Cupid and Psyche : : The Reception of Apuleius’ Love Story since 1600 / / ed. by Regine May, Stephen J. Harrison.
Apuleius’ tale of Cupid and Psyche has been popular since it was first written in the second century CE as part of his Latin novel Metamorphoses. Often treated as a standalone text, Cupid and Psyche has given rise to treatments in the last 400 years as diverse as plays, masques, operas, poems, paint...
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Cupid and Psyche : The Reception of Apuleius’ Love Story since 1600 / ed. by Regine May, Stephen J. Harrison. Berlin ; Boston : De Gruyter, [2020] ©2020 1 online resource (XII, 466 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Trends in Classics – Pathways of Reception , 2629-2556 ; 1 Frontmatter -- Preface -- List of contributors -- Table of Contents -- Introduction -- I. Baroque and the Influence of La Fontaine -- ‘Del soffrir degli affanni è dolce il fine’. Ancient myth and comic drama in G.F. Fusconi’s libretto (with G.F. Loredano and P. Michiel) for F. Cavalli, Amore innamorato (1642) -- Apuleius at the court of Louis XIV. Psyché (1671, 1678) and its English version (1675) -- How to use a wallpaper. Psyché et Cupidon—notice explicative -- Psyche in the salon. French interior decoration in the eighteenth century -- II. Romanticism and Philosophy -- ‘Pensive pleasures’ in prose and poetry. Apuleius, Mary Tighe and eighteenth-century Ireland -- The Platonic Ass: Thomas Taylor’s Cupid and Psyche in Context (1795–1822) -- Keats’s ‘Ode to Psyche’. Psyche as poetry and inspiration -- Sir Walter Scott’s Kenilworth and Apuleius’ tale of Cupid and Psyche -- Kierkegaard as a reader of Apuleius’ Metamorphoses -- Robert Bridges’ Eros and Psyche and its models -- III. Fin de Siècle and Psychology -- From Psyche to psyche. The interiorisation of Apuleius’ fabella in D’Annunzio, Pascoli, and Savinio -- Between Symbolism and Popular Culture. Cupid and Psyche in Fin de siècle Book Illustration -- Psyche the psychotic. Cupid and Psyche in Dr. Franz Riklin’s Wishfulfilment and Symbolism in Fairy Tales -- Psyche and Cupid in the Novels of Charlotte M. Yonge and Sylvia Townsend Warner -- IV. Twentieth Century and Modernism -- Eudora Welty’s The Robber Bridegroom. Cupid and Psyche on the Natchez Trace -- Cupid & Psyche and C.S. Lewis’ Till We Have Faces. A Christian-Platonic metamorphosis -- Faulkner’s reception(s) of Apuleius’ Cupid and Psyche in The Reivers -- ‘I have tried to be blind in love’. Psyche and the quest for feminine poetic autonomy in Sylvia Plath’s House of Eros -- V. New Audiences -- Cupid and Psyche for children -- Cupid and Psyche on stage in the 21st century -- Undertones of Apuleius’ Cupid and Psyche in Guillermo del Toro’s Pan’s Labyrinth -- Beauty and the Beast as a myth and metaphor in the contemporary world. Looking forward with Apuleius’ fable of Cupid and Psyche -- List of Figures -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Apuleius’ tale of Cupid and Psyche has been popular since it was first written in the second century CE as part of his Latin novel Metamorphoses. Often treated as a standalone text, Cupid and Psyche has given rise to treatments in the last 400 years as diverse as plays, masques, operas, poems, paintings and novels, with a range of diverse approaches to the text.Apuleius’ story of the love between the mortal princess Psyche (or “Soul”) and the god of Love has fascinated recipients as varied as Romantic poets, psychoanalysts, children’s books authors, neo-Platonist philosophers and Disney film producers. These readers themselves produced their own responses to and versions of the story. This volume is the first broad consideration of the reception of C&P in Europe since 1600 and an adventurous interdisciplinary undertaking. It is the first study to focus primarily on material in English, though it also ranges widely across literary genres in Italian, French and German, encompassing poetry, drama and opera as well as prose fiction and art history, studied by an international team of established and young scholars.Detailed studies of single works and of whole genres make this book relevant for students of Classics, English, Art History, opera and modern film. