International Yearbook of Futurism Studies. / Volume 10, : 2020 / / ed. by Günter Berghaus.

• Superior document: Title is part of eBook package: De Gruyter Art and Architecture eBook-Package 2020
• MitwirkendeR: Berghaus, Günter,; Beyer, Meike,; Bochicchio, Luca,; Chikhradze, Mzia,; Cigliana, Simona,; Colucci, Dalila,; Coronelli, Giacomo,; Dmitrieva, Marina,; Dobó, Gábor,; Grimm, Bruno,; Herrero-Senés, Juan,; Hovorkova, Nataliya,; Härmänmaa, Marja,; Larcati, Arturo,; Lorenzo Milan, Serge,; Rigo, Paolo,; Rosa Dias, Fernando Paulo,; Sassoli de’ Bianchi Strozzi, Guicciardo,; Schiaffini, Ilaria,; Somigli, Luca,; Strożek, Przemysław,; Strukova, Alexandra,; Szeredi, Merse Pál,; Toschi, Caterina,; Van den Bossche, Bart,; Vattano, Laura,; Verbeek, Caro,
• HerausgeberIn: Berghaus, Günter,
• Place / Publishing House: Berlin ;, Boston : : De Gruyter, , [2020]; ©2021
• Year of Publication: 2020
• Language: English
• Series: International Yearbook of Futurism Studies ; Volume 10
• Physical Description: 1 online resource (XXII, 525 p.)

Band 10 des Jahrbuches fragt, wie der italienische Futurismus sich in anderen Ländern mit lokalen Traditionen verband und so nationale Varianten des Futurismus entstanden. Zehn Beiträge widmen sich verschiedenen Aspekten des italienischen Futurismus und seiner Verbindungen zu Österreich, Georgien, F...

Table of Contents

• Frontmatter
• Contents
• Editorial
• Section 1: Futurism Studies
• The Futurist Manifestos of 1909: Dates and Editions Reconsidered
• Margherita Sarfatti, Novecento and Futurism
• Network Diagrams in Futurist and other Avant-garde Magazines: The Creation and Self-Positioning of an Imaginary Community
• The Reception of Italian Futurism in Vienna during the 1920s and 1930s
• Carlos Porfírio and Futurism in the Algarve: An Early Chapter in the History of Portuguese Modernism
• Tullio d’Albisola between Futurism and Fascism
• The Georgian Avant-garde: Futurism and More
• Futurism and the Birth of Modern Typography
• Tato and Exhibitions of Futurist Photography in the 1930s
• In Search of Lost Scents: The Olfactory Dimension of Italian Futurism
• Satirizing Futurism in France: Roland Dorgelès, André Warnod and their Circle
• Section 2: Caricatures and Satires of Futurism in the Contemporary Press
• At a Sándor Bortnyik Exhibition in Budapest (June 1919): A Hungarian Critic’s Interpretation of ‘Futurism’
• Ragnvald Blix’s Caricature of Futurist Painting in the Midst of WWI
• French Humour and Futurist Music: Luigi Russolo’s intonarumori in a Cartoon by Jean-Jacques Roussau
• Caricatures of Futurism in Il travaso delle idee
• Macaronetti, Marie Netti, and the Like: Parodies of Futurism at the Great Zwans Exhibition in Brussels (1914)
• Returning to the Futurist Fold: A Caricature in Bloodless Murder Magazine (1916)
• Marinetti Viewed by Antonio Teixeira Cabral, a Portuguese “Caricature-on-the-scene reporter”
• Section 3: Archive Report
• Archive Report: The Archiv der Avantgarden (AdA) in Dresden
• Section 4: Reviews
• A New Study on Italian Futurism and the Machine
• New Research into Marinetti’s Notebooks
• Evola’s Path from Futurism to Dada and Beyond
• Valentine de Saint-Point: Between Carnality and Ideism, Between East and West
• Contours and Borders of International Futurism
• Růžena Zátková’s Life and Works Elucidated in a New Study
• Ukrainian Modernism between Futurism and Constructivism, between Russia and the West
• Section 5: Bibliography
• A Bibliography of Publications on Futurism, 2017–2020
• Section 6: Back Matter
• List of Illustrations and Provenance Descriptions
• Notes on Contributors
• Name Index
• Subject Index
• Geographical Index