Studies in the Reception of Pindar in Ptolemaic Poetry / / Alexandros Kampakoglou.

Recent years have witnessed a revival of interest in the influence of archaic lyric poetry on Hellenistic poets. However, no study has yet examined the reception of Pindar, the most prominent of the lyric poets, in the poetry of this period. This monograph is the first book to offer a systematic exa...

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Superior document:Title is part of eBook package: De Gruyter DG Plus DeG Package 2019 Part 1
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Place / Publishing House:Berlin ;, Boston : : De Gruyter, , [2019]
©2019
Year of Publication:2019
Language:English
Series:Trends in Classics - Supplementary Volumes , 76
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Physical Description:1 online resource (XIV, 454 p.)
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245 1 0 |a Studies in the Reception of Pindar in Ptolemaic Poetry /  |c Alexandros Kampakoglou. 
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgements --   |t Conventions and Abbreviations --   |t Introduction: Reception as a Cultural Phenomenon and Textual Process --   |t Part I: Epinician Poetry and Discourse --   |t Chapter 1. Performing Praise in Ptolemaic Alexandria: Callimachus’s Epinician Elegies --   |t Chapter 2. The Reception of Pindar in Posidippus’s Hippika (AB 71–88) --   |t Chapter 3. Epinician Echoes in Apollonius’s Argonautica: Heroic Foils and the Poetics of Immortality --   |t Part II: Encomia and Hymns --   |t Chapter 4. Pindaric Eschatology and Inherent Excellence in Theocritus’s Idyll 17 --   |t Chapter 5. The Mytho-Poetics of Praise: Prodigious Heracles in Pindar and Theocritus 24 --   |t Chapter 6. Pindaric Theogonies and the Poetics of Callimachus’s Hymn to Zeus --   |t Chapter 7. Textualizing Cyrenean Choreia in Callimachus’s Hymn to Apollo --   |t Chapter 8. Defining the Elusive: Tradition and Innovation in Callimachus’s Hymn to Delos --   |t Part III: Myth and Poetry --   |t Chapter 9. The Poetics of Experimentation: Generic Hybridization and the Argonautic Myth --   |t Afterword --   |t Works Cited --   |t Index of Greek Words --   |t Index of Passages Discussed --   |t Index of Subjects 
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520 |a Recent years have witnessed a revival of interest in the influence of archaic lyric poetry on Hellenistic poets. However, no study has yet examined the reception of Pindar, the most prominent of the lyric poets, in the poetry of this period. This monograph is the first book to offer a systematic examination of the evidence for the reception of Pindar in the works of Callimachus of Cyrene, Theocritus of Syracuse, Apollonius of Rhodes and Posidippus of Pella. Through a series of case studies, it argues that Pindaric poetry exercised a considerable influence on a variety of Hellenistic genres: epinician elegies and epigrams, hymns, encomia, and epic poetry. For the poets active at the courts of the first three Ptolemies, Pindar's poetry represented praise discourse in its most successful configuration. Imitating aspects of it, they lent their support to the ideological apparatus of Greco-Egyptian kingship, shaped the literary profile of Pindar for future generations of readers, and defined their own role and place in Greek literary history. The discussion offered in this book suggests new insights into aspects of literary tradition, Ptolemaic patronage, and Hellenistic poetics, placing Pindar's work at the very heart of an intricate nexus of political and poetic correspondences. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) 
650 0 |a Pindar. 
650 0 |a Ptolemäer. 
650 0 |a Ptolemies. 
650 0 |a Rezeption. 
650 0 |a praise. 
650 0 |a reception. 
650 4 |a Pindar. 
650 4 |a Ptolemäer. 
650 4 |a Rezeption. 
650 7 |a LITERARY CRITICISM / Ancient & Classical.  |2 bisacsh 
653 |a Pindar. 
653 |a Ptolemies. 
653 |a praise. 
653 |a reception. 
700 1 |a Kampakoglou, A.,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
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