Naturalismen : : Kunst, Wissenschaft und Ästhetik / / hrsg. von Robert Felfe, Maurice Saß.

• Superior document: Title is part of eBook package: De Gruyter DG Plus DeG Package 2019 Part 1
• MitwirkendeR: Augart, Isabella,; Brevern, Jan von,; Bussels, Stijn,; Felfe, Robert,; Haarer, Andrea,; Heuer, Christopher P.,; Kinsky, Esther,; Leonhard, Karin,; Müller, Philipp,; Olariu, Dominic,; Saß, Maurice,; Toepfer, Georg,; Wellmann, Janina,; Zenck, Martin,; Zimmermann, Michael F.,
• HerausgeberIn: Felfe, Robert,; Saß, Maurice,
• Place / Publishing House: Berlin ;, Boston : : De Gruyter, , [2019]; ©2019
• Year of Publication: 2019
• Language: German
• Series: Naturbilder / Images of Nature , 9
• Physical Description: 1 online resource (224 p.)
• Other title: Frontmatter --; Inhaltsverzeichnis --; Warum Naturalismen? --; Gestörtes Gelände --; Herbs under Pressure --; Hans Hoffmanns Hase --; Bayern beschreiben --; Farbtafeln --; The Savage Episteme --; Discussions on Naturalism in the Dutch Golden Age --; Die Natürlichkeit des Kunstwerks --; Naturästhetik der Musik --; Victor Hugos schwarzes Wasser --; Naturgeschichtlicher Naturalismus und naturwissenschaftlicher Antinaturalismus in neuzeitlichen Biodiversitätsbildern --; Degas’ „grausamer Beobachter“ --; Sieht so Krieg aus? --; Natur als Ereignis in den modernen Lebenswissenschaften --; Abstracts --; Abbildungsnachweise
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9783110592436; 9783110762464; 9783110719567; 9783110605785; 9783110664232
• ISSN: 2367-1955
• DOI: 10.1515/9783110592436
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: hrsg. von Robert Felfe, Maurice Saß.

As is well known, the term naturalism has carried a multitude of meanings. It generally designates the qualities of an artwork that are considered characteristic of a specific time period or movement, or even defines a stylistic epoch. However, even if considered systematically, meanings of naturalism diverge quite profoundly depending on the context of usage. What is true of all the various tendencies, methods and works is that they strive toward the imitation of nature or a heightened level of reality. This raises the question as to how techniques of pictorial description and varieties of illusionism produce knowledge. To what extent do instances of objectivity and claims to truth derive from the apparent withdrawal of artistic intervention? Interdisziplinäre Beiträge zu den verschiedenen Spielarten von Illusionismus