Phenomenology to the Letter : : Husserl and Literature /

Phenomenology to the Letter : : Husserl and Literature / / ed. by Kristina Mendicino, Rochelle Tobias, Philippe P. Haensler.

Regarding philosophical importance, Edmund Husserl is arguably "the" German export of the early twentieth century. In the wake of the linguistic turn(s) of the humanities, however, his claim to return to the "Sachen selbst" became metonymic for the neglect of language in Western...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter DG Ebook Package English 2021
MitwirkendeR:
Brodsky, Claudia,
Dika, Tarek R.,
Haensler, Philippe P.,
Hardy, Jean-Sébastien,
Heine, Stefanie,
Jones, Claire Taylor,
McGillen, Michael,
Mendicino, Kristina,
Morrow, Susan,
Pfau, Thomas,
Tobias, Rochelle,
Warren, Nicolas de,
Wilberg, Henrik S.,
HerausgeberIn:
Haensler, Philippe P.,
Mendicino, Kristina,
Tobias, Rochelle,
Place / Publishing House:Berlin ;, Boston : : De Gruyter, , [2020]
©2021
Year of Publication:2020
Language:English
Series:Textologie ; 7
Online Access:
Physical Description:1 online resource (VI, 335 p.)
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Table of Contents:
  • Frontmatter
  • Contents
  • Introduction
  • I. Rhetoric and Thought: The Language of Phenomenology
  • Husserl’s Image Worlds and the Language of Phenomenology
  • Auch für Gott: Finitude, Phenomenology, and Anthropology
  • “irgend etwas und irgend etwas”: Husserl’s Arithmetik and The Poetics of Epistemology
  • Fort. The Germangled Words of Edmund Husserl and Walter Benjamin
  • II. Phenomenology and Incommensurability: Beyond Experience
  • Beyond Experience: Blanchot’s Challenge to Husserl’s Phenomenology of Time
  • Absehen – Disregarding Literature (Husserl / Hofmannsthal / Benjamin)
  • Drawing a Blank – Passive Voices in Beckett, Husserl, and the Stoics
  • III. Phenomenology of the Image and the Text Corpus
  • Charles Olson: Phenomenologist, Objectivist, Particularist
  • Icon as Alter Ego? Husserl’s Fifth Cartesian Meditation and Icons of Mary in Chronicles of the Teutonic Order
  • Absolute Gegebenheit: Image as Aesthetic Urphänomen in Husserl and Rilke
  • IV. Fictional Truths: Phenomenology and Narrative
  • The Virtuous Philosopher and the Chameleon Poet: Husserl and Hofmannsthal
  • “A Now Not toto caelo a Not-Now”: The “Origin” of Difference in Husserl, from Number to Literature
  • Gregor Samsa and the Problem of Intersubjectivity
  • Notes on Contributors
  • Index

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