Distinctive Styles and Authorship in Alternative Comics / / Lukas Etter.

Distinctive Styles and Authorship in Alternative Comics addresses the benefits and limits of analyses of style in alternative comics. It offers three close readings of works serially published between 1980 and 2018 – Art Spiegelman’s Maus, Alison Bechdel’s Dykes to Watch Out For, and Jason Lutes’ Be...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter DG Ebook Package English 2021
VerfasserIn:
Place / Publishing House:Berlin ;, Boston : : De Gruyter, , [2020]
©2021
Year of Publication:2020
Language:English
Series:Buchreihe der Anglia / Anglia Book Series , 70
Online Access:
Physical Description:1 online resource (VIII, 220 p.)
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Other title:Frontmatter --
Contents --
Acknowledgments --
1 Introduction --
2 Alternative Comics and Artistic Styles --
3 (Un)characteristic Traits and Lines in Art Spiegelman’s Maus (1980–1991) --
4 Communicating beyond Panels and Pages: Alison Bechdel’s Dykes to Watch Out For (1983–2008) --
5 Jason Lutes’ Berlin (1996–2018) as a Stylistic Showroom --
6 Ongoing Conversations --
Works Cited --
Index of Artists
Summary:Distinctive Styles and Authorship in Alternative Comics addresses the benefits and limits of analyses of style in alternative comics. It offers three close readings of works serially published between 1980 and 2018 – Art Spiegelman’s Maus, Alison Bechdel’s Dykes to Watch Out For, and Jason Lutes’ Berlin – and discusses how artistic style may influence the ways in which readers construct authorship.
Format:Mode of access: Internet via World Wide Web.
ISBN:9783110693683
9783110750720
9783110750706
9783110659061
9783110704716
9783110704518
9783110704747
9783110704532
ISSN:0340-5435 ;
DOI:10.1515/9783110693683
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Lukas Etter.