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) Cupid and Psyche (Tale) in literature. Rezeption. Apuleius. Lateinischer Roman. Rezeption der Antike. LITERARY CRITICISM / Ancient & Classical. bisacsh Cupid and Psyche. Latin novel. reception. Andreadakis, Zacharias, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Benson, Geoffrey C., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Carver, Robert H. F., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Drews, Friedemann, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gaisser, Julia Haig, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Harrison, Stephen J., editor. edt http://id.loc.gov/vocabulary/relators/edt Harrison, Stephen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb James, Paula, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Leidl, Christoph, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Maurice, Lisa, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb May, Regine, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb May, Regine, editor. edt http://id.loc.gov/vocabulary/relators/edt Müller, Hendrik, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb O’Brien, Maeve, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Paschalis, Michael, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Pasetti, Lucia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Provencal, Vernon L., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ragno, Tiziana, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ranger, Holly, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Reitz, Christiane, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ruggeri, Luca, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Schultze, Clemence, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Siegel, Janice, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Simard, Jared A., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter DG Ebook Package English 2020 9783110696288 Title is part of eBook package: De Gruyter DG Plus DeG Package 2020 Part 1 9783110696271 Title is part of eBook package: De Gruyter De Gruyter English eBooks 2020 - UC 9783110659061 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2020 English 9783110704716 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2020 9783110704518 ZDB-23-DGG Title is part of eBook package: De Gruyter EBOOK PACKAGE Classical Studies 2020 English 9783110704839 Title is part of eBook package: De Gruyter EBOOK PACKAGE Classical Studies 2020 9783110704631 ZDB-23-DGD EPUB 9783110642001 print 9783110641196 https://doi.org/10.1515/9783110641585 https://www.degruyter.com/isbn/9783110641585 Cover https://www.degruyter.com/document/cover/isbn/9783110641585/original |
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Andreadakis, Zacharias, Andreadakis, Zacharias, Benson, Geoffrey C., Benson, Geoffrey C., Carver, Robert H. F., Carver, Robert H. F., Drews, Friedemann, Drews, Friedemann, Gaisser, Julia Haig, Gaisser, Julia Haig, Harrison, Stephen J., Harrison, Stephen J., Harrison, Stephen, Harrison, Stephen, James, Paula, James, Paula, Leidl, Christoph, Leidl, Christoph, Maurice, Lisa, Maurice, Lisa, May, Regine, May, Regine, May, Regine, May, Regine, Müller, Hendrik, Müller, Hendrik, O’Brien, Maeve, O’Brien, Maeve, Paschalis, Michael, Paschalis, Michael, Pasetti, Lucia, Pasetti, Lucia, Provencal, Vernon L., Provencal, Vernon L., Ragno, Tiziana, Ragno, Tiziana, Ranger, Holly, Ranger, Holly, Reitz, Christiane, Reitz, Christiane, Ruggeri, Luca, Ruggeri, Luca, Schultze, Clemence, Schultze, Clemence, Siegel, Janice, Siegel, Janice, Simard, Jared A., Simard, Jared A., |
