |
9783110749878 9783110766820 9783110754001 9783110753776 9783110754087 9783110753851 9783110749946 9783110749618 |
callnumber-first |
G - Geography, Anthropology, Recreation |
callnumber-subject |
GV - Leisure and Recreation |
callnumber-label |
GV1703 |
callnumber-sort |
GV 41703 I75 E83513 42021 |
geographic_facet |
Israel |
url |
https://doi.org/10.1515/9783110749878 https://www.degruyter.com/isbn/9783110749878 https://www.degruyter.com/document/cover/isbn/9783110749878/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
792 - Stage presentations |
dewey-full |
792.8095694 |
dewey-sort |
3792.8095694 |
dewey-raw |
792.8095694 |
dewey-search |
792.8095694 |
doi_str_mv |
10.1515/9783110749878 |
oclc_num |
1280942985 |
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status_str |
n |
ids_txt_mv |
(DE-B1597)582672 (OCoLC)1280942985 |
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cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter DG Plus DeG Package 2022 Part 1 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 Title is part of eBook package: De Gruyter EBOOK PACKAGE History 2021 English Title is part of eBook package: De Gruyter EBOOK PACKAGE History 2021 |
is_hierarchy_title |
Dance Spreads Its Wings : Israeli Concert Dance 1920–2010 / |
container_title |
Title is part of eBook package: De Gruyter DG Plus DeG Package 2022 Part 1 |
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