International Yearbook of Futurism Studies. / Volume 9, : 2019 / / ed. by Günter Berghaus, Oleh S. Ilnytzkyj, Gabriella Elina Imposti, Christina Lodder.

• Superior document: Title is part of eBook package: De Gruyter DG Ebook Package English 2020
• MitwirkendeR: Alekseeva, Larisa,; Baran, Henryk,; Berghaus, Günter,; Chessa, Luciano,; Coen, Ester,; Dmitrieva, Marina,; D’Ambrosio, Matteo,; Grigoryants, Elena,; Huttunen, Tomi,; Ilnytzkyj, Oleh S.,; Imposti, Gabriella Elina,; Kirillova, Elena O.,; Lodder, Christina,; Martines, Enrico,; Metlić, Dijana,; Palmer, Isobel,; Piccardi, Carlo,; Pitkäranta, Tapio M.,; Salas, Claudio Palomares,; Sanna, Angela,; Sokolova, Olga,; Strożek, Przemysław,; Tobin, Jordan,; Uribe, Jorge,; Vasconcelos, Ricardo,
• HerausgeberIn: Berghaus, Günter,; Ilnytzkyj, Oleh S.,; Imposti, Gabriella Elina,; Lodder, Christina,
• Place / Publishing House: Berlin ;, Boston : : De Gruyter, , [2019]; ©2020
• Year of Publication: 2019
• Language: English
• Series: International Yearbook of Futurism Studies ; Volume 9
• Physical Description: 1 online resource (XXII, 570 p.)

The ninth volume of the International Yearbook of Futurism Studies is dedicated to Russian Futurism and gathers ten studies that investigate the impact of F.T. Marinetti’s visit to Russia in 1914; the neglected region of the Russian Far East; the artist and writers Velimir Khlebnikov, Vasily Kamensky, Maria Siniakova and Vladimir Mayakovsky; the artistic media of advertising, graphic arts, cinema and artists’ books.

Table of Contents

Frontmatter -- Contents -- Editorial -- Conventions of dates and transliteration used in this volume -- 10.1515/9783110646238-202 -- Marinetti’s Visit to Russia in 1914: Reportage in Russia and in Italy -- Futurism in the Russian Far East at the Beginning of the 1920s: The Historical and Cultural Context -- Velimir Khlebnikov’s Early Dramatic Production -- Maria Siniakova’s Sensual Futurism -- Mayakovsky’s Voices: Futurist Performance and Communication in Verse -- The New Semiotics of Advertising in Italian and Russian Futurism -- Futurist Wrestlers and Constructivist Worker-Sportsmen: The Russian Avant-garde and Heavy Athletics in the 1910s–1920s -- Zenitist Cinema: Influences of Marinetti and Mayakovsky -- The Futurist Tradition in Contemporary Russian Artists’ Books -- Section 2: Archive Reports -- The Futurism Collection at the National Library of Finland in Helsinki -- Section 3: Caricatures and Satires of Futurism in the Contemporary Press -- “The Broom of Satire, the Brush of Humour”: Mayakovsky in Caricatures Preserved in the State Literary Museum in Moscow -- Section 4: Obituaries -- Daniele Lombardi (1946–2018) -- Enrico Crispolti (1933–2018) -- Section 5: Critical Responses to Exhibitions, Conferences and Publications -- Futurist Art Post Zang Tumb Tuuum -- The Futurist Universe at the Massimo Cirulli Collection -- A Hundred Years of Futurism in Portugal: The Conference 100 Futurismo in Lisbon -- A Hundred Years of Portuguese Futurism: The International Congress Futurismo Futurismos in Padua -- 100 Years of Portugal futurista: An Exhibition and Study Day in Lisbon -- Ultraism and the Historical Avant-garde -- The Verbo-voco-visual Artists’ Books of the Russian Avant-garde -- Evolutions of Russian Futurism in the 1910s and 20s -- Section 6: Bibliography -- A Bibliography of Publications on Futurism, 2016–2019 -- Section 7: Back Matter -- List of Illustrations and Provenance Descriptions -- Notes on Contributors -- Name Index -- Subject Index -- Geographical Index