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Andreadakis, Zacharias, Andreadakis, Zacharias, Benson, Geoffrey C., Benson, Geoffrey C., Carver, Robert H. F., Carver, Robert H. F., Drews, Friedemann, Drews, Friedemann, Gaisser, Julia Haig, Gaisser, Julia Haig, Harrison, Stephen J., Harrison, Stephen J., Harrison, Stephen, Harrison, Stephen, James, Paula, James, Paula, Leidl, Christoph, Leidl, Christoph, Maurice, Lisa, Maurice, Lisa, May, Regine, May, Regine, May, Regine, May, Regine, Müller, Hendrik, Müller, Hendrik, O’Brien, Maeve, O’Brien, Maeve, Paschalis, Michael, Paschalis, Michael, Pasetti, Lucia, Pasetti, Lucia, Provencal, Vernon L., Provencal, Vernon L., Ragno, Tiziana, Ragno, Tiziana, Ranger, Holly, Ranger, Holly, Reitz, Christiane, Reitz, Christiane, Ruggeri, Luca, Ruggeri, Luca, Schultze, Clemence, Schultze, Clemence, Siegel, Janice, Siegel, Janice, Simard, Jared A., Simard, Jared A., |
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Andreadakis, Zacharias, |
title |
Cupid and Psyche : The Reception of Apuleius’ Love Story since 1600 / |
spellingShingle |
Cupid and Psyche : The Reception of Apuleius’ Love Story since 1600 / Trends in Classics – Pathways of Reception , Frontmatter -- Preface -- List of contributors -- Table of Contents -- Introduction -- I. Baroque and the Influence of La Fontaine -- ‘Del soffrir degli affanni è dolce il fine’. Ancient myth and comic drama in G.F. Fusconi’s libretto (with G.F. Loredano and P. Michiel) for F. Cavalli, Amore innamorato (1642) -- Apuleius at the court of Louis XIV. Psyché (1671, 1678) and its English version (1675) -- How to use a wallpaper. Psyché et Cupidon—notice explicative -- Psyche in the salon. French interior decoration in the eighteenth century -- II. Romanticism and Philosophy -- ‘Pensive pleasures’ in prose and poetry. Apuleius, Mary Tighe and eighteenth-century Ireland -- The Platonic Ass: Thomas Taylor’s Cupid and Psyche in Context (1795–1822) -- Keats’s ‘Ode to Psyche’. Psyche as poetry and inspiration -- Sir Walter Scott’s Kenilworth and Apuleius’ tale of Cupid and Psyche -- Kierkegaard as a reader of Apuleius’ Metamorphoses -- Robert Bridges’ Eros and Psyche and its models -- III. Fin de Siècle and Psychology -- From Psyche to psyche. The interiorisation of Apuleius’ fabella in D’Annunzio, Pascoli, and Savinio -- Between Symbolism and Popular Culture. Cupid and Psyche in Fin de siècle Book Illustration -- Psyche the psychotic. Cupid and Psyche in Dr. Franz Riklin’s Wishfulfilment and Symbolism in Fairy Tales -- Psyche and Cupid in the Novels of Charlotte M. Yonge and Sylvia Townsend Warner -- IV. Twentieth Century and Modernism -- Eudora Welty’s The Robber Bridegroom. Cupid and Psyche on the Natchez Trace -- Cupid & Psyche and C.S. Lewis’ Till We Have Faces. A Christian-Platonic metamorphosis -- Faulkner’s reception(s) of Apuleius’ Cupid and Psyche in The Reivers -- ‘I have tried to be blind in love’. Psyche and the quest for feminine poetic autonomy in Sylvia Plath’s House of Eros -- V. New Audiences -- Cupid and Psyche for children -- Cupid and Psyche on stage in the 21st century -- Undertones of Apuleius’ Cupid and Psyche in Guillermo del Toro’s Pan’s Labyrinth -- Beauty and the Beast as a myth and metaphor in the contemporary world. Looking forward with Apuleius’ fable of Cupid and Psyche -- List of Figures -- Index |
title_sub |
The Reception of Apuleius’ Love Story since 1600 / |
title_full |
Cupid and Psyche : The Reception of Apuleius’ Love Story since 1600 / ed. by Regine May, Stephen J. Harrison. |
title_fullStr |
Cupid and Psyche : The Reception of Apuleius’ Love Story since 1600 / ed. by Regine May, Stephen J. Harrison. |
title_full_unstemmed |
Cupid and Psyche : The Reception of Apuleius’ Love Story since 1600 / ed. by Regine May, Stephen J. Harrison. |
title_auth |
Cupid and Psyche : The Reception of Apuleius’ Love Story since 1600 / |
title_alt |
