Time and Presence in Art : : Moments of Encounter (200–1600 CE) / / ed. by Armin Bergmeier, Andrew Griebeler.
This volume explores the relationship between temporality and presence in medieval artworks from the third to the sixteenth centuries. It is the first extensive treatment of the interconnections between medieval artworks' varied presences and their ever-shifting places in time. The volume begin...
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Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2022] ©2022 |
Year of Publication: | 2022 |
Language: | English |
Series: | Sense, Matter, and Medium : New Approaches to Medieval Literary and Material Culture ,
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Time and Presence in Art : Moments of Encounter (200–1600 CE) / ed. by Armin Bergmeier, Andrew Griebeler. Berlin ; Boston : De Gruyter, [2022] ©2022 1 online resource (XV, 254 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Sense, Matter, and Medium : New Approaches to Medieval Literary and Material Culture , 2367-0290 ; 5 Frontmatter -- Acknowledgements -- Contents -- List of Illustrations -- Author Biographies -- ‘What Then is Time?’ Present and Presence. An Introduction -- I Temporality, Presence, and Writing Art History -- 1 Art History’s Transgressive Temporalities -- 2 Bild und Präsenz: An Interview with Hans Belting -- II Time and Presence in the Middle Ages -- 3 The Appointed Time: Early Islamic Temporality and the Haram al-Sharif in Jerusalem -- 4 The Shape of Time: Aligning the Medieval Present with the Biblical Past in the Diagrams of Opicinus de Canistris (1296–ca. 1352) -- 5 The Paduan Baptistery: A Case Study on the Interrelations of Time and Image in the Fourteenth Century -- 6 Pointing to a Deeper Now: Time, Sound, Touch, and the Devotional Present in Fifteenth-Century Northern Europe -- III Encountering Past Presents -- 7 Timing Lepanto in Venetian Visual Culture: The Making of Present Past in the 1570s -- 8 The Uncanny Encounter -- 9 Engaging Spaces: Matteo Giovannetti’s Frescoes at the Papal Court of Avignon -- 10 Experiencing the Present (and Past) Through the Body: Pilgrimage as a Tool for Transforming Time, and the Migrating Art Historians Project -- IV Experiencing Presence in Museum Education -- 11 Beyond Interpretation: A Brief Case for Presence at the Heart of Art Museum Education -- 12 Radiant Dialogue: Discovering Piero’s Crucifixion in The Frick Collection -- 13 Dialogue on Dialogues: Rika Burnham and Nathaniel Prottas in Conversation -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star This volume explores the relationship between temporality and presence in medieval artworks from the third to the sixteenth centuries. It is the first extensive treatment of the interconnections between medieval artworks' varied presences and their ever-shifting places in time. The volume begins with reflections on the study of temporality and presence in medieval and early modern art history. A second section presents case studies delving into the different ways medieval artworks once created and transformed their original viewers' experience of the present. These range from late antique Constantinople, early Islamic Jerusalem and medieval Italy, to early modern Venice and the Low Countries. A final section explores how medieval artworks remain powerful and relevant today. This section includes case studies on reconstructing presence in medieval art through embodied experience of pilgrimage, art historical research and museum education. In doing so, the volume provides a first dialog between museum educators and art historians on the presence of medieval artifacts. It includes contributions by Hans Belting, Keith Moxey, Rika Burnham and others. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) Art, Medieval. Time in art. Kunstgeschichte / Mittelalter. Museumspädagogik. Presence. medieval art history. museum education. time. Anderson, Benjamin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Belting, Hans, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bergmeier, Armin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bergmeier, Armin, editor. edt http://id.loc.gov/vocabulary/relators/edt Burnham, Rika, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Champion, Matthew S, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Foletti, Ivan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Griebeler, Andrew, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Griebeler, Andrew, editor. edt http://id.loc.gov/vocabulary/relators/edt Griffin, Sarah M., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hanß, Stefan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hinterholz, Tanja, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mostafa, Heba, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Moxey, Keith, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Prottas, Nathaniel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Westermann, Simone, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter DG Plus DeG Package 2022 Part 1 9783110766820 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 9783110992809 ZDB-23-DPK Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2022 English 9783110992816 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English 9783110993899 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 9783110994810 ZDB-23-DGG EPUB 9783110722161 print 9783110720693 https://doi.org/10.1515/9783110722079 https://www.degruyter.com/isbn/9783110722079 Cover https://www.degruyter.com/document/cover/isbn/9783110722079/original |
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English |
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Anderson, Benjamin, Anderson, Benjamin, Belting, Hans, Belting, Hans, Bergmeier, Armin, Bergmeier, Armin, Bergmeier, Armin, Bergmeier, Armin, Burnham, Rika, Burnham, Rika, Champion, Matthew S, Champion, Matthew S, Foletti, Ivan, Foletti, Ivan, Griebeler, Andrew, Griebeler, Andrew, Griebeler, Andrew, Griebeler, Andrew, Griffin, Sarah M., Griffin, Sarah M., Hanß, Stefan, Hanß, Stefan, Hinterholz, Tanja, Hinterholz, Tanja, Mostafa, Heba, Mostafa, Heba, Moxey, Keith, Moxey, Keith, Prottas, Nathaniel, Prottas, Nathaniel, Westermann, Simone, Westermann, Simone, |
author_facet |
Anderson, Benjamin, Anderson, Benjamin, Belting, Hans, Belting, Hans, Bergmeier, Armin, Bergmeier, Armin, Bergmeier, Armin, Bergmeier, Armin, Burnham, Rika, Burnham, Rika, Champion, Matthew S, Champion, Matthew S, Foletti, Ivan, Foletti, Ivan, Griebeler, Andrew, Griebeler, Andrew, Griebeler, Andrew, Griebeler, Andrew, Griffin, Sarah M., Griffin, Sarah M., Hanß, Stefan, Hanß, Stefan, Hinterholz, Tanja, Hinterholz, Tanja, Mostafa, Heba, Mostafa, Heba, Moxey, Keith, Moxey, Keith, Prottas, Nathaniel, Prottas, Nathaniel, Westermann, Simone, Westermann, Simone, |
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author_sort |
Anderson, Benjamin, |
title |
Time and Presence in Art : Moments of Encounter (200–1600 CE) / |
spellingShingle |
Time and Presence in Art : Moments of Encounter (200–1600 CE) / Sense, Matter, and Medium : New Approaches to Medieval Literary and Material Culture , Frontmatter -- Acknowledgements -- Contents -- List of Illustrations -- Author Biographies -- ‘What Then is Time?’ Present and Presence. An Introduction -- I Temporality, Presence, and Writing Art History -- 1 Art History’s Transgressive Temporalities -- 2 Bild und Präsenz: An Interview with Hans Belting -- II Time and Presence in the Middle Ages -- 3 The Appointed Time: Early Islamic Temporality and the Haram al-Sharif in Jerusalem -- 4 The Shape of Time: Aligning the Medieval Present with the Biblical Past in the Diagrams of Opicinus de Canistris (1296–ca. 1352) -- 5 The Paduan Baptistery: A Case Study on the Interrelations of Time and Image in the Fourteenth Century -- 6 Pointing to a Deeper Now: Time, Sound, Touch, and the Devotional Present in Fifteenth-Century Northern Europe -- III Encountering Past Presents -- 7 Timing Lepanto in Venetian Visual Culture: The Making of Present Past in the 1570s -- 8 The Uncanny Encounter -- 9 Engaging Spaces: Matteo Giovannetti’s Frescoes at the Papal Court of Avignon -- 10 Experiencing the Present (and Past) Through the Body: Pilgrimage as a Tool for Transforming Time, and the Migrating Art Historians Project -- IV Experiencing Presence in Museum Education -- 11 Beyond Interpretation: A Brief Case for Presence at the Heart of Art Museum Education -- 12 Radiant Dialogue: Discovering Piero’s Crucifixion in The Frick Collection -- 13 Dialogue on Dialogues: Rika Burnham and Nathaniel Prottas in Conversation -- Index |
title_sub |
Moments of Encounter (200–1600 CE) / |
title_full |
Time and Presence in Art : Moments of Encounter (200–1600 CE) / ed. by Armin Bergmeier, Andrew Griebeler. |
title_fullStr |
Time and Presence in Art : Moments of Encounter (200–1600 CE) / ed. by Armin Bergmeier, Andrew Griebeler. |
title_full_unstemmed |
Time and Presence in Art : Moments of Encounter (200–1600 CE) / ed. by Armin Bergmeier, Andrew Griebeler. |
title_auth |
Time and Presence in Art : Moments of Encounter (200–1600 CE) / |