Frontmatter -- Preface -- List of contributors -- Table of Contents -- Introduction -- I. Baroque and the Influence of La Fontaine -- ‘Del soffrir degli affanni è dolce il fine’. Ancient myth and comic drama in G.F. Fusconi’s libretto (with G.F. Loredano and P. Michiel) for F. Cavalli, Amore innamorato (1642) -- Apuleius at the court of Louis XIV. Psyché (1671, 1678) and its English version (1675) -- How to use a wallpaper. Psyché et Cupidon—notice explicative -- Psyche in the salon. French interior decoration in the eighteenth century -- II. Romanticism and Philosophy -- ‘Pensive pleasures’ in prose and poetry. Apuleius, Mary Tighe and eighteenth-century Ireland -- The Platonic Ass: Thomas Taylor’s Cupid and Psyche in Context (1795–1822) -- Keats’s ‘Ode to Psyche’. Psyche as poetry and inspiration -- Sir Walter Scott’s Kenilworth and Apuleius’ tale of Cupid and Psyche -- Kierkegaard as a reader of Apuleius’ Metamorphoses -- Robert Bridges’ Eros and Psyche and its models -- III. Fin de Siècle and Psychology -- From Psyche to psyche. The interiorisation of Apuleius’ fabella in D’Annunzio, Pascoli, and Savinio -- Between Symbolism and Popular Culture. Cupid and Psyche in Fin de siècle Book Illustration -- Psyche the psychotic. Cupid and Psyche in Dr. Franz Riklin’s Wishfulfilment and Symbolism in Fairy Tales -- Psyche and Cupid in the Novels of Charlotte M. Yonge and Sylvia Townsend Warner -- IV. Twentieth Century and Modernism -- Eudora Welty’s The Robber Bridegroom. Cupid and Psyche on the Natchez Trace -- Cupid & Psyche and C.S. Lewis’ Till We Have Faces. A Christian-Platonic metamorphosis -- Faulkner’s reception(s) of Apuleius’ Cupid and Psyche in The Reivers -- ‘I have tried to be blind in love’. Psyche and the quest for feminine poetic autonomy in Sylvia Plath’s House of Eros -- V. New Audiences -- Cupid and Psyche for children -- Cupid and Psyche on stage in the 21st century -- Undertones of Apuleius’ Cupid and Psyche in Guillermo del Toro’s Pan’s Labyrinth -- Beauty and the Beast as a myth and metaphor in the contemporary world. Looking forward with Apuleius’ fable of Cupid and Psyche -- List of Figures -- Index |
title_new |
Cupid and Psyche : |
title_sort |
cupid and psyche : the reception of apuleius’ love story since 1600 / |
series |
Trends in Classics – Pathways of Reception , |
series2 |
Trends in Classics – Pathways of Reception , |
publisher |
De Gruyter, |
publishDate |
2020 |
physical |
1 online resource (XII, 466 p.) Issued also in print. |
contents |
Frontmatter -- Preface -- List of contributors -- Table of Contents -- Introduction -- I. Baroque and the Influence of La Fontaine -- ‘Del soffrir degli affanni è dolce il fine’. Ancient myth and comic drama in G.F. Fusconi’s libretto (with G.F. Loredano and P. Michiel) for F. Cavalli, Amore innamorato (1642) -- Apuleius at the court of Louis XIV. Psyché (1671, 1678) and its English version (1675) -- How to use a wallpaper. Psyché et Cupidon—notice explicative -- Psyche in the salon. French interior decoration in the eighteenth century -- II. Romanticism and Philosophy -- ‘Pensive pleasures’ in prose and poetry. Apuleius, Mary Tighe and eighteenth-century Ireland -- The Platonic Ass: Thomas Taylor’s Cupid and Psyche in Context (1795–1822) -- Keats’s ‘Ode to Psyche’. Psyche as poetry and inspiration -- Sir Walter Scott’s Kenilworth and Apuleius’ tale of Cupid and Psyche -- Kierkegaard as a reader of Apuleius’ Metamorphoses -- Robert Bridges’ Eros and Psyche and its models -- III. Fin de Siècle and Psychology -- From Psyche to psyche. The interiorisation of Apuleius’ fabella in D’Annunzio, Pascoli, and Savinio -- Between Symbolism and Popular Culture. Cupid and Psyche in Fin de siècle Book Illustration -- Psyche the psychotic. Cupid and Psyche in Dr. Franz Riklin’s Wishfulfilment and Symbolism in Fairy Tales -- Psyche and Cupid in the Novels of Charlotte M. Yonge and Sylvia Townsend Warner -- IV. Twentieth Century and Modernism -- Eudora Welty’s The Robber Bridegroom. Cupid and Psyche on the Natchez Trace -- Cupid & Psyche and C.S. Lewis’ Till We Have Faces. A Christian-Platonic metamorphosis -- Faulkner’s reception(s) of Apuleius’ Cupid and Psyche in The Reivers -- ‘I have tried to be blind in love’. Psyche and the quest for feminine poetic autonomy in Sylvia Plath’s House of Eros -- V. New Audiences -- Cupid and Psyche for children -- Cupid and Psyche on stage in the 21st century -- Undertones of Apuleius’ Cupid and Psyche in Guillermo del Toro’s Pan’s Labyrinth -- Beauty and the Beast as a myth and metaphor in the contemporary world. Looking forward with Apuleius’ fable of Cupid and Psyche -- List of Figures -- Index |
isbn |
9783110641585 9783110696288 9783110696271 9783110659061 9783110704716 9783110704518 9783110704839 9783110704631 9783110642001 9783110641196 |
issn |
2629-2556 ; |
url |
https://doi.org/10.1515/9783110641585 https://www.degruyter.com/isbn/9783110641585 https://www.degruyter.com/document/cover/isbn/9783110641585/original |
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doi_str_mv |
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oclc_num |
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<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>09566nam a22011895i 4500</leader><controlfield tag="001">9783110641585</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20230228123812.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">230228t20202020gw fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783110641585</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9783110641585</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)530661</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1149442714</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">gw</subfield><subfield code="c">DE</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT004190</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Cupid and Psyche :</subfield><subfield code="b">The Reception of Apuleius’ Love Story since 1600 /</subfield><subfield code="c">ed. by Regine May, Stephen J. Harrison.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berlin ;</subfield><subfield code="a">Boston : </subfield><subfield code="b">De Gruyter, </subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (XII, 466 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Trends in Classics – Pathways of Reception ,</subfield><subfield code="x">2629-2556 ;</subfield><subfield code="v">1</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Preface -- </subfield><subfield code="t">List of contributors -- </subfield><subfield code="t">Table of Contents -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">I. Baroque and the Influence of La Fontaine -- </subfield><subfield code="t">‘Del soffrir degli affanni è dolce il fine’. Ancient myth and comic drama in G.F. Fusconi’s libretto (with G.F. Loredano and P. Michiel) for F. Cavalli, Amore innamorato (1642) -- </subfield><subfield code="t">Apuleius at the court of Louis XIV. Psyché (1671, 1678) and its English version (1675) -- </subfield><subfield code="t">How to use a wallpaper. Psyché et Cupidon—notice explicative -- </subfield><subfield code="t">Psyche in the salon. French interior decoration in the eighteenth century -- </subfield><subfield code="t">II. Romanticism and Philosophy -- </subfield><subfield code="t">‘Pensive pleasures’ in prose and poetry. Apuleius, Mary Tighe and eighteenth-century Ireland -- </subfield><subfield code="t">The Platonic Ass: Thomas Taylor’s Cupid and Psyche in Context (1795–1822) -- </subfield><subfield code="t">Keats’s ‘Ode to Psyche’. Psyche as poetry and inspiration -- </subfield><subfield code="t">Sir Walter Scott’s Kenilworth and Apuleius’ tale of Cupid and Psyche -- </subfield><subfield code="t">Kierkegaard as a reader of Apuleius’ Metamorphoses -- </subfield><subfield code="t">Robert Bridges’ Eros and Psyche and its models -- </subfield><subfield code="t">III. Fin de Siècle and Psychology -- </subfield><subfield code="t">From Psyche to psyche. The interiorisation of Apuleius’ fabella in D’Annunzio, Pascoli, and Savinio -- </subfield><subfield code="t">Between Symbolism and Popular Culture. Cupid and Psyche in Fin de siècle