title_alt |
Frontmatter -- Acknowledgements -- Contents -- List of Illustrations -- Author Biographies -- ‘What Then is Time?’ Present and Presence. An Introduction -- I Temporality, Presence, and Writing Art History -- 1 Art History’s Transgressive Temporalities -- 2 Bild und Präsenz: An Interview with Hans Belting -- II Time and Presence in the Middle Ages -- 3 The Appointed Time: Early Islamic Temporality and the Haram al-Sharif in Jerusalem -- 4 The Shape of Time: Aligning the Medieval Present with the Biblical Past in the Diagrams of Opicinus de Canistris (1296–ca. 1352) -- 5 The Paduan Baptistery: A Case Study on the Interrelations of Time and Image in the Fourteenth Century -- 6 Pointing to a Deeper Now: Time, Sound, Touch, and the Devotional Present in Fifteenth-Century Northern Europe -- III Encountering Past Presents -- 7 Timing Lepanto in Venetian Visual Culture: The Making of Present Past in the 1570s -- 8 The Uncanny Encounter -- 9 Engaging Spaces: Matteo Giovannetti’s Frescoes at the Papal Court of Avignon -- 10 Experiencing the Present (and Past) Through the Body: Pilgrimage as a Tool for Transforming Time, and the Migrating Art Historians Project -- IV Experiencing Presence in Museum Education -- 11 Beyond Interpretation: A Brief Case for Presence at the Heart of Art Museum Education -- 12 Radiant Dialogue: Discovering Piero’s Crucifixion in The Frick Collection -- 13 Dialogue on Dialogues: Rika Burnham and Nathaniel Prottas in Conversation -- Index |
title_new |
Time and Presence in Art : |
title_sort |
time and presence in art : moments of encounter (200–1600 ce) / |
series |
Sense, Matter, and Medium : New Approaches to Medieval Literary and Material Culture , |
series2 |
Sense, Matter, and Medium : New Approaches to Medieval Literary and Material Culture , |
publisher |
De Gruyter, |
publishDate |
2022 |
physical |
1 online resource (XV, 254 p.) Issued also in print. |
contents |
Frontmatter -- Acknowledgements -- Contents -- List of Illustrations -- Author Biographies -- ‘What Then is Time?’ Present and Presence. An Introduction -- I Temporality, Presence, and Writing Art History -- 1 Art History’s Transgressive Temporalities -- 2 Bild und Präsenz: An Interview with Hans Belting -- II Time and Presence in the Middle Ages -- 3 The Appointed Time: Early Islamic Temporality and the Haram al-Sharif in Jerusalem -- 4 The Shape of Time: Aligning the Medieval Present with the Biblical Past in the Diagrams of Opicinus de Canistris (1296–ca. 1352) -- 5 The Paduan Baptistery: A Case Study on the Interrelations of Time and Image in the Fourteenth Century -- 6 Pointing to a Deeper Now: Time, Sound, Touch, and the Devotional Present in Fifteenth-Century Northern Europe -- III Encountering Past Presents -- 7 Timing Lepanto in Venetian Visual Culture: The Making of Present Past in the 1570s -- 8 The Uncanny Encounter -- 9 Engaging Spaces: Matteo Giovannetti’s Frescoes at the Papal Court of Avignon -- 10 Experiencing the Present (and Past) Through the Body: Pilgrimage as a Tool for Transforming Time, and the Migrating Art Historians Project -- IV Experiencing Presence in Museum Education -- 11 Beyond Interpretation: A Brief Case for Presence at the Heart of Art Museum Education -- 12 Radiant Dialogue: Discovering Piero’s Crucifixion in The Frick Collection -- 13 Dialogue on Dialogues: Rika Burnham and Nathaniel Prottas in Conversation -- Index |
isbn |
9783110722079 9783110766820 9783110992809 9783110992816 9783110993899 9783110994810 9783110722161 9783110720693 |
issn |
2367-0290 ; |
callnumber-first |
N - Fine Arts |
callnumber-subject |
N - Visual Arts |
callnumber-label |
N8253 |
callnumber-sort |
N 48253 T5 T56 42022 |
url |
https://doi.org/10.1515/9783110722079 https://www.degruyter.com/isbn/9783110722079 https://www.degruyter.com/document/cover/isbn/9783110722079/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
704 - Special topics in fine & decorative arts |
dewey-full |
704.949115 |
dewey-sort |
3704.949115 |
dewey-raw |
704.949115 |
dewey-search |
704.949115 |
doi_str_mv |
10.1515/9783110722079 |
oclc_num |
1303084692 |
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Title is part of eBook package: De Gruyter DG Plus DeG Package 2022 Part 1 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2022 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 |
is_hierarchy_title |
Time and Presence in Art : Moments of Encounter (200–1600 CE) / |
container_title |
Title is part of eBook package: De Gruyter DG Plus DeG Package 2022 Part 1 |
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