Book Illustration -- </subfield><subfield code="t">Psyche the psychotic. Cupid and Psyche in Dr. Franz Riklin’s Wishfulfilment and Symbolism in Fairy Tales -- </subfield><subfield code="t">Psyche and Cupid in the Novels of Charlotte M. Yonge and Sylvia Townsend Warner -- </subfield><subfield code="t">IV. Twentieth Century and Modernism -- </subfield><subfield code="t">Eudora Welty’s The Robber Bridegroom. Cupid and Psyche on the Natchez Trace -- </subfield><subfield code="t">Cupid & Psyche and C.S. Lewis’ Till We Have Faces. A Christian-Platonic metamorphosis -- </subfield><subfield code="t">Faulkner’s reception(s) of Apuleius’ Cupid and Psyche in The Reivers -- </subfield><subfield code="t">‘I have tried to be blind in love’. Psyche and the quest for feminine poetic autonomy in Sylvia Plath’s House of Eros -- </subfield><subfield code="t">V. New Audiences -- </subfield><subfield code="t">Cupid and Psyche for children -- </subfield><subfield code="t">Cupid and Psyche on stage in the 21st century -- </subfield><subfield code="t">Undertones of Apuleius’ Cupid and Psyche in Guillermo del Toro’s Pan’s Labyrinth -- </subfield><subfield code="t">Beauty and the Beast as a myth and metaphor in the contemporary world. Looking forward with Apuleius’ fable of Cupid and Psyche -- </subfield><subfield code="t">List of Figures -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Apuleius’ tale of Cupid and Psyche has been popular since it was first written in the second century CE as part of his Latin novel Metamorphoses. Often treated as a standalone text, Cupid and Psyche has given rise to treatments in the last 400 years as diverse as plays, masques, operas, poems, paintings and novels, with a range of diverse approaches to the text.Apuleius’ story of the love between the mortal princess Psyche (or “Soul”) and the god of Love has fascinated recipients as varied as Romantic poets, psychoanalysts, children’s books authors, neo-Platonist philosophers and Disney film producers. These readers themselves produced their own responses to and versions of the story. This volume is the first broad consideration of the reception of C&P in Europe since 1600 and an adventurous interdisciplinary undertaking. It is the first study to focus primarily on material in English, though it also ranges widely across literary genres in Italian, French and German, encompassing poetry, drama and opera as well as prose fiction and art history, studied by an international team of established and young scholars.Detailed studies of single works and of whole genres make this book relevant for students of Classics, English, Art History, opera and modern film.</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Cupid and Psyche (Tale) in literature.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Rezeption.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Apuleius.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Lateinischer Roman.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Rezeption der Antike.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / Ancient & Classical.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Apuleius.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Cupid and Psyche.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Latin novel.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">reception.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Andreadakis, Zacharias, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Benson, Geoffrey C., </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Carver, Robert H. F., </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Drews, Friedemann, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gaisser, Julia Haig, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Harrison, Stephen J., </subfield><subfield code="e">editor.</subfield><subfield code="4">edt</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Harrison, Stephen, 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